Doc Corner: 'Janet Jackson.' and 'Poly Styrene: I Am a Cliché'

By Glenn Dunks

British X-Ray Spex frontwoman Poly Styrene and American pop superstar Janet Jackson are two very different musicians. It stands to reason that any biographic documentary about either would be wildly unalike. Although both artists are boundary-pushing women of colour in music, on very basic metrics, Poly Styrene: I Am a Cliché and Janet Jackson. are indeed very different. One is a exploration of a punk icon’s chaotic life and early death in all of its subject’s messy, unglamorous glory. The other is a sprawling, four-part work of popumentary that venerates and celebrates with high-gloss entertainment. However, it is in the areas where these projects intersect where one project finds its strengths and the other, unfortunately, falters...

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SXSW: The possibilities of documentary portraiture

by Cláudio Alves

Before saying goodbye to SXSW 2021, I'd like to shine a light on some of the documentaries presented at this online edition of the festival. As it happens, many of the most interesting films I saw from the selection were docs, specifically the sort of non-fiction cinema that functions as a portrait of the individual. At the very least, the sort that presents itself as such. From idiosyncratic political profiles to feats of music journalism, from straight biography to epistemological investigations, the filmmakers of SXSW showcased the possibilities of documentary portraiture…

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