Doc Corner: 'End of the Line: The Women of Standing Rock'

By Glenn Dunks

The politics of protest are always going to provide filmmakers with the sort of loaded emotions that make for good movies. Even when peaceful, the fractured dynamics of a society that continuously pits side against side in the fight for progressive ideas have long produced the sorts of anger and fierce determination that explode on camera. Racial equality (and more recently, Black Lives Matter), queer rights and women’s liberation have all been seen in compelling documentaries for decades.

But as environmental issues become more engrained as a fixture in the political and societal landscape, the street-battles to protect the only Earth we have are just as pertinent even if they perhaps lack the more personal connections that so many of us find in narratives of struggle and protest. In fact, Shannon Kring’s End of the Line: The Women of Standing Rock finds much of its power in the way race, gender and the environment overlap in the fight for our planet's future.

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Doc Corner: 'Truman & Tennessee: An Intimate Conversation'

By Glenn Dunks

I think it is fair to say that Lisa Immordino Vreeland has a preoccupation with the upper class. Beginning with her feature debut in 2011—Diana Vreeland: The Eye Has to Travel about the famed French-American fashion editor (also her own grandmother-in-law)—and on through other titles about more mid-century well-to-dos, Vreeland has carved a niche out of documentary portraits that tend to coast on the infamy of the rich and famous. I have enjoyed some (2017’s Love, Cecil) more than others (2015’s Peggy Guggenheim: Art Addict).

Her latest is Truman & Tennessee: An Intimate Conversation, which finds Vreeland more or less still pre-occupied with high society. A slick twist to the structural formula casts Jim Parsons and Zachary Quinto as unseen mouthpieces for the words of Truman Capote and Tennessee Williams...

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Doc Corner: Tribeca '21 — 'Socks on Fire' and 'North by Current' explore queerness in rural America

By Glenn Dunks

It’s thankfully no longer all that rare to see stories of queer people in rural settings. Especially in documentary. But that doesn’t make it any less special to see their stories—once so often relegated to traumatic narratives centering violence—told by queer filmmakers. Two films in particular at the recently wrapped Tribeca Film Festival examined the changing dynamics of (some) American small-town life. Both take elements of memoir and even non-traditional storytelling to create unique films that make strong arguments for the sheer human decency that many in minority communities desire.

While Bo McGuire’s Socks on Fire and Angelo Madsen Minax’s North by Current tell stories that confront the still very tangible realities of being LGBTQ+ outside of the more accepting big cities, they do so with artistic flair and the confidence that comes from generational change...

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Doc Corner: Tribeca '21 — 'Stateless' and other racial justice docs

By Glenn Dunks

The idea of statelessness is sadly a timeless one. In the last year alone there have has been Michèle Stephenson’s documentary Stateless (Apátrida) about Dominican-born Haitians, and the Australian refugee drama of the same name (yes, the one with Cate Blanchett as a cult leader). Plus you only need to turn read the news about Palestine or Syria or too many other places on this Earth to see it and it can often feel like there is nothing that can be done. Is it statelessness or hopelessness?

In the commanding Stateless, director and producer Stephenson—whose most noted film to date is 2013’s Emmy-nominated and Sundance-winning American Promise—ventures into the politically fraught island territory of Hispaniola. It is the home of both the Dominican Republic and Haiti, and the Canadian filmmaker of Haitian-Panamanian descent (who resides in the United States) has made a really quite remarkable work that is eye-opening for both its story as well as its rich visuals.

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Streaming Review: "Changing the Game"

by Nathaniel R

Mack loves to wrestle but he's forced to do it on the girls team

It can take movies a long time to make it from regional cinephile parties (aka film festivals) to mass consumption via streaming services / movie theaters. Even longer if there's extenuating circumstances like, oh, a pandemic. Case in point, the trans youth sports documentary Changing the Game which just started streaming on Hulu. I first saw the film in the summer of 2019 at the Austin Gay and Lesbian Film Festival where I served on the jury (that's me waving at the end). We awarded it Best Documentary Feature. 

The conversations around trans youth, as well as trans men and women in sports, have only gotten louder in the intervening two years so in some ways it's right on time. Herewith from my original take...

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