74th Cannes. Un Certain Regard, Special Screenings, and More...

by Nathaniel R

Todd Haynes' first documentary is about the seminal band, THE VELVET UNDERGROUND

We've already looked at the competition lineup so here are the other key sections. It's worth noting that though the press mostly focuses on the Competition films, sometimes the buzziest titles come from other sections. There are some juries that pull from multiple sections too like the Camera d'Or jury (which honors first films), as well as two unofficial but exciting competitions, the Queer Palm and the fan favourite the Palm Dog (which names the best dog in the festival... and it's often much more competitive than you'd think with some years offering multiple win-worthy candidates). Director's Fortnight and Critics Week lineups haven't been announced yet but here are the rest of them...

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Doc Corner: Sundance hit 'All Light, Everywhere'

By Glenn Dunks

For an essay film, it makes a lot of sense for All Light, Everywhere to be full of ideas. It’s been a long time since my essay writing days, but I generally think that a lot of ideas is a good place to start. But also like an essay, it could probably have used another go around the editing block. There are a lot of promising threads in Theo Anthony’s film, but the director of Rat Film can’t quite weave them together into something that transcends its (very smart in theory) concept.

In many ways, Anthony’s film comes across as a traditional documentary about the rise of technology in community policing—predominantly bodycams and surveillance drones. At least initially. This segment, the doc’s most prominent through-line, is often very interesting if maybe a little repetitive...

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Doc Corner: Jia Zhangke's 'Swimming Out Till the Sea Turns Blue'

By Glenn Dunks

Jia Zhangke is one of my favorite working directors. His dramatic features about contemporary Chinese life in the face of widespread modern upheavals are frequently works of masterful elegance. As rich in political and social context as they are well-acted and beautifully crafted. His works of non-fiction present something dramatically quieter; naturally a bit harder to engage with; like his 2007 garment factory doc Useless, modest and observational.

In many ways, his latest film shares that lack of narrative flare. Something that no doubt added to its quieter festival reception in 2020. But Swimming Out Till the Sea Turns Blue nonetheless has something of a keener eye and so, even when the importance of its subjects may be lost on a western audience, it finds burrows of ideas that flourish through a veil of unexpected stylistic choices.

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Doc Corner: Alex Gibney's 'The Crime of the Century'

By Glenn Dunks

Hey look, Alex Gibney is back! It was only last October that the prolific American filmmaker was releasing his rush-produced COVID-19 documentary, Totally Under Control, in time for the U.S. elections. Now he has a two-part HBO documentary about America’s opioid epidemic and its origins in crime. It's boldly titled The Crime of the Century. Given what we see unfold, and with 500,000 dead since 2000, that title is somewhat apt.

Naturally, it all comes down to capitalistic greed. You probably didn’t need me—or Gibney for that matter—to tell you that. But it does bear repeating. And over its four-hour runtime there are certainly plenty of opportunities to do so...

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King McQueen On Every Screen

by Jason Adams

Steve McQueen, the man who directed five, count 'em, five of last year's best films with his Small Axe series, is about to confound everybody fixated on old-fashioned definitions of Art all over again with a new three-part thingamajig for the BBC called Uprising.  THR is calling it a "docuseries" and this one, on paper, does admittedly sound more like a proper old-fashioned series than the Small Axe anthology ended up seeming (to me). We'll  wait and see how McQueen confounds our expectations, since he does always love to do that, and to stunning effect. And hey if awards voting bodies can't keep up with where and how the art is happening that's their fault, not the artists.

Uprising will focus in closer on the 1981 events that formed the backdrop of Axe's fourth chapter "Alex Wheatle" -- namely the New Cross Fire which killed 13 young people, and the Black People's Day of Action and then the Brixton Riots which followed right on its heels. It's not entirely clear if this will be entirely a documentary -- McQueen's quoted as saying it will be drawn from "testimonials" of the people involved -- or if there will be a hybrid project with a fictionalized mix of recreations. Not that McQueen needs help but I'm hoping he draws some inspiration from Raoul Peck's recent HBO series Exterminate All the Brutes, which threw absolutely everything at us all at once and blew my socks straight off in the process.