Doc Corner: The other Khashoggi film of 2020, 'The Dissident'

By Glenn Dunks — No column next week as I will be taking a week off for rest and relaxation over the Christmas season.

Not for the first time this year, the story of Jamal Khashoggi has been told in a documentary that tries—excessively, exhaustively—to be as thrill-a-minute as a Hollywood blockbuster. I wasn’t a fan of it last time and I’m not a fan of it this time, either. Bryan Fogel’s The Dissident is better than that earlier title, Rick Rowley’s Kingdom of Silence; it’s better than his 2018 Oscar winner, Icarus, too, but that isn’t saying much.

What is it about Khashoggi that makes filmmakers think they’re directing an episode of Homeland? Is it simply the key settings of Saudi Arabia and Turkey that inspires such busy and scattered movies?

Click to read more ...

Oscar Chart Updates: Animated & Documentary Feature

by Nathaniel R

The Oscar charts overhaul is upon us. Let's discuss each category. First up a two-fer, Animated Feature and Documentary Feature. In both instances we don't have full eligibility lists yet but we know some of the titles that have qualified or will qualify.

ANIMATED FEATURE
We currently know of 15 features that are eligible or that plan to be. Since the threshold is only 16 films to create a full five-wide nominee field, we've decided to change our previous three-only prediction. (We'd love those odds if we were animated producers. It's so crazy easy to get nominated, statistically speaking, unlike other categories where hundreds of competitors vie for 5 slots. As we've said multiple times if the same percentage rules applied to Best Picture each year we'd have like 80-90 Best Picture nominees each year. Teehee.)

The contest is shaping up to be a battle royale between Pixar's Christmas entry Soul and the wondrously individualistic Cartoon Saloon's Wolfwalkers...

Click to read more ...

Cinema Eye doc nominations

by Nathaniel R

"Time" keeps racking up the honors

The Cinema Eye Honors are now in their 14th year and considered an influential prize for documentary films. Prison sentence justice movie Time leads the nominations with six but two competitors for the top prize, Romania's political corruption doc Collective (Romania's Oscar submission) and Norway's farm doc Gunda aren't far behind with four nominations. 

Outstanding Nonfiction Feature
“Boys State”
“Collective”
“Dick Johnson is Dead”
“Gunda”
“Time”

The full list of nominations and links to our reviews are after the jump...

Click to read more ...

Doc Corner: A 'Mayor' in Palestine

By Glenn Dunks

Documentaries about bureaucracy can be tricky. Not everybody has the luxury of being Frederick Wiseman and be given over four hours to luxuriate in the minutiae of a major city’s political processes like he did in this year’s City Hall. And if nothing particularly interesting happens then all you’re left with is a movie about people pushing paper around for 90 minutes, which would thrill me by doubtful many others. American director David Osit is at something of an advantage with Mayor, however; set in the city of Ramallah in the Palestinian West Bank.

You could be forgiven for thinking that Osit has missed the obvious story right in front of his face. For the opening stretches of Mayor, about Ramallah’s Mayor Musa Hadid, the director is seemingly content to focus on administrative nonsense including an amusing, extended narrative strand around Hadid’s inability to grasp the concept of city branding (as a public servant myself, I related). I was beginning to think that this film would be just a curious diversion showing how life in the Palestinian National Authority does carry on.

But Osit proves to be much smarter than that in how he has structured Mayor...

Click to read more ...

Doc Corner: 'Leap of Faith: William Friedkin on The Exorcist'

By Glenn Dunks

We’re back with another film about the making of a classic movie (after last week's Television Event), this time a title that's streaming right now on Shudder. It is Alexandre O. Phillippe doing his thing; a horror behind-the-scenes-doc majestically titled Leap of Faith: William Friedkin on The Exorcist. Artistically speaking, it is probably his best movie yet. (But from me that’s faint praise indeed.)

The problem with a director like Phillippe is that he tends to take incredible works of art and then bleeds them dry. 78/52, his most well-known feature to date, somehow turned the shower sequence of Hitchcock’s Psycho into a routine film school dissertation. He takes iconic horror and performs a very practical (to the point of strict orderliness) dissection. The intellectual passion is there, but that doesn’t necessarily always make for the most scintillating of viewing.

It would have been easy to make a more traditional making-of documentary about The Exorcist. Hell, there’s enough of them out there to prove that. (I would recommend the Exorcist episode of Shudder’s Cursed Films if you want more of the making of style).  What makes Leap of Faith interesting is that Phillippe has done something of the opposite...

Click to read more ...