Oscar's Foreign Race Pt 6 - Stats, Genres, and Queer Cinema

by Nathaniel R

"And Suddenly the Dawn" is the longest film hoping for a foreign Oscar nomination this year at 3 hours and 15 minutes

We've been digging into the 87 films that are up for the Academy Award in Foreign Language Film. So far we've watched the trailers, talked about female directors, first time filmmakers, and international hunks. Today a collection of scattered trivia regarding the list as well as the LGBTQ films in the running. 

LONGEST & SHORTEST
Running times are, we admit, a peculiar TFE obsession but it is what it is. The longest submission this year is Chile's And Suddenly the Dawn at 195 minutes. It's a sprawling fictional biography of a writer returning home after a long absence and takes place in three different time periods of his life: childhood in the 1940s, adulthood in the 1960s/70s, and present day old age. Did their win last season embolden Chile the way directors often get more longwinded the more famous they get? Germany's Never Look Away (just reviewed) and Turkey's The Wild Pear Tree are the only other absurdly long films, each over 3 hours (188 minutes each to be exact). The shortest entries are Costa Rica's university student pregnancy drama Medea (70 minutes) and Lithuania's sports documentary Wonderful Losers (71 minutes) but there are actually quite a few entries that are hovering just below the perfect movie length of 90 minute. In other words, a lot of international filmmakers kept it tight.

Thailand's Malila: The Farewell Flower

Queer cinema, double-category contenders, and more after the jump...

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Doc Corner: Movie Stars - Fonda, Kael and Dukakis

by Glenn Dunks

DOC NYC is still going in New York, running until this Thursday the 15th. We’re looking at just a very small selection of films screening at the festival including these today based around three iconic names in American cinema: film critic Pauline Kael, and Oscar-winning actors Jane Fonda and Olympia Dukakis.

WHAT SHE SAID: THE ART OF PAULINE KAEL
I noted on social media as I sat down to watch my screener of Rob Garver’s biography that there were certainly worse ways to spend one’s Sunday evening than surrounded by the words of the late, great Pauline Kael and an abundance of film clips. Sometimes a film can give you exactly what you ask for and that’s exactly what I received from What She Said: The Art of Pauline Kael about the much loved (and loathed) film critic...

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Critics Choice Documentary Winners 2018

In an unusually successful year for documentaries in terms of audience interest, two of the biggest hits, Won't You Be My Neighbor? ($22.6 million) and Free Solo ($7.3 million and climbing) now have yet more to crow about. They each won three prizes at the 3rd annual Critics Choice Documentary Awards last night. Though they both appear to be likely future Oscar nominees you just never know with the documentary branch. 

The winners in each of the Critics Choice doc categories are listed after the jump... 

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The 166 Documentaries Competing for Oscar's Love

Yesterday AMPAS released the list of the documentaries that are eligible for this year's Oscar. The list is always crazy long (even longer than the other top 'specialty' prize -foreign language film). Members of the doc branch have 166 films to sift through from which they will draw a final 15 and then vote from those 15 for the 5 nominees. We wish the Foreign Film committee would do the same since it strikes us as odd that they only get 9 finalists. But we digress.

Because Glenn Dunks does such fine work for us here in his series Doc Corner, we've already written up 24 of these contenders. If the title is linked below it goes to our review. The complete list of eligible documentaries follows after the jump...

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Doc Corner: DOC NYC - Michael Moore's 'Fahrenheit 11/9'

DOC NYC is currently underway in New York and one of the great things is that alongside all the world, American, and New York premieres, the festival includes significant documentary titles from throughout the year. We’re using this opportunity to catch up with the latest from Michael Moore, Fahrenheit 11/9, which screened at the fest and is still in limited release across America.

Love him or loathe him – or probably more likely, sit somewhere in the middle of the two emotions – it’s hard to overstate Michael Moore’s importance to American documentary filmmaking. It’s not often that documentaries become pop culture touchstones and he has several that have become just that. The film that this new title is theoretically a sequel to will likely remain the highest grossing documentary of all time for the foreseeable future of cinema. It is interesting to note, however, that the two biggest zeitgeist-hitting political documentaries of the new century – that would be Fahrenheit 9/11 and An Inconvenient Truth – have floundered at the box office with much-belated sequels. Are audiences simply too bombarded by news that the thought of going to see a two-hour movie about the horrors of modern politics is just too much to bear?

Moore's decision to make a sequel to Fahrenheit 9/11 makes a lot of sense in theory, although watching the final product is a curious experience.

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