Doc Corner: 'Jane' is Our Oscar Frontrunner

by Glenn Dunks

We are informed at the beginning of Jane that the footage we are about to see had been previously lost. While it is absolutely astonishing that such incredible footage could have somehow just vanished and nobody thought to look for it before now, let's be thankful. It means we get Jane, a compelling and often awe-inspiring documentary from Oscar-nominated filmmaker Brett Morgen.

Jane is gorgeously composed documentary. An exciting play of form that that swings among the vines thanks to the prowess of contemporary rhythms of structure and construction, yet hums to the classic, even nostalgia-inducing visions at its heart...

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Streamable doc short finalists: "Kayayo" and "Ten Meter Tower"

by Nathaniel R

TEN METER TOWER

This week the Academy announced the ten finalists for documentary short and the ten finalists for animated short.  The Oscar charts are updated. At least 5 of those 20 are available to watch online. You've probably already seen the wonderful animated coming-out short "In a Heartbeat" that was so popular online earlier this year but it won't be the only tiny Oscar-seeker with big value. That's why the short categories are wonderful, quite often you get much artistic bang for little buck.

Will get to the animated docs later but of the ten doc short Oscar options there are four you can watch online...

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Oscar Narrows the Documentary Feature Field

Chris here, with more Oscar bake off lists. Today we have the 15 films advancing in the Documentary Feature race, many of which we have covered here at The Film Experience in Glenn's column Doc Corner. The eventual lineup could include two recent Honorary Oscar winners: Frederick Wiseman (Ex Libris: New York Public Library) and Agnès Varda (Faces Places, with JR), neither of who had ever been nominated in the category. Al Gore could be returning to the Oscars, as the follow-up to winning climate change doc An Inconvenient Truth has also advanced. Take a look at the rest of the list:

• Abacus: Small Enough to Jail
• Chasing Coral
• City of Ghosts
• Ex Libris: New York Public Library
• Faces Places
• Human Flow
• Icarus
• An Inconvenient Sequel: Truth to Power
• Jane
• LA 92
• Last Man in Aleppo
• Long Strage Trip
• One of Us
• Strong Island
• Unrest

Some beloved players that missed the lineup include Kedi, Whose Streets?, Dawson City: Frozen Time, and Casting JonBenet to just name a few. Jane, featuring recently rediscovered footage from Jane Goodall's study of apes, might be the early frontrunner thanks to a few wins with NBR and Critics Choice. Oscar Chart here!

Doc Corner: 'LA 92' and 'Let It Fall: Los Angeles 1982-1992'

by Glenn Dunks

It’s not surprising that the spectre of the Los Angeles riots of 1992 has loomed large over documentary filmmaking this year. Emerging out from shadow of O.J. Simpson, whose story was everywhere in 2016, the 25th anniversary of this monumental moment in American history has been the focus of not just (by my count) five feature documentaries, but has also felt like an integral part of more contemporary films like Sabaah Folayan and Damon Davis’ Whose Streets, Yance Ford’s Strong Island, and Peter Nicks’ The Force.

It would make sense then that these films, which largely pull from many of the same archival footage sources, might be in danger of working against one another. Dampening their urgency and their power simply by being too numerous.

However, at least in the case of Dan Lindsay and TJ Miller’s LA 92 and John Ridley’s Let It Fall: Los Angeles 1982-1992, that is certainly not what has occurred...

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Doc Corner: 'Bombshell: The Hedy Lamarr Story'

More often than not, biographic documentaries can feel staid in the way they so relentlessly follow a basic Point A to Point B narrative. It is understandable, really. After all, one must suppose that if somebody is interesting enough to have a documentary made about them, then they must be interesting enough to sustain 90 minutes without the need for their story to be gussied up with stylistic bells and tricky whistles.

Still, watching as many of these sort of films as I do, it can grow tiresome and can take me out of whatever spell the filmmaker hopes to cast.

And then there is a movie like Bombshell: The Hedy Lamarr Story. This is a film that it would be easy to pigeonhole before the opening scene has even begun - and it’s true that Alexandra Dean’s film adheres to a very traditional birth-to-death narrative. But what makes the film so interesting beyond its subject is the way it turns what could be perceived as just standard bio-doc delivery into a unique advantage.

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