Come to "Show Business: The Road to Broadway" this Sunday!

by Nathaniel R

Hello all. A week or so ago I moderated a screening of Mean Girls (2004) for Show-Score's new Stage and Screen series with two members of the new stage musical's team (The Broadway version of Tina Fey's classic officially opens this Sunday).

I'm doing another Q&A so come! This Sunday at 1:00 PM I'll be speaking with director/producer Dori Berinstein about her documentary Show Business: The Road to Broadway (2007) which follows four musicals during the seminal 2003/2004 Broadway season: the blockbuster Wicked, the little scrappy show that could (and did) Avenue Q, Tony Kushner and Jeanine Tesori's brilliant Caroline or Change, and the troubled Boy George musical Taboo.  I saw all the big shows that year (a rare occurrence) and loved all four of the musicals this doc follows so that season remains special to my heart.

The movie has awesome rehearsal and backstage footage and all sorts of brilliant taking heads like Tony Kushner, Carol Channing, Alan Cumming and many more.

Idina and Kristin rehearsing Wicked in 2003.

When: Sunday, April 8 at 1:00 PM
Where: Peter Norton Symphony Space's Leonard Nimoy Thalia (2537 Broadway at 95th).

If you'd like to attend as my guest, please e-mail me and I'll arrange it. Would love to have some TFE readers there! Come support my stage fright AND see a fun movie that isn't streaming anywhere.

Doc Corner: 'Grace Jones: Bloodlight and Bami'

By Glenn Dunks

Documentaries about musicians can feel like a dime a dozen. It’s no wonder, too, since they’re such easy sells for festivals and home entertainment in a market that is over-saturated with exhibitors and distributors in need to properties that don’t require elaborate marketing campaigns -- just a hope and a prayer that they will ‘catch on’.

Grace Jones: Bloodlight and Bami is not exactly one of those films. It is unconventional as rock docs go in a whole host of ways, but it’s also a film that even its subject’s fans may struggle with. It eschews a typical birth-to-death narrative and instead focuses on Grace’s experiences in Jamaica and Paris recording her 2008 album Hurricane, recorded in garish lo-fi digital video, juxtaposed against richly filmed concert footage that echoes her 1982 One Man Show. It’s a documentary that leaves questions – like what exactly are “Bloodlight" and "Bami” (I had to look them up)? Why did it take so long to complete? 

 It drifts by for 115 minutes on its own sort of trippy wavelength which is, if you think about it, entirely appropriate for a documentary about Miss Grace Jones, one of the most enigmatic and exciting pop stars of the 20th century...

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Doc Corner: 'Leaning Into the Wind'

By Glenn Dunks

As a medium, film is a record forever. An actor can give a stunning performance on a stage, but without a camera to capture it, it remains somewhat in the ether – a happening, an instance, a moment in time that can only truly live on in the mind of those who witnessed it. Of course, that doesn’t make it any less valid or worthy, but it’s something worth considering as we watch movies that they, even fictional ones, are ultimately a document of the emotions and the energy and the craft that was put into it, captured forever for anybody to experience.

I thought of this as I watched Thomas Riedelsheimer’s Leaning into the Wind: Andy Goldsworthy because it is a film that will live on as the only document of some of Goldsworthy’s work. The artist is known predominantly for his works that incorporate nature and are often finite in their existence.

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Doc Corner: Andre Leon Talley and Jayne Mansfield Lead the Melbourne Queer Film Festival

By Glenn Dunks

Down here in Melbourne where I live, the Melbourne Queer Film Festival is gearing up for its 28th year. It's got the best line-up I have ever seen for the festival, and in particular the documentary section is full of must see titles. I know The Film Experience readers like to hear about LGBTQI cinema so I thought I'd choose three that focus on the movies and pop culture worlds to look at that will hopefully make their way to cinemas and VOD soon: The Gospel According to Andre, Mansfield 66/67 and Queerama.

THE GOSPEL ACCORDING TO ANDRE

Shame on me, I suppose, for putting on The Gospel According to André and expecting a breezy 90 minutes of glam connoisseur André Leon Talley dishing cutting fashion commentary in caftans and calling everybody “darling” while rattling off designer names like he’s Edina in that Pet Shop Boys song about Absolutely Fabulous. Names! Names! Names!

Talley is, after all, a mainstay of fashion documentaries since his appearances in the classics Unzipped and Catwalk from 1995 on through the likes of The September Issue, The First Monday in May, Valentino: The Last Emperor and the recent House of Z about Zac Posen. What I did not expect from Kate Novack’s documentary was a film that takes the story of one of the American fashion world’s most iconic and recognisable names as a launching pad for an exploration of race and racism through history via the POV of a gay black man.

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Doc Corner: 'The China Hustle'

By Glenn Dunks

There is immediately something to be admired in a film that begins with a talking head stating very matter-of-factly that “There are no good guys in this story, including me.” I mean, well damn, okay. The China Hustle is a film that begins and ends in a pit of greed and contempt, charting how the financial crisis of 2008 and the rise of the Chinese economy played rather conveniently into one another and how a brand new variety of stock fraud is being committed on the American people.

Directed by Jeff Rothstein who was Oscar nominated in 2010 for his documentary short Killing in the Name, The China Hustle exposes the growing problem on the American stock exchange of Chinese companies over-inflated their worth and effectively dropping a timebomb on the market with the help of shell companies and China’s lax company laws aided by pure old fashioned greed as auditors and lawyers blatantly misrepresent and mislead the public for their own profits.

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