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Wanting movies to be projected on a screen in public, as they have been since their inception, is now the height of arrogance. Got it.
— Scott Tobias (@scott_tobias) July 20, 2017






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Wanting movies to be projected on a screen in public, as they have been since their inception, is now the height of arrogance. Got it.
— Scott Tobias (@scott_tobias) July 20, 2017
Chris here. The ninth season of RuPaul's Drag Race came to a close last night with the series's most dramatic conclusion ever. At last week's reunion, Mama Ru teased that a sudden death lipsync battle would crown America's Next Drag Superstar from our beloved top four. This curveball was another shakeup from the show's formula, and feels like how the winner should have been chosen all along. While past seasons' crownings have been dull slogs to awarding an obvious winner, this kept the competition alive until the very second - and gave us two all-time great lipsync performances from the ultimate champion.
Trinity Taylor was the randomly selected first queen and chose Peppermint as her opponent, pitting a potential frontrunner against underdog lipsync assassin. But that meant leaving besties Sasha Velour and Shea Couleé to duke it out...
Chris here, with a quick RuPaul's Drag Race check-in! By now I'm sure you've seen our Mama Ru is on the cover of Entertainment Weekly! If you wanted some bonafide proof that the cult show is now firmly in the mainstream, look no further. And don't forget that this season was actually still produced by Logo before the move to VH1 - expect season ten and the inevitable All Stars 3 to be huge.
This was was the reunion before next week's finale crowning, and each of the queens were in peak gorgeousness. But honey did this rehash make up for every single complaint that contestants about a lack of shade over the entire season. While most Drag Race reunions have been forgettable in later seasons (remember the unfiltered days of Tammie Brown daring to shade Ru herself?), this one ended with a bang.
It's Pride month, so this week's installment of Chris Feil's column on music in the movies celebrates a gay classic...
I’m guessing that there’s a good amount of crossover between your Pride playlist and the soundtrack for The Adventures of Priscilla, Queen of the Desert. If not, get out. The song choices are veritable staples of the gay experience, a disco-inflected factory of delight.
Priscilla is one of the quintessential disco soundtracks. While younger generations may draw from more recent pop icons, disco has been an expression of queer pleasure that has lingered for decades as an integral part of gay pop culture...
by Chris Feil
We're almost to the finish line! This week, RuPaul's Drag Race brought the feels for an emotional runway but also at the thought of eliminating one of these queens. I don't know about you, dear readers, but I feel more affection to each of these four than any final four (maybe) ever. Everybody say "LOVE"!
Taking a clear lead from All Stars popular final rap single challenge, the queens all have to write their own verse to a remix of RuPaul's "Category Is". Between rehearsal, the girls each guested on Ru and Michelle's podcast "What's the T?" and all its ad-friendly earnestness - all that Squatty Potty and Ru didn't take a minute to talk about Squarespace? Quelle surprise!
But the real story to this final competitive episode was to spend some real quality time with each of the queens before the crowning finale - it was really about giving each queen the chance to sell themself. The runway found each queen in peak form and pulled on our heartstrings as they spoke to their child-selves about their own journey. Once again, the show proved its worth in showing all different kinds of stories within the LGBT community, the competition itself at its most and least significant with all these queens have faced. How in the hell can one of these queens be sent home?