Review: "Bad Times at the El Royale"
by Chris Feil
Drew Goddard has become a Hollywood go-to screenwriters for charging genres with new life, molding The Martian with equal parts brainy science and dopiness and both upholding and subverting the monster movie with Cloverfield. Bad Times at the El Royale is his first return to the director’s chair since the horror spoof-but-also-not-a-spoof The Cabin in The Woods, and again he has perhaps bitten off more than he can narratively chew.
This time Goddard is taking on pulpy pop noir, setting for a showdown at a highway hotel bisected by the California-Nevada border. Checking in are Cynthia Erivo’s quiet lounge singer Darlene, Jon Hamm’s chatterbox vacuum salesman Laramie Sullivan, Dakota Johnson as a mysterious woman named Emily, and Jeff Bridges giving the most Bridges as a suspicious priest named Father Flynn. The writer/director has Tarantino on the brain as Agatha Christie, chaptering the film by the various rooms hosting each guest and slowing revealing the night’s dirty deeds from each of their perspectives. Think of it like a heterosexual Clue mixed with a bisexual Reservoir Dogs, but not as fun.