1st Quarter Box Office Report. Twelve categories!

With the first quarter wrapping up, let's break down the year at the box office (thus far). It's much more interesting to break it down into types of films and see which films most interested the ticket-buying public. Figure are as of March 31st, 2019. Since many of these are still open, these aren't final results but we thought it would be a fun snapshot of this moment, 1/4th of the way through the calendar year. (One final note: We did not include Fathom Events and other non-traditional styles of release because those numbers aren't directly comparable and often make less sense. i.e. if you couldn't see it at regular showtimes in a theater somewhere it's not included.)

TOP GROSSING FILMS WITH A FEMALE LEAD
(Excluding films where a male lead is just as prominent as his female co-star)

What Men Want

01 Captain Marvel (Disney/Marvel) $353.9 starring Brie Larson. March 29th
02 Us (Universal) $127.8 starring Lupita Nyong'o. March 22nd
03 Alita Battle Angel (Fox) $84.9 starring Rosa Salazar. Feb 14th
04 What Men Want (Paramount) $54.4 starring Taraji P Henson. Feb 8th...

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Podcast Special: Lots and Lots of Reader Questions Answered

Nathaniel R and Murtada Elfadl answer your questions this week

On this special edition of the podcast we ONLY answer reader questions. As many as we could get to in an hour. We had soooo much fun doing this one so we hope you enjoy, and thank you for the diversion.

Index (60 minutes)
00:01 Who will win SAG's Supporting Actress + fixing category fraud?
06:50 Original screenplay nominations + buying DVDs
12:00 Characters wardrobe, female directors, and films that define 2018
22:30 "Shallow" + "If you saw this... than why?" + replacing Oscar lists
31:35 Nominee presentations + Oscar Hosting 
35:45 Ben is Back and Roma questions
41:40 Nomination balloting procedures + Fav scenes of the year
52:00 Mandatory Best Actress diversion
57:00 Changing opinions on previous top 10 lists?

Further Reading / References
• Nadine Labaki (Capernaum) interview
• Smackdown of 1943
• Oscar Charts
• Kyle Buchanan on the hostless Oscars article

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Special Episode: Reader Questions!

Eight Links Out

• Deadline 10 upcoming films that were given by funding from the British Film Institute... including a new meaty role for Sally Hawkins
• Filmmaker picks the 10 best films directed by women this year from Kenya's Rafiki through the US indie Madeline's Madeline. The biggest grosswer on the list is You Were Never Really Here by Lynne Ramsay...
• TFE <-- which, in case you missed  our year in review of box office hits, is only the 8th biggest grosser among female helmed films this year just behind Leave No Trace and Can You Ever Forgive Me?
• The Muse "Penny Marshall and the Movies That Shaped Me" 
• Gold Derby if Lady Gaga wins two Oscars this February she'll be the fifth woman to accomplish that trick in one night (but first actress).
• Pajiba picks some favourite movie costumes of the year and thankfully doesn't ignore contemporary films
• Electric Literature why recent movies about queer friendships are so revolutionary
• Awards Daily talks to Black Panther's editor Michael Shawver about some of the movie's best scenes and a compliment from Francis Coppola
• /Film you have just one week to watch Pixar's animated short finalist Bao online. It's soooo adorable

Penny Marshall (1943-2018)

by Nathaniel R

We were terribly sad last night to receive word that America's most successful female sitcom-star-turned-director had passed away at the age of 75 of complications from diabetes. We'd long hoped that showbiz legend Penny Marshall, who became a household name in the 1970s as one of half of Laverne & Shirley before getting behind the camera in the 1980s (to immediate success), had another movie or two in her. That was wishful thinking, we realize, since she hadn't directed a feature since 2001. Still, we'll always have her two indisputable comedy classics Big (1988) and A League of Their Own (1992) to remember her by...

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Oscar's Foreign Race Pt 3 - Female Directors

With the 87 wide official list of foreign Oscar submissions released to consider, we thought we'd dig a little deeper this week into various aspects of the race. We've already shared all the trailers so let's break down how the directors shake out with the rich and promising topic of women behind the camera.

FEMALE DIRECTORS
Contrary to popular internet belief, very generally speaking of course, female directors overseas are not as rare or as systemically unsupported as they have historically been in the US. There are usually at least a handful of female-helmed films in the long official submission list. This year we have the second most we've ever had in the run up to the nominations. Of the 87 movies in contention, 20 were directed or co-directed by women. 

Rungano Nyoni was born in Zambia but emigrated to the UK when she was a little girl. Her debut feature is the widely acclaimed I Am Not a Witch (2018) which won the BAFTA last season for Outstanding Debut and is now playing in selected cities in the US.  She was previously nominated at the BAFTAs for a short film Mwansa the Great (2011). She is the second female filmmaker chosen by the UK for the Oscars, the first being Havana Marking for Afghan Star (2009) but that number isn't as dire as it sounds. The UK has only submitted 16 films in the history of the Oscars since most of the films produced there are in English...

Nadine Labaki is Lebanon's most internationally prominent director breaking through 11 years ago with the hit Caramel (2007). Her latest festival sensation Capernaum (2018) won a special Jury prize at Cannes and is opening in several international markets over the next few months including the US on December 14th.

18 more women after the jump...

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