Looking back at 2019 Filmmaker Interviews

by Murtada Elfadl

2019 gave me the chance to speak to a few filmmakers about their films, their process, what they think their art contributes to the world. These filmmakers came from all over the world, and the breadth of their experiences and the topics they tackled is astounding. As the year comes to an end and we look back at the moments that stood out, here are some of the most fascinating insights I heard.

Recently The Farewell was not allowed to compete in the main film categories at the Golden Globes, and accepted only as a “foreign” film when its story is quintessentially American. After all the United States is a country of immigrants. Some people’s insistance on calling The Farewell foreign when it's so American just indicates that they don't think anyone whose 1st language isn't English is American enough despite their contributions to this country. When I talked to Lulu Wang during the summer, I asked her if she thinks her film being not entirely in English might limit its appeal...

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John Waters and other list-makers. "Freak out, baby, freak out"

by Nathaniel R

Climax is #1... according to John Waters

It’s top ten time of year (lots of them after the jump) and the great unofficial kick-off is the always delicious and on-brand John Waters lists for ArtForum. His lists are on brand because some of the films you can totally see why America’s most famous cult director would love them (his #1 fits that bill splendidly “Frenzied dance numbers combined with LSD, mental breakdowns, and childhood trauma turn this nutcase drama into The Red Shoes meets Hallucination Generation. Freak out, baby, freak out!”)  and one or two because you’ve never heard of them (obscure  indies!) and generally one or two that you weren’t even remotely expecting for its mainstream-appeal reasons. 

1. Climax (Gaspar Noe)

2. Joan or Arc (Bruno Dumont)

3. Once Upon a Time … in Hollywood (Quentin Tarantino)...

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Nathaniel Gives Thanks

While it's not quite time for end of the year list-making shenanigans, it is EXACTLY the time to give thanks. As you all prepare to stuff your faces with family and friends (or friends who are family which are the very best kind of people) we know as Film Experiences readers that you'll also be thinking about the movies. In fact, you're probably catching up on movies this long holiday weekend. I'm hoping to revisit A Beautiful Day in the Neighborhood myself and I'll probably squeeze in a screener or two. But this morning I thought I'd share a very random list of ten things I'm grateful for and I hope you'll spread more love in the comments.

This thanksgiving I am particularly grateful for... 

- movie theaters which can (and should) be visited weekly. The year would have been so much duller without the bonkers earnestness of Serenity in January, the visual spectacle of Alita Battle Angel in February, the creepy twinning of Us in March, Rocketman's jubilant musical bravado in May, Emma being so boss in Late Night in June, and so on. Will these movies make anyone's top ten lists? Who cares! There's more to the movies than awards season... 

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FYC: Lulu Wang for Best Director

by Cláudio Alves

With the advent of Awards Season, we have to contend with the disappointment that always comes hand-in-hand with the excitement and the joy. No matter how much great work is nominated and rewarded, there's always a snub to point out and cry over. The recent Independent Spirit Awards nominations perfectly exemplify such dynamics. This year, they decided to spread the wealth and ignored the Siren's call of just nominating Oscar-viable titles. All in all, it's a wonderful collection of honors and achievements, but even here there is cause to complain about the dreaded snubs.

Why didn't Lulu Wang score a nomination for Best Screenplay or Best Director? How can The Farewell be up for Best Feature and not for either of those awards?...

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Honorary Oscars 2019 - The Speeches

by Nathaniel R

Our dream is to one day attend that invite only Honorary Oscars / Governor's Awards. The ceremonies aren't televised but for clips for YouTube and such but everyone who is anyone in Hollywood is there with an emphasis on Hollywood's golden history which we here at The Film Experience have always appreciated. Sites that only cover new releases -- what are you doing with your lives?!?

Here are the speeches and some notes from the special night.  First up Geena Davis, Jean Hersholt Humanitarian Award winner who shares that it was really Thelma & Louise (1991) that changed her life (you and me both, diva!) and set her on the path that she's now being honored for. Her face when Tom Hanks says her name... ❤

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