Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
COMMENTS

 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in film festivals (647)

Monday
Nov232020

Abe Gives Thanks 2020

A few volunteer members of Team Experience will be giving thanks this holiday week. Here's Abe Friedtanzer

This year has had its share of disappointments, but there’s plenty to celebrate personally and cinematically. I’m fortunate to have great weather in Los Angeles where I can spend time outdoors on a regular basis. It’s also been exciting to write much more frequently for The Film Experience and to interact with contributors and readers who were mostly willing to forgive my lukewarm attitude towards Schitt’s Creek. Here are ten movie/TV-related reasons I’d like to give thanks:

• Parasite winning Best Picture. I predicted 1917 but couldn’t have been more thrilled to see a stat-busting international triumph. It’s also the first time since The Departed that my #1 film of the year was also chosen by Oscar.

• The Sundance Film Festival happened completely as normal. For my seventh time in Park City, Utah, I got to see 41 films and enjoy sitting in the front row in crowded theaters for five movies in a row per day for a week straight. Little did I know that January would be my last visit to a movie theater...

Click to read more ...

Tuesday
Nov172020

HollyShorts 3. The 2020 Oscar-Qualifying Winners

by Nathaniel R

This is the first year The Film Experience has covered the HollyShorts Film Festival. We intended to do more but you know how it is with time. It flies! For the final piece, I thought I'd review a few of the winners. The Complete Winners List from the festival is presented in alphabetical order with capsule reviews of three Oscar qualifiers and a few more for good measure...

Click to read more ...

Friday
Nov132020

HollyShorts 1 "Action Packed" 

HollyShorts, now in its 16th year, is an Oscar-Qualifying festival. Even better, it's a festival that's specifically devoted to short films so it's quite the showcase for its official selections. Team Experience thought we'd look at some of the films for you. Perhaps they'll pop up later in Oscar longslists or even as nominees!?

by Ben Miller

When it comes to action films, short form might be an ideal medium to take it all in.  The 16th annual HollyShorts Film Festival showcased their action block this week and proved that to be the case. A quick disclaimer, though: the term “action” is pretty broadly deployed here.  Of the eight films showcased, I would classify three as actual action movies, but we’ll go with it.

The reviews are presented alphabetically...

Click to read more ...

Wednesday
Oct282020

Abe’s NewFest Wrap

By Abe Friedtanzer 

Saltanat Nauruz stars in "Welcome to the USA"

There are so many film festivals going on right now, and I’m very glad that I was able to screen so many selections from NewFest. I had the chance to watch fifteen films from the  32nd edition of the New York LGBTQ Film Festival, which took place online this year, representing more than a third of the feature slate. I had already seen Uncle Frank at Sundance, and I would definitely recommend that Alan Ball film, which comes to Amazon Prime on November 25th.

Here are NewFest’s jury prize winners for this year... 

Click to read more ...

Sunday
Oct252020

Chi Film Fest: Palestine's Oscar submission "Gaza Mon Amour"

by Nick Taylor

I felt much warmer towards Gaza Mon Amour at its conclusion than when it began. The gradual expansion of its story and stabilization of its aesthetic strategies are what got me on its side. At its core, Gaza Mon Amour is buoyed by the mutual, barely spoken ardor between fisherman Issa (Salim Daw) and dressmaker Siham (Hiam Abbass), but the script gives near-equal attention to their work lives and the friends and family members that populate their lives. It’s an admirable scope, though one might wonder when Tarzan and Arab Nasser, the twin sibling writer/director duo behind Palestine’s International Film submission, are going to move their story forward. It’s not clear for the first half hour whether the film will find itself or collapse entirely...

Click to read more ...