Best Shot: Trevor (1994)

For Pride Month... A great moment in Oscar gayness

This week's Best Shot spotlight shines on an adorable miniature. Since June is Pride Month we're looking at Great Moments in Cinematic Gayness throughout the month. Great Moments in Oscar Gayness are rarer things and usually come with significant caveats. When they award actors for playing LGBT characters it's literally only when they are straight and labelled "brave" for playing the character and the character is either dying or victimized in some way. Their ultimate Best Picture rejection of a universally acclaimed frontrunner in Brokeback Mountain (2005) left another stain on the Academy's rainbow colors.

But in Oscar's gay history, there is a beautiful moment that comes without so many uncomfortable footnotes.

Trevor, a sweet funny short about a boy who realizes his schoolmates have figured out his gayness took home an Oscar in a surprise tie, one of only six in their history, at the 67th ceremony. To make the moment even gayer in retrospect, the late producer and casting director Randy Stone thanked Jodie Foster ("Jodie, I love you") from the stage. (Stone and Foster were frequently each other's dates at film events in the 1990s and he was even rumored to be the biological father of her sons.)

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Great Moments in Gay - Bring it On

In Great Moments in Gay, Team TFE looks at our favorite queer scenes in the movies for Pride Month. Here's Kieran Scarlett on Bring it On (2000)

Peyton Reed's Bring it On is one of the best high school movies of all time. It's best to get that out of the way first in any writing about the 2000 flick about the politics of high school cheerleading. It's often dismissed, forgotten or written off as a trifle, which couldn't be further from the truth. It so stylishly inhabits its own cinematic universe and does such an excellent job of world building--something that's often missing in a lot of high school movies where the environment can sometimes feel generic or a retread of superior movies. Its first scene brilliantly employs a Greek chorus-style device set to a cheer routine to introduce the world and its characters. And it manages to do so much more gracefully than a similar device in Woody Allen's Mighty Aphrodite, arguably a more high-minded film. Bring it On is not a guilty pleasure. It's simply a pleasure.

The way Jessica Bendinger's script handles so many issues feels revolutionary. This was 2000 mind you. Right in the middle of that murky period when it was being sussed out whether campy punchlines or true humanization would become de rigeur for queer representation in film and television. [More...]

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Great Moments in Gayness: "Suspicion"

Team Experience is celebrating Gay Pride with their favorite moments in gay cinema history... Here's Deborah Lipp (from the great TV site 'Basket of Kisses') with an unusual choice... 

Happy Gay Pride Weekend Everyone!

My favorite gay cinematic moment is not a gay movie, not a gay scene, not explicitly erotic, not much of anything. I love it for the electrifying presence of gayness in a movie from 1941. I am speaking about Alfred Hitchcock's Suspicion.

I've almost never seen this movie mentioned when discussing gayness in movies, not even when discussing gayness in Hitchcock movies. People talk about homoeroticism in Strangers on a Train or the mad lesbian love of Mrs. Danvers for Rebecca, but Suspicion is overlooked.

Johnnie (Cary Grant) and Lina (Joan Fontaine) visit Johnnie's friend Isobel, a writer of murder mysteries. Also attending dinner is Phyllis. Based on their familiarity and the way they serve dinner, it is obvious the two women live together. Moreover, while Isobel ("Izzy") dresses as a British lady should, Phyllis ("Phil" to her partner) is in a man's suit and tie, with a man's hairstyle 

And this is what's so glorious. Phil and Izzy aren't dangerous. They're not villains. They're not the subject of a joke, nor exaggerated, nor horrifying. They simply are. A butch/femme couple, in 1941, relaxing at home, entertaining a straight couple, chatting about books. Fifty years later, Basic Instinct inspired protest from the LGBT community, because it was still almost impossible to see gays and lesbians in a movie unless they were killers or crazy, suicidal or deranged or tragic or pornified, or—best case scenario—the wacky sexless neighbor.

Phil and Izzy are just an ordinary gay couple. They're not in the movie because they're gay, and their gayness is never mentioned. That they're butch/femme—probably the least-represented type of queer couple in the media—just adds to my pleasure.

I love Phil and Izzy so much.

Great Moments in Gayness: Their Own Private Campfire

Team Experience is celebrating Gay Pride with their favorite moments in gay cinema... Here's Craig (of 'Take Three' fame) on a certain seminal early 90s trip... Happy Gay Pride Weekend Everyone!

The open road and the “messed-up” faces along the way are what haunt lost hustler Mike (River Phoenix) most in My Own Private Idaho. In Gus Van Sant’s seminal 1991 gay road movie Mike trips through narcoleptic encounters with both male and female clients, Wizard of Oz-style barns crashing to the ground, talking porno mag covers, tableaux vivants sex scenes and Shakespeare’s Henry IV. His is an eventful, hardscrabble life filled with grit and longing. Each scene arouses memorable moments that every Idaho fan — gay, bi, straight or whatever it takes to have a nice day — surely still carries with them.

The most hopelessly romantic moment in the film and one of its best scenes is Mike’s campfire stopover. Somewhere out there on the prairie, in their very own private corner of Idaho, Mike and his ‘prince’ Scott (Keanu Reeves) make a fire and hunker down for the night. The prairie is dark and the fire’s embers glow like Mike’s unrequited feelings. He wants to set his spurs a-jinglin’, so ventures a question

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Great Moments in Gayness: Smells Like "Gardenia"

Team Experience is celebrating Gay Pride with their favorite moments in gay cinema... although since it's the cinema sometimes it's Gay Shame! Here's Michael going wayback for some devious fey villanry in a noir classic... Happy Gay Pride Week Everyone!

Sam Spade’s secretary tells him there is a Joel Cairo to see him. She hands Spade a business card. He sniffs it and shoots Effie a look.

“Gardenia,” she says, identifying the scent. [more...]

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