Greenberg's 10th and Gerwig as Muse

by Cláudio Alves 

Once upon a time, long before she was an Academy Award-nominated director and screenwriter, Greta Gerwig was the acting princess of mumblecore. Along with the Duplass brothers and Joe Swanberg, she helped solidify the identity of that often-maligned subgenre, full of naturalistic dialogue and very little in the ways of storytelling. The actress quickly transcended the limitations of mumblecore and became a starlet of the independent American cinema from 2010 to 2016, starring in such gems as Damsels in Distress, Jackie and 20th Century Women. 

Among her more frequent collaborators, Noah Baumbach stood out. She was his muse and he knew how to capture her talents like no other. Or was it the other way around? In any case, their first collaboration marked a turning point in both their careers. We're talking about Greenberg, which celebrates 10 years today…

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Posterized: Noah Baumbach

While We're Young, a two couples collide comedy with Naomi Watts, Ben Stiller, Amanda Seyfried and Adam Driver opens today. It's the 7th official feature film from 45 year old writer/director Noah Baumbach.

His first feature, Kicking and Screaming (1995), starring a who's who of hot indie actors from the mid 90s (shout out to chris eigeman and parker posey!) came out a full 20 years ago so he got started young. He got started just in time too. His brand of talkie neurotic intimate comedy burst forth during the 90s, the golden age for the American indie. Perhaps no one knew it was the golden age for indies while living through it but in hindsight it definitely was. So many directors we still enjoy burst forth in those particularly fertile circumstances of the marketplace.

So with that one in theaters, let's look back at his first six films as director (he wrote or co-wrote all of them, too). The marketing departments got really hung up on all white posters for him for awhile... but it suits his films somehow and the Greenberg poster is straight up ingenious "he's got a lot on his mind" with its empty space. So... Kicking & Screaming (1995), Mr Jealousy (1997), The Squid and the Whale (2005, a hit, making about twice as much as his films usually do), Margot at the Wedding (2007), Greenberg (2010), and Frances Ha (2012... released in 2013). 

We haven't a clue what happened to him between 1997 and 2005 (quarter-life crisis?) though there was one additional film in 1997 that he apparently took his name off of called "Highball" which could explain the coming fallow period and in that long stretch he also co-wrote Wes Anderson's The Life Aquatic and made a short film.

How many have you seen and which is your favorite?
 

Distant Relatives: Five Easy Pieces & Greenberg

Robert here with Distant Relatives, which explores the connections between one classic and one contemporary film.

Growing up is Hard to Do
Hollywood has always been interested in man-children, and they've gone through a variety of manifestations through the years. During the silent era they were innocent clowns filled with the insecurities and curiosities of children. During the age of the screwball comedy they were flailing baffoons unable to compete with their strong professional female counterparts. In the 1950's they were dark brooding rebels looking for causes and that lead the way to the serious sixties, where young men were similarly angry (though lighter on the melodrama, heaver on the realism) painted as victims of a combination of social indifference and their own unambitions. Though if you called them "victims" to their faces, they'd probably punch yours. This contingent was fronted from Britian by the likes of Finney and Harris but soon found plenty of eager representatives in the US, not the least of whom was snide, sarcastic, and so-damn-cool Jack Nicholson. In Five Easy Pieces, Nicholson plays Bobby Dupea, a man meandering through life, trailed by the shadow of his lost potential, trying to understand who he is as adulthood passes him by.

 Almost forty years later, Ben Stiller, a man who has made his living playing the goofiest kind of man-child plays the dark and cynical Roger Greenberg, a man also trying to figure out his life in the face of shattered potential. He has a lot in common with Bobby Dupea. In both cases, the impetus for our characters' confrontations with their immaturities comes in the form of a move. But while they're both going west, they're actually heading in two different directions. Bobby is going to his family's house in Seattle, where his person will be juxtaposed against their culture and civility. Even if we want Bobby to get his act together and take his place in the world of his family, we feel as out of place there as he does. Roger meanwhile has just moved to Los Angeles where his cynicism is juxtaposed against an even greater immaturity; immaturity as an accepted state of Nirvana. He asks while at a child's birthday party "Why are all the grown men dressed like kids and all the kids dressed like super heroes?" It's a beautiful symbol for a world in which dreaming for great power and great responsibility evolveds into longing for no power and no responsibility.

 

As much as a misanthrope as Greenberg is, we feel for him at times, if only because we get to experience the horrors of L.A. through him. [more after the jump]

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