We Can't Wait! #9: Taxi

Jafar Panahi poses as a taxi driver in "Taxi"Team Experience is counting down our 15 most anticipated for 2015. Here's Amir...

Who & What: Politically troubled Iranian auteur, Jafar Panahi, returns with his third film in four years. Any other director would be considered prolific with numbers like that, but consider that Panahi has managed it despite being under an official, though increasingly lenient, ban on filmmaking. His latest film, a realist comedy set in the confines of his car, stars him as a taxi driver whose interactions with his passengers form the narrative. It won the Golden Bear at the Berlinale, making him the only Iranian filmmaker with two top prizes from the big three festivals – the first was Venice’s Golden Lion for The Circle.

Why We’re Excited About It: Panahi has been cranking out masterpieces with such regularity that his inventive, powerful cinema is often taken for granted, especially since his political situation pushed discussions about his films to the background. His insightful, heartfelt and often humorous social studies are some of the best films of the past two decades and Taxi seems to be a return to his earlier interests, after a couple of self-reflexive experiments. The reviews from Berlinale showered the film with unanimous praise, and coming off the best film of his career, Closed Curtain, Panahi continues to work at his very peak. (Nick Davis discussed that film and Panahi’s earlier work with me at length on the Hello Cinema podcast.)   

What If It All Goes Wrong: Before the film had its premiere, my only fear was whether the car setup of the film would read as gimmicky or become tiresome. Reviews suggest those fears were baseless. Otherwise, I don’t see how this can go wrong.  

Jury Chairman Darren Aronofsky presented Jafar Panahi's crying niece with the Golden Bear in his absence.

When: Specialty arthouse distributor, Kino Lorber, has acquired the North American rights. Whether they want to build renewed momentum in the fall festival circuit or capitalize on the film’s Berlin win earlier in the summer isn’t yet clear.

previously in 'we can't wait'

Foreign Oscar Watch: Iran's "Today"

[This post is part of our continuing series on this year’s contenders for the Best Foreign Language Film Oscar. We're aiming to review (gasp) half of them. Here’s Amir with the Iranian entry, Today. He has also interviewed the director and discussed the film on his Iranian cinema podcast "Hello Cinema". - Editor]

Reza Mirkarimi is probably overdue for an Oscar nomination. Sure, his name doesn’t ring a bell for a lot of cinephiles and doesn’t carry the same weight as internationally renowned Iranian auteurs such as Kiarostami, Panahi or Asghar Farhadi, but consider this: He is the only filmmaker to have had his films shunned by both the Academy and the Iranian committee that submits them!

His first try for gold came back in 2005 with So Close, So Far, a meditative and moving portrayal of a broken father-son relationship. It was far stronger than all five of the eventual nominees but that was before voters in this category had begun to vote for what is actually best. Still, he had every reason to be hopeful in 2012 with A Cube of Sugar, a distinctly Iranian film with a regional flavor that surprisingly won awards at every festival it played at. Coming on the back of A Separation’s win, it was reasonable to expect the raised profile of Iranian cinema to help the film along the finish line. Yet, the Iranian committee submitted the film and boycotted the Oscars later on the same day! Remember that strange story?

So, two years on, Mirkarimi is back with Today, a consensus option that wasn’t exceptionally well received in its home country, but saved the committee a whole lot of political trouble compared to their other choices...

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Podcast Leftover Pt. 2

Here's part two of our long delayed festival wrap in which we discuss favorites, celebrity run-ins and hilarious Q&A anecdotes. Enjoy the conversation with Nick Davis, Nathaniel R, and special guests Angelo Muredda and Amir Soltani and continue it in the comments

Discussion includes but is not limited to:

• It Follows
• Felicity Jones, Mike Leigh, and Viggo Mortensen
• Documentary greats from Silvered Water to The Look of Silence
• Iran's Oscar Submission
• Directors: Mike Leigh, Peter Strickland, Lav Diaz, Jessica Hausner, and Damian Chazelle

You can listen at the bottom of the post or download on iTunes tomorrow. 

Festival Leftovers. Pt 2

Political Filmmakers & Cute Dogs: A Conversation with Nick Davis

Amir here, to share with you a podcast conversation about my favorite film of 2014. I first watched Jafar Panahi’s Closed Curtain at the Toronto Film Festival almost a full year ago. It was my last film of the festival and I debated long and hard if a late night slot after ten gruelling days of film-watching was a smart idea. Eventually I opted to give my all to the festival. Boy, am I glad I did.

Panahi has been slapped with a 6-year house arrest and a 20-year filmmaking ban in Iran on charges of political dissent but has since twice broken the ban in three years. His first attempt, This Is Not a Film, was a heated, frustrated attempt at circumventing the ban with a DIY documentary made in the confines of his living room, shot partly on an iPhone and reportedly snuck out of Iran on a USB stick in a cake! It made my top ten list in 2011 but Closed Curtain is one giant leap for Panahi toward imposing even more creative authority on his craft under the tightest of limitations.

In this meta-cinematic experiment, Panahi tells us the story of an author who hides himself and his incredibly adorable dog in a seaside villa in northern Iran to overcome a bad case of writer’s block. The world of the film becomes increasingly mysterious and the narrative structure shattered. It can be interpreted in a variety of ways, making the film a challenging experience and a very funny one, too.

I can’t sing its praises enough, which is why I decided to devote an entire episode of my podcast on Iranian films – Hello Cinema, co-hosted with Tina Hassannia – to this gem. We also had a special guest with whom The Film Experience readers are quite familiar. Nick Davis joined us to talk about the film, but given his familiarity with Panahi’s career and Iranian cinema, our conversation went in many unexpected, interesting directions. We talk about the Toronto International Film Festival, the world’s cutest pet, and everything else in between. As you're all aware, Nick is an impossibly charming speaker, so we left this conversation unedited, with all the fun bits included! Have a listen here, and if you’re interested in Iranian cinema, subscribe on iTunes. The September episode of the show will be about Iranian films playing at this year's edition of TIFF.