International Contenders: Guatemala, Bulgaria, Slovakia

Since the last round up three more countries have announced Oscar submissions bringing the total of competing films to 37.

Guatemala's La Llorona, from the director of Ixcanul

• BULGARIA - The Father
• GUATEMALA - La Llorona
• SLOVAKIA - The Auschwitz Report

A few trivia notes regarding these latest submissions. First, Maria Bakalova who is currently enjoying an instant critical/populist splash as the co-star of Borat Subsequent MovieFilm is in the ensemble of Bulgaria's dramedic submission The Father. That film is not to be confused with the English-language Anthony Hopkins Oscar hopeful The Father or the Serbian film Father (which we loved at CIFF this fall). Too many movies named Father!

Meanwhile, Guatemala has submitted the newish filmmaker Jayro Bustamante again, who made a festival splash with his debut Ixcanul (2015). His new film is La Llorona (2020)... yes, another film with a title that could easily get it confused with other contemporary offerings like Curse of La Llorona (2019) or Legend of La Llorona (2020). More details on the Oscar charts and also a visual overview of the whole field at Letterboxd

Interview: Jayro Bustamante on 'Temblores'

by Murtada Elfadl

In this followup to his debut Ixcanul (2015), Jayro Bustamante shifts his focus from rural Guatemala to Guatemala City and both its vibrant queer subculture and strict evangelical institutions that believe in a type of gay conversion therapy. Temblores is about Pablo a seemingly straight father and husband who tries to balance both his life as an out man and his responsibilities to his children and family and does not find an easy compromise. The film won the grand jury prize recently at NewFest, New York’s LGBTQ film festival, I was a member of that jury.

I recently spoke to Bustamnate about the film and how he based it on research and interviews with many men - he called them his Pablos which is the main character’s name - who were forced to come out and some faced rituals of conversion therapy to reconcile with their religous beliefs and with their Christian families...

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Berlinale 2019: Three queer selections, a doc from the Sudan, and one walkout

Hallo! Seán here reporting from the 2019 Berlinale. It's the first big European film festival of the year, where new work premieres, deals get made, parties go on (and on) and where cinephiles prove their love of film by standing around in the freezing cold. I'm doing my best "Berlinale business bear" I'm here in an offical capacity: getting a first look at the queer TEDDY titles (which we'll talk about after the jump) and the short films for festivals in London and Dublin, but aside from that I'm also here to enjoy the film festival experience i.e. standing in the wrong line and walking in completely cold to something truly bizarre and extraordinary.

The Berlinale has many distinct and diverse sections, each with their own different forms and appeal. As someone who (a year later) is only a year later beginning to figure this out, allow me to impart my knowledge on the sections before we jump into the queer selection...

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