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Entries in Jurnee Smollet (6)

Tuesday
Aug162011

Q&A Leftovers: Oscar Madness, Black Actors, Carrey & Kunis

Okay, before I decide how to reconfigure the fun but exhausting new Q&A series, I thought I'd answer 5 Oscar questions I stubbornly avoided before.

Ellen Burstyn in "Resurrection" (1980)

Michael: Going back to 1980 out of the five nominees - who would you have handed the Best Actress Oscar to?
Nathaniel:  I can't vote on 1980 because I've never found an opportunity to see Ellen Burstyn in Resurrection and I don't vote without seeing all five. Or at least I don't vote without all five if I really love the missing actor... which, in this case, I do. (Also: regarding 1980. I've heard the pleas for me to talk about Gena Rowlands since I never do. I just have to decide how to attack that large subject.)

 

Philip: Why do you think Oscar never took a liking to Jim Carrey?
Nathaniel: He was trying too hard when they weren't ready for him yet. The Truman Show (1998) was too close to his comic persona for people to get how brilliant he was in it. By the time he'd work up to "due" and gave his best performance (Eternal Sunshine of the Spotless Mind, 2004) he happened to do it within a romantic masterpiece. Alas, it's only women who ever get Oscar credit for those. Sexist but true.

Two Actors. Beloved by Plant Life. Not by Oscar.

Adam: What sort of project do you think Mila Kunis should tackle for Oscar recognition? Comedy or drama? Any roles in particular?
Nathaniel: I talked about this briefly last monthnot in the context of Oscar but in the context of a wise career move. I wrote:

My basic feeling is that she should ditch the comedies briefly for something E-V-I-L. That vaguely sinister erotic charge that she gifted to Black Swan and the way you could read it as playful one minute and agenda-filled the next, suggests that she has an untapped capacity for darker roles

But what's good for the career isn't always good for Oscar favor. But wait there's more!

Click to read more ...

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