Emmy Category Review: Best Lead Actress in a Drama Series

By Abe Friedtanzer

 

The lineup in this category was fairly expected, and it’s a superb list. Four of these actresses are here for the last – and in three cases, first – time for these roles, while the other two are past Emmy winners returning to the field of nominees. This race is worth watching because the past two years have resulted in thrilling upsets, first with Jodie Comer for season two of Killing Eve and then with Zendaya for Euphoria. Two nominees from likely Best Drama Series winner The Crown makes things more competitive, paving the way for another potential vote split after Olivia Colman went head-to-head with Jennifer Aniston last year and neither won. Could Mj Rodriguez beat Emma Corrin, or will someone else triumph? 

I’ll try to avoid major plot details in my analysis – but if you’d like more spoiler-filled descriptions, click on the episode titles. Let’s consider each nominee… 

Click to read more ...

Emmy Watch: Best Lead Actress in a Drama Series

Our team is breaking down the top contenders in all the major races and highlighting some of our favorites over the next few weeks.

 

By Abe Friedtanzer 

This category is an interesting one because it includes only three past nominees who were all eligible last year, but only one of them was nominated. In a much more open field than ever before, it’s the right time for those who have missed out in crowded years to return again and for a few new faces to break through, especially since past winners like Claire Danes and Viola Davis can’t stage surprise returns because their shows are now over. We all know that last year’s nominee Olivia Colman (The Crown) will be back, and she’ll be joined by her season four costar Emma Corrin (Princess Diana). Beyond that, little is certain. Let’s take a look…

Click to read more ...

Showbiz History: Sigourney's Wedding, Matthau's Centennial, and Johnny's First Guest

10 random things that happened on this day, October 1st, in showbiz history

1920 Walter Matthau born in New York. He goes on to become a Tony and Oscar winning film star with muliple hits spanning four decades in the 60s, 70s, and 90s including Charade, The Odd Couple, Cactus Flower, The Sunshine Boys, California Suite, Bad News Bears, and Grumpy Old Men  Happy Walter Matthau Centennial -- do you have a favourite of his?

1937 Madame X, starring Gladys George, is released in movie theaters. It's the fourth film adaptation of the play and there would be six more including the arguably most famous version in 1966 starring Lana Turner. 

1962 Johnny Carson hosts The Tonight Show for the first time. The legend Joan Crawford is his guest...

Click to read more ...

Review: Birds of Prey

by Chris Feil

Cathy Yan returns Margot Robbie’s Harley Quinn to the screen after the regrettable Suicide Squad, and it’s somewhat of a rebirth in more was than one. Now single but not fully exorcized from her sublimating relationship with the Joker, Harley is looking to stand on her own two feet. Yet Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) again aligns her with a newly birthed group of crimefighters, this time in an all-female set of not-so-anti heroes.

Click to read more ...

Misty Copeland Gets the Biopic Treatment

Kieran, here. It was announced today that a biopic of ballerina Misty Copeland is currently in the works at New Line Cinema. Based on Copeland's own memoir "Life in Motion: An Unlikely Ballerina," the film will chart Copeland's rise to fame as the first black principal dancer at the American Ballet Theatre, despite a delayed beginning--she didn't start taking ballet until age 13, which is extremely late compared to other dancers. The project will be penned by Gregory Allen Howard, who scripted Remember the Titans and the upcoming theatrical Harriet Tubman biopic (not the Viola Davis project, though Nathaniel was correct in wishing that those projects would merge). No director is attached to the project as of yet.

News of this project means an opportunity for a black actress to take center stage (no pun intended) in a major motion picture, which shouldn't be a rare occasion but feels like it in the current cinematic landscape. [More...]

Click to read more ...