Last week here in Manhattan The Film Experience was invited to attend a very exclusive special screening and dinner for Netflix's new series Bloodline. How did they know we had a thing for Kyle Chandler and Sissy Spacek? Even more mysterious: How did they know about our deep abiding love for Norbert Leo Butz and Katie Finneran, two Tony-winning Broadway musical comedy sensations who are surprising but great choices to play husband & wife in a swampy thriller / family drama / murder mystery fusion.
The storyline concerns the Raeburn family, a rich Southern Florida clan who own and run a very lucrative beachfront hotel. In the premiere episode the parents (Sam Shephard and Sissy Spacek) are celebrating an anniversary and home come there four adult children played by Kyle Chandler, Linda Cardellini, Norbert Leo Butz, and their eldest and most troubled prodigal son Ben Mendelsohn. (Mendelsohn's management team might want to look into a curveball next time he takes a role because seeing his face is now already shorthand for TROUBLE!)
Nathaniel. Home again from a relaxing weekend offline. My last for the next six months as it's all prestige movies and Oscar hoopla from now until March.
I've had a lot of fun writing up True Blood during the summer (finale writeup tomorrow). I have no intention of turning the blog into The TV Experience but a little variety never hurt anyone and I might add a briefer small screen column -- possibly with guest bloggers on occasion-- or maybe just continue with the odd "TV at the Movies" episode. I'm cancelling HBO when True Blood ends. Why? Budget reasons and a clear lack of interest in their slate of original programs. I never thought I'd say the latter but it's too man-centric for me now, as if their entire programming directive is "get me more Sopranos / Entourages ... literally. put them in period garb or relocate the action. whatever". I miss the Sex & The City / Six Feet Under / Sopranos days when the network felt more equal opportunity thrilling and more original ... as if their goal was to corner every market that was demanding quality television. The point: I have a lot of DVR openings now given cancellations, loss of interest in longrunning shows, delays, etcetera... so I may take a deeper looker (offline) at the new season offerings -- which basically start tomorrow with RINGER -- than I normally do.
Christian Borle, Debra Messing and Anjelica Huston in SMASH (2012)
The new show I'm most interested in isSmash, the first television series (to my knowledge) that's ever used Broadway musicals as its topic. In one of those daydream fantasies where one imagines oneself a tv creator this is always the topic I dreamed up for MY series that I would direct and produce (fantasizing remember... I do neither of those things). I imagined just such a show so many times. I wish they had gone with Broadway musical stars in the major roles (it'll be weird that Glee uses more of them given the respective topics) but Katharine McPhee (from American Idol) has a good voice and I'm intrigued to see how Oscar winner Anjelica Huston will fare in the key supporting role -- can she finally win the Emmy that's eluded her for the past 22 years despite frequent nominations?
But Smash doesn't premiere until 2012 so here are some shows I'm considering sampling -- which usually means just the first episode unless it's very intriguing -- primarily chosen for topics or actresses I like. As I do.
Tuesday, February 10, 2015 at 6:50PM 
Last week here in Manhattan The Film Experience was invited to attend a very exclusive special screening and dinner for Netflix's new series Bloodline. How did they know we had a thing for Kyle Chandler and Sissy Spacek? Even more mysterious: How did they know about our deep abiding love for Norbert Leo Butz and Katie Finneran, two Tony-winning Broadway musical comedy sensations who are surprising but great choices to play husband & wife in a swampy thriller / family drama / murder mystery fusion. 
