Review: "Sorry to Bother You"

by Chris Feil

If you think that the summer movie season is winding down into boredom, Boots Riley has a debut feature to knock you off your ass. Sorry to Bother You, his Sundance breakout, is audacious filmmaking of the rarest order. Already tailor made to stir the midnight movie circuit back to life, the film is a sledgehammer to convention, taste, and politeness to make the likes of John Waters and even Jodorowsky proud.

With such wild territory, part of the thrill of the film is taking its bumps as its concept goes ever so slightly off the rails. But with this first film, Riley has delivered something delightfully convincing with complete confidence even when the film strays into the deeply strange...

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