Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team.

This site is not for profit but for an expression of love for cinema & adjacent artforms. 

Powered by Squarespace
DON'T MISS THIS

Follow TFE on Substackd 

COMMENTS

Oscar Takeaways
12 thoughts from the big night

 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Learning To Drive (2)

Sunday
Aug302015

What did you see this weekend?

BOX OFFICE WIDE
August 28th-30th estimates

01 Straight Outta Compton $13.2 (cum. $134.1) Podcast
02 War Room $11 new
03 Mission: Impossible - Rogue Nation  $8.3 (cum. $170.3) Tim's Review
04 No Escape $8.3 new (cum. $26.8)
05 Sinister 2 $4.6 (cum. $18.5) Interview 

While it was a semi-drowsy weekend for new releases, Straight Outta Compton and Mission: Impossible continued to hold well. Just outside this list was The Man From U.N.C.L.E. which, though it had a rough opening and is now losing theaters, is holding its per screen average better than should probably have been expected. Perhaps enough people have heard that it's actually G.O.O.D.?

BOX OFFICE LIMITED (excluding prev. wide releases)
August 28th-30th estimates

01 Mistress America $.4 (cum. $.9) 150 screens
02 Diary of a Teenage Girl $.4 (cum. $.9) 795 screens Review
03 Phoenix $.3 (cum. $1.4) 142 screens Interview
04 End of the Tour $.3 (cum. $2.3) 256 screens
05 Grandma $.3 (cum. $.4) on 19 screens Nathaniel's ReviewJoe's ReviewPosterized

While it's always thrilling to see a distributor get ballsy and expand tiny movies to the number of theaters that they deserve to play in, rather than cautiously hope people will stumble upon hidden gems, it doesn't always pay off. Sony Pictures Classics added over 700 screens for Diary of a Teenage Girl , perhaps sensing now or never given their full upcoming slate, but the per screen average was not pretty. Will they be as bold with Grandma in two weeks? That has a chance of paying off better if they can stoke Oscar buzz and make Lily Tomlin's career-capper into a leave your house event for adult moviegoers.

Just outside this list sits the modest Learning to Drive, which is a highly pleasant watch starring Patricia Clarkson and Ben Kingsley and Life Metaphors. Improbably 2015 has become a strong year for women of a certain age with star vehicles for Patty (who is 55), Blythe (72), and Lily (75), with Charlotte Rampling (69) still to come in 45 Years. That's in addition to the four who regularly get them: Meryl (Ricki), Helen (Woman in Gold), Judi & Maggie (Best Exotic 2). So we talked about that on last week's podcast.

Finally, when I figure out why I didn't love Mistress America, considering that TFE was madly in love with the last Noah Baumbach & Greta Gerwig duet Frances Ha, I'll tell you but I haven't figured it out. If you've seen it perhaps you can help in the comments. What did you see this weekend?

 

Tuesday
Sep162014

An Evening With Patty! (Also "Maze Runner," Something Something?)

Patty Clarkson last night in NYCLast night I attended Teen Vogue's Maze Runner screening and though I'll be writing it up for my gig at Towleroad later this week, I must share with you, my devout fellow actressexuals and the only ones who will understand, that I made the night all about Patricia Clarkson.

I didn't even realize she was in the movie until she was there at the reception and I was powerless to stop myself from beelining straight toward her while the other guests of the studio and fans (who presumably won a contest or something?) spent the evening squealing about Dylan O'Brien who plays "Xander" excuse me... "Stiles" on Teen Wolf, the only non-supernatural teen on that very popular show, now officially run by dadaists. (Yes, I still watch it but it doesn't make a lick of sense anymore... not just from episode to episode but within something as easy to manage as a one hour block! It's like they're just making it up as they film. Each scene!).

I've met the great actress twice before at events and she is an absolute delight one-on-one, super funny, gorgeous, and above-all charismatic, kind of like her 1950's social butterfly "Elle" from Far From Heaven (2002) without, you know, the nasty betrayals and the constant subtly racist/anti-semitic/homophobic shade-throwing. She joked about wishing her latest director was 20+ years older so she could date him ("is your father single?" LOL) and was still obviously high off the reception of her starring role in Learning To Drive in which she takes driving lessons from Ben Kingsley. In a surprise turn of events that two-hander nearly nabbed the People's Choice Award from The Imitation Game in Toronto as first runner up. The film hasn't been picked up yet that I'm aware of but given the crowd-pleasing response at the festival (sadly, I was not part of that crowd as it slips through the cracks of my 25 screenings) someone really ought to. I mean, David Poland is smart about these things.

 

 



Is Hollywood listening?

P.S. Can we get Patty back in key supporting roles in prestige pieces where she once regularly cropped up, please? It's a real shame she only has one Oscar nomination to her name, despite deserving at least three (High Art, Far From Heaven, Dogville).