Let My People Link

The Daily Beast the Coen Bros on diversity vs the Oscars. But they don't take kindly to complaints about Hail, Caesar!'s whiteness
Decider Joe Reid ranks the top 50 performances in Coen Bros movies. Much to argue with but also to agree with. The #1 is indisputable.
i09 Dan Stevens (Downton Abbey) signed as the male lead of X-Men spinoff tv series Legion who may or may not be insane
Variety Jake Gyllenhaal's Boston Marathon bombing movie is a go  
Decider "Let My People F***" amusing piece on the conservative sexual morality of the Duplass Brothers filmography 

IndieWire Viggo Mortensen's new film Captain Fantastic, which sounds intriguing, will open on July 8th. It co-stars Frank Langella, Kathryn Hahn, and George Mackay (who played the young photographer in Pride)
Theater Mania Mark Rylance, fresh off his Oscar nomination, returns to the New York stage with Nice Fish (and possibly Farinelli and the King)
THR Bel Powley and Martin Wallström who both broke out this past year in Diary of a Teenage Girl and Mr Robot, respectively, will costar in WWII drama Ashes in the Snow
Playbill Oooh, look. They're putting up the marquee for American Psycho on Broadway. Benjamin Walker, currently in theaters in The Choice (and who is a singing charisma machine onstage) is playing Patrick Bateman 
Interview Peter Dinklage interviews Paul Dano 

DANO: I just did this film, called Youth, that Michael Caine and Harvey Keitel and Jane Fonda are in. And I have to tell you, Michael Caine is so happy. Happy and healthy. I think he enjoys life. I think he's 82 now, and I have no clue if I'll be working at that age, but it was amazing and inspiring to see him bring it, because you know that the search never ends. I talked to Jane Fonda about acting and about what we want to work on, and I was like, "Jane Fonda and I are talking about how to be better actors."

DINKLAGE: It never stops. 

DANO: Which I also find so beautiful and healthy to see in people who have had so much success. They still have skin in the game. 

An Evening With The Duplass Brothers

Kieran, here. When I saw Sean Baker’s Tangerine (discussed here), I was taken aback to see Mark and Jay Duplass (pictured left, in that order) listed as executive producers. While they’re certainly known for micro-budget features (their first film, The Puffy Chair was made for only $15,000), an indie dramedy about transwomen of color in East Hollywood seemed a far cry from their typical oeuvre.  Listening to them talk last night at the Academy’s Samuel Goldwyn Theater, I quickly realized my perception of them was misguided. They themselves seem aware of how they are perceived. Mark joked at one point: 

I think people think we sleep in bunk beds together. We're actually married and we have children--with other people"

Once the conversation turned to Tangerine and why they signed on as executive producers, they were eager to discuss the Sundance breakout hit. [More...]

Click to read more ...

LFF: Black Rock

Craig here with a look at another film showing at the London Film Festival: Kate Aselton's survival thriller Black Rock.

It’s certainly a bad day at Black Rock for Kate Bosworth and her two BFFs. Director/co-star Kate Aselton and Lake Bell both cherish Bosworth’s friendship  but they have their own shaky history festering between them like an open sore. The three women go for a ‘last hurrah’ camping trip to the titular retreat with treasure hunts and restorative bonding in mind. That’s until they chance upon a trio of ex-soldiers, not long back from Helmand Province, on a suspicious shooting trip.

More often than not island settings immediately instil narrative suspense. Indeed, once the women shore up on a deserted beach the potential for drama reveals itself in fraught chatter and mention of either lack of provisions, isolating distance from observable humanity (in the form of, uh-oh, NO MOBILE PHONE RECEPTION), or, as here, all of the above.

Click to read more ...