The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
There are quite a few Oscar'ed titles leaving Netflix on July 1st as they continue to thin their streaming catalogue. So you officially have 1 week left to watch them if you're trying to fill in holes in your movie knowledge. After the jump let's play a little screengrab roulette (sharing whatever comes up), shall we?
The first season of Master of None was met with universal acclaim from critics and audiences. Telling the quasi-autobiographical story of Dev (Aziz Ansari), the series follows this wannabe actor and his numerous friends as they gallavant through New York City, eating pasta and searching for love. What made the first season of Ansari and Alan Yang's concoction so fascinating was the way in which they infused elements of culture, race, and sexuality into their storylines. The dialogue was unique to many other shows with similar plotlines; there was a level of specificity and a lived in quality that surpassed more traditional sitcoms.
Master of None recently returned to Netflix and met no sophomore slump. The second season has not only matched the quality of the first but surpassed it. How well does this bode for the series' Emmy chances?
Chris here. Just because it's Tony's week doesn't mean we've got only one Gypsy on our mind. Have you forgotten about Naomi Watt's upcoming Netflix series so soon? Well, the streaming platform is here to remind you with the first series trailer - and I have to admit that the show looks far more tantalizing than it did on paper.
Gypsy stars Watts as a therapist who begins to get a little too touchy feely with her patients, including indie brood boy Karl Glusman. With a suspecting husband at home (Billy Crudup, *sigh* isn't it wonderful that he seems to be everywhere nowadays?) the trysts spin into a compulsive thrill of a double life. The first two episodes will be directed by Fifty Shades of Grey's Sam Taylor-Johnson, so expect plenty of kinkiness to go with its character pathos.
Of course, hopping over to television has been in fashion for our major talents for some time, but Watts is one star that could benefit from the kind of character depth that long-form storytelling can allow. It's been far too long since she's had a film that knows what she's capable of, and Gypsy could show a side of her we haven't seen in awhile. Could this be the most immersive and surprising she's been since Mulholland Drive? Gypsy comes to Netflix on June 30!
Chris here. Have you been wondering where Noomi Rapace has been hiding? Well, she's been busy getting cloned for her upcoming Netflix film Seven Sisters. (Just kidding, obviously, but just imagine the gifts we could receive if we started cloning actress!)
Rapace stars as septuplets in a world where siblings are outlawed. Raised by father figure Willem Dafoe, each woman is named for the day of the week that they get to go out into the real world, all assuming the identity of one Karen Settman. As if this doesn't sound looney tunes enough, Glenn Close shows up as the bureaucratic villain for maximum camp nefariousness. When Monday doesn't return home, it's up to the rest of the week sisters to find out what happened to her. And you thought your Mondays were the worst!
Seven Sisters will arrive on stateside Netflix sometime at the end of the year (though it opens elsewhere this summer), and I'm already a little giddy for its sci-fi silliness and what looks like Rapace having a good time. In your sci-fi dystopia, what one day of the week would you choose to leave the house?
I haven't quite dared to cut the Netflix cord yet, but I get closer every month since I find myself downloading movies more and more from iTunes or streaming on Amazon instead. Since Netflix is systematically erasing all traces of cinema pre 2000 (and even their 2000-2010 collection is tremendously lacking!) as they focus more and more on becoming a TV channel, you have until June 1st to watch the following 20th century films which are leaving the service.
We'll play our little streaming roulette game and screengrab whatever comes up as we bid adieu to the following. Which will you watch before it's hard to find them again?