Naomi's Turn: Exploring Her Role on "Gypsy"

By Spencer Coile 

With many actresses making that giant leap from the large to small screen in recent years, it is not shocking that Naomi Watts has followed suit. Armed with a megawatt smile and acting chops utilized by some of the industry's most prolific directors, it almost felt like a no-brainer that Watts would eventually find herself as the glue that holds a series together.

Gypsy, unfortunately, was not met with the critical fanfare many expected, considering the quality of its leading actress. With some calling the series "boring," and others arguing that the writing does a major disservice to Watts, perhaps you are intrigued. Is it worth watching at all? In an attempt to avoid the standard "binge model" of television viewing, I only watched the first episode of Gypsy -- to guage its effectiveness as a psychosexual drama and whether or not Watts' capabilities would be better served elsewhere.  

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The Many Delights of "Okja"

Chris here. Have you caught up to Okja on Netflix yet, readers?

The Cannes competition title arrived on the streaming platform this week (and a tiny sampling of theatres), becoming one of its boldest and best pieces of original programming. Bong Joon-ho's satire of the factory farming industry and consumer culture is a stunning blend of tones and ideas, from absurd comedy to tense thriller to heartwarming fable. At its heart, it is truly about a girl and her pet.

Okja is quite a feast for audiences, bursting with delights both unexpected and well-anticipated. The film has naturally proven somewhat divisive already, as anything so go-for-broke typically can be. But let's grant some hosannas for a film of many high points...

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Netflix to Give "Sense8" One Final Hurrah

Chris here, with news for Sense8 fans. The series was unceremoniously canceled by Netflix shortly after the airing of the kinky sci-fi series's second season, and the outcry online was vocal. But here is another success story where fanbase outrage saves a beloved niche series: Netflix has announced a two-hour special finale to arrive next year. While this may not be another season like fans had hoped, it gives the Wachowski sisters some space to tie up a few loose ends and maybe another showstopping bit of naughtiness.

This makes for an interesting development for Netflix as well as they begin to start giving the axe to their less popular (or expensive, like Sense8 proved to be) programming. The streaming service is moving faster on dumping newbies like Girlboss and The Get Down, but this does show a certain care for their departing shows that have fan support. There are plenty of examples of shows that end strong from a set end date, so Netflix is also providing the Wachowski's an opportunity to end strong rather than fizzle out. Like HBO's Looking this past season, Sense8 is about to become one lean and unique entry for the television history books.

Last Chance, Netflix: Blazing Saddles, Hello Dolly!, An Unmarried Woman

There are quite a few Oscar'ed titles leaving Netflix on July 1st as they continue to thin their streaming catalogue. So you officially have 1 week left to watch them if you're trying to fill in holes in your movie knowledge. After the jump let's play a little screengrab roulette (sharing whatever comes up), shall we?

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Emmy FYC: Master of None, Season Two

By Spencer Coile 

The first season of Master of None was met with universal acclaim from critics and audiences. Telling the quasi-autobiographical story of Dev (Aziz Ansari), the series follows this wannabe actor and his numerous friends as they gallavant through New York City, eating pasta and searching for love. What made the first season of Ansari and Alan Yang's concoction so fascinating was the way in which they infused elements of culture, race, and sexuality into their storylines. The dialogue was unique to many other shows with similar plotlines; there was a level of specificity and a lived in quality that surpassed more traditional sitcoms.

Master of None recently returned to Netflix and met no sophomore slump. The second season has not only matched the quality of the first but surpassed it. How well does this bode for the series' Emmy chances?

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