NEW REVIEWS
Can't display this module in this section.Can't display this module in this section.Can't display this module in this section.Can't display this module in this section.
Oscar History
Film Bitch History
SMACKDOWN INDEX
Can't display this module in this section.
Welcome
Can't display this module in this section.Can't display this module in this section.
DON'T MISS THIS
Can't display this module in this section.
COMMENTS
Can't display this module in this section.Can't display this module in this section.
Keep TFE Strong
Can't display this module in this section.
What'cha Looking For?
Can't display this module in this section.
Subscribe
Can't display this module in this section.

Entries in Oasis (1)

Wednesday
May092018

Soundtracking: "Mommy"

by Chris Feil

Notable among the complaints lobbed at Xavier Dolan are his music video stylings and his pop-heavy song choices. Say what you will about the auteur’s self-seriousness, but when his musical instincts work, they truly work. Nowhere does this musical instinct shine as brightly as Mommy.

The film’s psuedo-scifi premise (a fictional law allows parents to institutionalize their children) sets the film in the immediate future but the film musically shows its family unit as stuck in the past. Teenage Scott is christened with Counting Crows and Eiffel 65’s brainworm “Blue”, and he’s grafted with a dated whiteboy swagger. His mother Die is adorned in former hits from Dido and Sarah McLachlan, and we see the classy adult contempo hopes in her tacky bargain bin compilation CD package...

Click to read more ...