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Entries in On the Road (7)

Saturday
Dec312011

Five Linky Pieces

But You're, Like, Really Pretty has fun reimaginings of all those actresses once rumored for the Lisbeth Salandar role like Evan Rachel Wood. Mia Wasikowska is actually the closest to a Rooney Mara look and Anne Hathaway is just so wrong. (My what big eyes she has!)

The Hollywood Reporter looks at the 'Contender Cast-Offs'. Those films we kept wanting to put into Oscar lists but which kept not having release dates like Wettest Country and On the Road

The Atlantic thinks A Better Life made a stunning case for immigration reform. (That movie sure is keeping itself in the spotlight well past its summer run!)

The New York Times has a fun piece on the personal angst of top ten lists by Dan Kois.

Empire grills celebrities on movies they enjoyed this year. Zac Efron likes "freaky" movies like The Skin I Live In and Shame (who knew?) and Emma Stone is a walking FYC for Bridesmaids which she calls a "game-changer". Patton Oswalt, who I can vouch for as a movie maniac since I've heard him gab about movies casually in person with fellow industry types loves The Tree of Life and Bellflower

Monday
Apr182011

Make Way For The Many Angel-Headed Hipsters

JA from MNPP here, with the first couple of pictures from Walter Salles' adaptation of Jack Kerouac's semi-autobiographical classic On the Road. (via) On the right that's Sam Riley as Kerouac stand-in Sal Paradise, with Garrett Hedlund as Neal Cassidy stand-in Dean Moriarty. No look at Kristen Stewart or Kirsten Dunst or Viggo Mortensen, amongst others, yet. Apparently the few people who've seen the film so far are saying the film, and Stewart in particular, as very good. No specific release date's set yet but it should be out before the end of the year.

We just saw Kerouac and Cassidy on-screen last year in Howl, played by Todd Rotundi and Jon Prescott, seen here:

It's a popular time to be a Beat, eh? I wonder why On the Road's finally able to get made after all these years. Does anybody think Mad Men's successful fetishization of the Sixties has anything to do with it?

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