Blueprints: "Eighth Grade"

While we’re still caught in a wave of summer releases, Jorge takes a look at the script for what has become the indie comedy darling of the moment.

Capturing the essence of a teenager on screen is not easy. Since most screenwriters are decades removed from that time in their lives when they develop their scripts, the language and sentiment around it can feel removed or separate from reality. If this was true during the teen comedy heyday of the 80s, it’s even truer today, when the quickly evolving culture and technology make even a couple years’ difference a generational gap with young people...

Click to read more ...

Blueprints: "Hereditary"

This week, Jorge dives into how the setting and character introductions made this one of the most unsettling movies in years.

Horror films are far scarier when they are grounded by real fears. Sure, a ghost flying towards you or the sight of a little girl head’s spinning are objectively terrifying. But when a character's terror reflects the way we have felt at dire points, the horror movie seeps into our own lives, suddenly tangible. 

Hereditary is as much of a family melodrama as it is a horror film. Its scariness doesn’t rely on a supernatural force (although there is one), or on gory and violent imagery (though there’s definitely some of that). The horror taps into the dynamics and secrets of family life. It takes regular fraught human emotions and raises them to unbearable levels...

Click to read more ...

Blueprints: "American Beauty"

Last month we dove into one of the most iconic shower scenes in cinema for April Showers. For May Flowers, Jorge takes a look into one of the most famous thematic uses of a flower in film.

American Beauty was at one point supposed to be titled American Rose. This is neither a coincidence nor an appropriate alternative. The film, a satire about American suburbia and the layers of darkness that society hides underneath their pretty but rotting exteriors, heavily uses the recurring image of rose throughout. Not just in the now iconic nude sequence with Mena Suvari. 

Roses appear through the script in many key parts, usually in places where a character is putting up a façade for the world, or when they are completely submitting to their darkest impulses. Or when those two collide. Let’s take a look at where the flowers ominously represent both the attachment and the repulsion against society’s “pretty” standards...

Click to read more ...

Blueprints: "Tully"

For this upcoming Mother’s Day weekend, Jorge takes a look at the depictions of the hardships of motherhood in Diablo Cody and Jason’s Reitman’s latest joint.

At this point it may be an overstatement, but motherhood is not easy. As it turns out, taking care of another, much smaller living and breathing human being requires more time, attention and energy than one sole human being is able to provide. Tully, among many other things, is an examination of the mental toll that motherhood takes on a person.

Let’s take a look at the tools that Diablo Cody’s script uses to portray the everyday hassle, tediousness and exhaustion that Charlize Theron’s Marlo has to endure, before Tully comes in and rescues her...

Click to read more ...