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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Entries in Introducing (15)

Wednesday
Aug272014

Introducing... The Supporting Actress Nominees of 1989

It's just a few days until the Smackdown of 1989. Have you voted yet? You've met our panel, now let's meet the Supporting Actress nominees we'll be discussing as they're introduced in their movies. If you hadn't yet seen the movie would you be expecting an Oscar nomination from their first scene? What do the scenes telegraph to the audience?

1 minute in Meet "Mrs Brown" (Brenda Fricker in My Left Foot)
We see Christy Brown's mother before we see Christy Brown (Daniel Day Lewis)... unless you count his eponymous appendage. But it's merely during the credit sequence so we only glean that she's the mum and that they're going somewhere special since she checks herself in the mirror. It doesn't take long to understand her importance. At the end of the first full scene we see a painting Christy made of her with a slow zoom that dissolves into flashback in a maternity ward - a mighty clue that she's absolutely central to the movie. 

A pink-loving bride and three more real characters after the jump

Click to read more ...

Monday
Jul282014

Introducing Pt 2... Blair and Candy

Previously on "Introducing"Tatum, Sylvia & Madeline

It's just 3 days until the Supporting Actress Smackdown of 1973. Bless StinkyLulu for dreaming up this event years ago because it's still so fun. But first some unfinished introductions: how do Candy Clark and Linda Blair enter their movies. If you hadn't yet seen the movie would you be expecting an Oscar nomination from these first scenes? What do the scenes telegraph for first time viewing? 

Sure do love you.

Hi, Mom!

11½ minutes in. Meet "Regan" (Linda Blair in The Exorcist)
How fitting that she first appears in bed, since she'll spend the bulk of the movie in one albeit it under far more horrific circumstances than a good night's sleep. As the scene begins her mother Chris MacNeil (Ellen Burstyn) has heard noises in her Georgetown rental and checks on her daughter first. Sound asleep. But there's a telling pan left to the open window, curtains blowing, and despite the maternal warmth and blissful lack of scoring or over-done sound design at this moment (it does sound plausibly like a rat or racoon in the attic) the scene is subtly chilling. The Exorcist understands the slow build and modulation and starts pianisssimo.  Chris kisses her daughter and pulls the covers up. When we see Regan again five minutes later she's just a typical bouncy teenager who talks pretty horses and steals cookies. If you'd never heard of The Exorcist before you first saw it (fat chance) you could safely assume that both the mom and the daughter might soon be in peril, but nothing else. The Exorcist establishes home life normalcy first before demonic insanity betrays its fragility.

Babe. What a bitchin' babe!

30¾ minutes in. Meet "Debbie" (Candy Clark in American Graffiti)
American Graffiti is about four friends after high school graduation but by the half hour mark they've all split up and the film becomes four parallel films as they cruise around the strip in different cars or on foot. We meet so many characters, first spotted from car windows, including one previous blonde fantasy girl that Debbie's entrance doesn't seem major... at first. Initially Debbie is presented in completely objectified fashion as Terry (Charles Martin Smith) calls her a Babe (to himself) and hears other men cat call her. He follows her in the car and she's getting nervous in this neighborhood and walks faster. But after a minute of fruitless one-sided conversation from his car he tells her she looks like Connie Stevens. Her temperature changes and she beelines straight for him, suddenly a different person. It's a special entrance just from Clark's offkilter switch. She's the one suddenly objectifying... only its the car she's lustfully eyeing and possibly more compliments, too.

She'd get the ultimate compliment with an Oscar nomination.

Be here on Thursday afternoon when our awesome panel discusses these five nominated performances in the monthly Smackdown event. This is your last day to vote on the 1973 supporting actress shortlist by sending me heart ratings -- for only the ones you've seen -- on a scale of 1 to 5 with 5 being unimproveable feats of acting. (Reminder: Next month is 1989)

Thursday
Jul172014

Introducing Pt 1... Supporting Actresses of 1973

You've met our awesome panelists (Dana Delany, Karina Longworth, Mark Harris, Bill Chambers, Kyle Turner, and myself, Nathaniel) and on July 31st when the Smackdown arrives you'll hear from us again. Let's meet the characters we'll be discussing.

As is our new Smackdown tradition we begin by showing you how the performances themselves begin. There's usually some point in every nominated performance when it clicks in... here's the scene that did it. That can come as early as the introduction for some characters. At the very least the intro is the springboard for every thing you'll see about the character from then on. Do these introductions scream "shower me with gold statues!"? Do the filmmakers prepare us for what's ahead? Here's how 3 of the 5 nominees are introduced in the order of how quickly they arrive in their movies.

[No Dialogue]

Immediately. Meet "Addie Loggins" (Tatum O'Neal in Paper Moon)
This is the first shot of Paper Moon and the camera will rarely leave little Addie (Tatum O'Neal) again in the greatest case of Category Fraud ever perpetrated at the Oscars. She is staring tearless into her mother's freshly dug grave, flanked by unaffectionate adults who immediately pawn her off post-funeral to a stranger who bears a striking resemblance (Ryan O'Neal). He's meant to drive her to only kin, an Aunt she doesn't know. Tatum's/Addie's resistance to charming you or her co-stars actually proves better than charming, drawing you completely in to that poker face. Three minutes later she finally speaks and seems less child-like; she's all business, suspiciously scoping out her new situation and this "friend" of her mother's. 

Rita: Who is this?
Mrs Pritchett: Who do you think it is?
Rita: Why do you sound so strange?
Mrs Pritchett: I'm at Saks. 

5 minutes in. Meet "Mrs Pritchett" (Sylvia Sidney in Summer Wishes Winter Dreams)
We've spent enough time with Rita (Joanne Woodward), our protagonist, to know that she's neurotic and unhappy; the first scene is an actual nightmare. A phone call wakes her up. Disoriented from sleeping she doesn't recognize her own mother's voice. (That's Sylvia Sidney who today's moviegoers probably remember best from Beetlejuice.) Forget the dialogue as being at Saks is hardly a strange occurence judging from her expensive clothing and multiple shopping bags. The picture of their relationship is instantly clear: they bicker, they're terse with each other, they meet every week for lunch which is why the mother is calling and what they're about to do. One assumes then that the picture will be an acidic mother/daughter drama. But is that what's coming?

Now don't you drop nuthin' Imogene. You take care of those breakables, y'understand?

40 minutes in. Meet "Trixie Delight" (Madeline Kahn in Paper Moon)
This is one of those highlighted intros that a movie prepares you for, shouting 'New Chapter'.  It draws its comic energy from the "cut to". We're sitting in a hotel room with Addie and her exasperated shouting Daddy who explains that there'll be two new women in the car, a "lady" and her maid...

A REAL LADY AND SHE COMES FROM A GOOD FAMILY!"

Cut to: Madeline Kahn strutting out of the carnival's nudie tent "HAREM SLAVE - WORLD FAMOUS GIRLS", boobs bouncing. A real lady from a good family, eh? Kahn wins her first big laugh with literally her first second of screen time. There will be more. 

Do the introductions make you want to see more?
(In part 2 we'll look at the other nominees)

[If you'd like to participate in the Smackdown make sure to vote on the nominated performances (only the ones you've seen please, underseen performances are not penalized as votes are averaged out) by rating the nominees on a scale of 1 (inadequate) to 5 (beyond excellent) hearts.]

Friday
Jun272014

Introducing... The Supporting Actress Nominees of 1964

You've met the panelists and this Monday (June 30th) the Smackdown arrives. So, let's meet the characters we'll be discussing.

As is our Smackdown tradition we begin by showing you how the performances begin. Do their introductions scream "shower me with gold statues!"? Do the filmmakers prepare us for what's ahead? Here's how the five nominees we'll be discussing are introduced (in the order of how quickly they arrive in their movies). Do any of these introductions make you want to see the movie?

THE INTRODUCTIONS

-Dr. Shannon
-Miss Fellowes 

7 minutes in. Meet "Judith Fellowes" (Grayson Hall in The Night of the Iguana)
After a prologue where Dr Shannon (Richard Burton) appears to have some sort of loss of faith mental breakdown in a church where he preaches, we see that he's now giving tours of Mexico. Enter Judith Fellowes with a gaggle of old women, immediately questioning his fees. Her gaze is direct (he doesn't return it) and they enter the bus where she leads her women in a sing-along. Dr Shannon doesn't appear to like her. At all. More friction is surely ahead on their travels.

Click to read more ...

Tuesday
May272014

Introducing... The Supporting Actresses of 1941

The next Supporting Actress Smackdown hits this coming Saturday and you can still vote as part of the panel. Your votes count toward the outcome since one of the panelists spots is for the readers! We'll look at How Green Was My Valley for Best Shot late tonight but for now, it's another edition of "Introducing..." How do we first meet these 1941 characters who will then grant their actresses the honor of becoming Academy Awards Nominees? Was the direction, music and lighting already helping to single these ladies out for honors?

Here's how they're introduced in their films...

Click to read more ...