"Introducing" The film debuts of your Best Supporting Actresses
Thursday, March 17, 2022 at 12:29PM by Nathaniel R
Aunjanue Ellis in her film debut, "Girls Town"
In the glitz and glamour of awards season it can be hard to remember that today's most celebrated performers were once just starry eyed hopefuls trying to land a movie role. For this four-part series, a look back at the films that launched each of our acting nominees, some more auspiciously than others. Because acting is a three medium art form (stage, tv, screen) we're sticking to their first feature film role to make it easier. Some of the nominees had acting gigs before landing their first film. We'll take them in chronological order of their debuts and share a screen shot of the very first credited moment on film.
We begin with Supporting Actress which we'll be discussing at length on the Smackdown this weekend. But first a look back at their very first roles...
JUDI DENCH as "Miss Humphries" in The Third Secret (1964)
first shot of Judi Dench in a movie
detail... she's Acting even in the background. No dialogue in this scene. 
First line in a film: "They've practically disappeared."
Judi Dench had been a regular on London stages and on British television for a handful of years before she made her first film. She turned 30 a month after the film opened in the UK. She was 12th billed in this noir about the apparent suicide of a psychologist and his American patient (Stephen Boyd) who doesn't believe the coroner's ruling. Dench plays an art gallery assistant and you can see what a consummate professional she already is, rounding out her character sometimes in the background of scenes. She's always reacting to the other actors, and using her full body to tell you what Miss Humphries is thinking or feeling; That's those years on the stage already. She doesn't get her first line until 39 minutes into the movie when she's discussing paintings with Boyd and proceeds to diss Americans 'They'd buy Nelson's Column if you let them' until she realizes she's talking to one. Oops!
KIRSTEN DUNST as "Campbell McCoy" in The Bonfire of the Vanities (1990)
first official shot of Kirsten Dunst in a movie, descending a staircase. "I'm outta here!"
our first good look at her, trying to read her unhappy parents
first line in a film: "I'm outta here!"
Her first line in a movie may have been to announce her exit but she was very much arriving. Now, in truth, you can spot tiny Kiki Dunst a year earlier in an uncredited role as Mia Farrow's daughter in Woody Allen's section of the omnibus film New York Stories (1989) but she made her official debut in this one, at age 8, as the daughter of Tom Hanks and Kim Cattrall. The film was a very high profile bomb, adapted from Tom Wolfe's much-celebrated bestseller. It's difficult to recognize her in long shot, descending the staircase and off to school, as her hair is dyed darker to match Hanks & Cattrall's brunette looks. Later she gets closeups and screentime, usually listening to her mother demean her father in creatively bitchy ways. By the mid 90s, just a few years later with the 1-2-3 punch of Interview with the Vampire, Little Women, and Jumanji, Kirsten Dunst was a famous child star with three hits under her belt and a Golden Globe nomination. Still this first Oscar nomination for The Power of the Dog took an awfully long time to arrive, didn't it?
AUNJANUE ELLIS as "Nikki" in Girls Town (1996)
first shot of Aunjanue Ellis in a movie
Her first line in a movie: "What style? What style?"
Jim McKay's Girls Town (1996) begins with a slow-motion shot of Aunjanue Ellis walking down the street carrying a notebook. The sound doesn't match as if she's remembering an obviously traumatic event -- it sounds a lot like a rape. In the first scene after the subsequent opening credits, a group of girls are making fun of Patti's (Lili Taylor) overalls when she says "it's my style". Then Patti asks Nikki what she's writing in that notebook she carries around. "None of your business" is the reply though the two are clearly friends. Due to the narrative of Girls Town (no spoilers) Ellis isn't in very much of the film but it was a moving debut. Over the following 20 years she'd become an enduring and very reliable character actress. The NAACP Image Awards caught on quickly nominating her as early as 2000 but it took the big awards shows much longer. Happily in the last few years she's finally being recognized for those gifts with two recent Emmy nominations (When They See Us, Lovecraft Country) and now an Oscar nod (King Richard).
JESSIE BUCKLEY as "Moll" in Beast (2017)
first shot of Jessie Buckley in a movie (she's second from left) though the choir director will single her out immediately
first film, first billed! 
Her first line is a voice-over narration as she stares in the mirror and awkwardly smiles
First line in a movie: "I was obsessed with killer whales when I was a kid. They always seemed to be smiling."
Buckley was not a star overnight even though her film career would suggest otherwise. Her debut film, the romantic drama Beast (released in 2018) in which she is romantically paired with a suspected killer (Johnny Flynn) was a hit with British critics earning her multiple critics nominations and the British Independent Film Award for "Most Promising Newcomer" as well as the London Critics Circle win for "Best British/Irish Actress of the Year". She chased it immediately with a Best Actress BAFTA nomination for Wild Rose (2018... released in 2019). Interestingly she's a singer in both roles; What a voice...someone get her a movie musical! But starting with two lauded lead roles is not as shocking as it sounds given that she'd already acted in British stage productions (two of which were filmed) such as The Tempest (2014) and The Winter's Tale (2015) and made two mini-series (2016's War & Peace and 2017's Taboo) and a few short films.
ARIANA DEBOSE as "Daphne" in Seaside (2019) / "Alyssa Green" in The Prom (2019)
first shot of Ariana DeBose in a movie
first title card, first billed!
first shot of Ariana in a major studio production, one of three cheerleaders but quickly singled out with a closeup
a glizier title card though 7th billed
Her first line in a movie: "That depends on you" / "C'mon guys lay off her"
2019 was arguably the most important year in Ariana DeBose's career. She was coming off a 2018 Tony nomination as "Disco Donna" in Summer (her sixth Broadway appearance) and the movie career began. In July she began shooting Steven Spielberg's West Side Story (which would eventually net her the Oscar nomination). In August the first movie she had shot, an indie thriller where she had the leading role as a woman who moves to a new town where she discovers her boyfriend hasn't been honest with her, was released digitally and on DVD (to little fanfare and poor reviews). And then, at the tail end of the year, just after completing filming on the Spielberg musical, her first movie musical role hit Netflix. People thought of it as her debut given the very low profile of Seaside. She played a closeted lesbian girlfriend in The Prom. COVID delayed her star ascendance by a full two years but it's finally here.
Have you seen any of these debut roles? Who are you rooting for in Best Supporting Actress?
Reader Comments (13)
Buckley is great in Beast. Very opressive movie. I was already in love with her when I saw it thanks to her work in the War and Peace miniseries.
I am hoping somehow that Kirsten pulls off an upset.
Pretty insane how DeBose went from the dreadful The Prom to her current sweep.
Jessie Buckley has been great in many things in a relatively short period of time. Especially Beast and Chernobyl. One thing I thought just did not work was the recent Fargo season — mannered and erratic and ACTING. I’d hope she doesn’t take too many more stylized roles like that.
Thanks for this article, what fun!
How cool to see Dench lurking in the background and at the bottom of the credits!
I would've given Buckley an Emmy nomination for Chernobyl. She was fantastic, as everyone was in that amazing show.
I love title cards... the fonts, the order in which people appear. It's always so interesting to me.
But Jessie Buckley IS in a musical. She’s playing Sally Bowles in “Cabaret” with Eddie Redmayne as the Emcee in the West End in London.
If you’ve ever seen clips of Judi Dench playing Sally Bowles, that is eye opening. With her clear diction, you actually hear every word, like you haven’t before. And her superb acting skill of character invests the songs with meaning you haven’t thought of before.
Interestingly, in the movie “Tea with the Dames”, all 4 actresses, including Judi and Maggie Smith, say how they never thought they were good looking enough (because people told them that). But man, they were hot, sexy, and smart.
Yes! Redmayne and Buckley are both current Olivier Award nominees!
I n order of preference"
Buckley... Dunst ... de Bose ... Ellis ... Dench
@ McGill
He said MOVIE musical ;-)
2018 is one of the most lead actress-rich years in recent memory, and Buckley's performance in Beast is as strong as any. Flynn's excellent, too
I was rooting for Dunst because, well, I love her and she's overdue (should have won for MELANCHOLIA). But I've finally decided I'm for DuBose because in 20 years, when the dust settles she gave the most impressive performance and if she doesn't win, people will consider it an injustice. It could well become a legendary performance just like, well, Dunst in MELANCHOLIA.
@Working stiff:
Ah yes! Right you are! Apologies all around.
It would certainly be wonderful if we had several good movie musicals every year, so we could delight in the talents of Jessie, Ariana, et al.
I am rooting for Kirsten Dunst.
Here is where I first saw these lovely actors:
Buckley- Fargo (I caught up with her other work later)
Debose- Company
Dench- A Fine Romance
Dunst - Interview With the Vampire
Ellis- Undercover Brother (I may have seen her in other things, but I didn't NOTICE her)