Shelley Winters @ 100: A Double Life (1947)

For the next few evenings we'll be celebrating the career of Shelley Winters for her Centennial. Here's Nathaniel R...

Shelley as a young starlet (1943) and as a prestigious character actress (1968)

Shirley Schrift had been kicking around showbiz for eight years before the needle moved. At just 19 years of age, before she had any real professional credits, she auditioned for Scarlett O'Hara (like virtually every aspiring actress of the time) during the famed nationwide search. Director George Cukor himself (the initial director of Gone With the Wind) advised her to get acting lessons. She did and her work ethic and ambition paid off. Broadway roles followed and Hollywood soon after. The first years of her movie career were mostly filled with uncredited bits in Columbia and MGM pictures. With studio jobs came the usual tinkering with persona starting with a stage name. Shirley became Shelley and the Schrift became Winter and then Winters. Though some screen icons were given the instant star treatment, Winters career was closer to the norm of working actors in studio-era Hollywood. You were just one of thousands of faces but if you were lucky, charismatic, talented, or if executives took an interest (all four was naturally ideal), they'd work carefully on your image and groom you for larger roles.

At twenty-six the actress's luck changed suddenly -- as it does if it changes at all -- with two roles that launched her to stardom...

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How I Came to Write Musicals

IT'S A SPECIAL GUEST STAR DAY!

We are thrilled to turn The Film Experience over today to Tom Mizer, one half of the songwriting team Mizer & Moore (The Marvelous Mrs Maisel). In addition to his many career accomplishments, he happens to be a longtime TFE reader! Please give him a warm welcome - Nathaniel R.

by Tom Mizer

It’s a little disturbing to discover that the best way to introduce myself to you, good readers, is by having you meet 10 year-old me. During a lockdown cleaning binge, I found a stack of “scrapbooks” I made as a kid out of construction paper and newspaper clippings. The extreme Tom-ness of who I was and who I’d become is all there. I mean, look at just this one page.

First, note the slipshod but intense workmanship. I have not a crafty bone in my body and clearly needed to avoid the visual arts...

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Introducing... Supporting Actress Characters of 2002

The next Supporting Actress Smackdown is just 12 days away. We're on fire this season, aren't we? HERE ARE THE PANELISTS that will be talking about 2002 but we also need your votes. We highly encourage you to rewatch the movies before voting (time can change perspective!). To vote simply email us with "2002" in the subject line by Monday June 15th and include your rating of each of the nominees on a scale of 1 (weak) to 5 (perfect) hearts...

 

• Kathy Bates, About Schmidt
• Queen Latifah, Chicago
• Julianne Moore, The Hours
• Meryl Streep, Adaptation
• Catherine Zeta-Jones, Chicago

For an extra bit of whistle-wetting fun, let's look at how each of the characters are introduced in the movies. NOTE: Please save comments about the performances themselves for the Smackdown event. For now we're talking about the art of introduction in storytelling. Is the filmmaker tipping his hat to a star's arrival (fairly common practice) or merely introducing a new character...

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Introducing... Matty Walker / Kathleen Turner

by Nathaniel R

We thought that a nice subversive way to end our 1981 retrospective party would be to focus on the year's most memorable beginning.

A lot of very famous actors began their big screen careers in 1981 including (but not limited to) Ben Affleck, Kim Basinger, Kevin Costner, Tom Cruise, Jeff Daniels, Holly Hunter, Jennifer Jason Leigh, Bill Nighy, Alfred Molina, Kenneth Branagh, Demi Moore, Sean Penn, and Meg Ryan. Some of those debuts were quite promising. Others gave no clear sign of a superstar to come, just the site of an unknown actor with the ink not yet dry on their SAG card.  But the year's most exciting debut, hands down, belonged to Kathleen Turner. She was the only one of them to emerge fully formed right out of the gate; a movie star merely waiting at the bar for her filmography to arrive.  Risking the ghosts of both Lana Turner (figuratively) and Barbara Stanwyck (literally) for your debut and coming out the other side without remotely suffering from the comparisons is an all time flex...

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How are the nominees introduced in their movies? (A Smackdown '60 appetizer)

The Smackdown panel is meeting this Sunday to finalize the voting and record our conversation. All five films are available on either YouTube or Amazon but for Dark at the Top of the Stairs which you can watch on the link included below. Watch the movies and vote!

While you wait for the Smackdown and its Podcast, we thought we'd do a little exercize we haven't done in a while. Let's look at how the filmmakers introduce these characters within the overall stories. Bear in mind that these aren't the lead characters, so theroetically they don't have to be introduced in a "stop and look at this person!"" kind of way. But were the filmmakers underlining their entrances, preparing you to embrace an future-Oscar-nominated-star-turn, or just going about telling the stories? 

Let's investigate in the order they show up in their movies...

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