A Maggie Smith Top Ten

by Cláudio Alves

Have you seen The Miracle Club yet? Thaddeus O'Sullivan's comedy has been in theaters for a week, and it's bound to bewitch actressexuals, showcasing performances from a cadre of lovely thespians. There's Kathy Bates and Laura Linney in what Matt St Clair described as a work of "unwavering grace and sly tenacity." There's also Maggie Smith, one of my favorite living actresses, delivering another late-career turn to remind viewers they shouldn't take her for granted. Sure, her decade-spanning portrayal of Violet Crawley in Downton Abbey seemed like a congealment of the actress's greatest hits. However, that doesn't mean Smith is a one-trick pony, that her filmography is without risk or variety.

To commemorate, let's make the two-time Oscar winner our subject for list-mania. So, dear reader, will you join me down Maggie Smith's extensive repertoire, searching for the top ten highlights? It's a vast scope of roles, from scene-stealing supporting parts to titanic leads, from heartbreak to cutting pithiness…

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What Did You Watch This Weekend?

There was not a pot of gold at the top of that beanstalk... or rather there was but it had already been raided to build said beanstalk in the first place.

Box Office WIDE
01 JACK THE GIANT SLAYER *NEW* $28 Review
02 IDENTITY THIEF  $9.7 (cum. $107.4)
03 21 AND OVER  *NEW* $9.0
04 THE LAST EXORCISM PART II  *NEW* $8
05 SNITCH $7.7  (cum. $24.4)

Given Jack the Giant Slayer's gargantuan budget ($200 million), and the loss of the family audience next weekend when Oz: The Great and Powerful cuts it off at the knees beanstalk (har-de-har-har), this has to be a regarded as a face plant (plant. get it, I... never mind). Unless its overseas take is significantly better.

Box Office PLATFORM
01 THE GATEKEEPERS $.2 (cum. $.6)
02 STOKER *NEW* $.1 Review 
03 NO $.1 (cum. $.3) Review
04 HYDE PARK ON HUDSON  *$.04 (cum. $6.2)
05 STAND UP GUYS $.1 (cum. $3.2)

Though Stoker had a non-spectacular 'highest-per-screen-average of any movie' claim this weekend, I always wonder why genre efforts with famous stars don't open wider to begin with. I mean, seven theaters??? Sure this is an art horror film rather than a easy-sell slasher but remember when Bug opened wide and they pretended it didn't have critically acclaimed roots? It was hardly a hit but it made $3 million in its opening weekend and $7 million in total. If you hide Stoker for long enough, it won't even get to $7 million because the buzz will warn away the people who are scared of anything non-generic... which is obviously a lot of people if you look at box office receipts for horror films where interchangeable slashers tend to reign.

One unreported story of the box office this winter season is surely that the non-bankable Oscar bait failures like Quartet and Hyde Park on Hudson still somehow managed to earn non-embarrassing grosses. Especially Quartet which nearly equalled Beasts of the Southern Wild's take with about .1% of its publicity - the power of the Dowager Countess!?! 

What did you watch this weekend? I took in Stoker, Jack the Giant Slayer and a couple of 1930s movies

Worst of the Year (Pt 2). My Eyes... My Eyes... My Very Soul!

Previously in the Year in Review we visited Snow White and the Overrated, Misjudged, Miscast Tomorrow the joyous positivity starts but until then, we purge. Let's rush through this final bout of negativity.

WORST FOREVER-TREND: BAD MOVIE POSTERS

Now I know how the vampires of True Blood feel whey they cry... My eyes! My eyes!

These three posters for To Rome With Love, Quartet and Marvel's The Avengers probably do not represent the absolute worst movie advertisements of the year but they are indicative of three subspecies of Horribilus Posterus: To Rome With Love shoves its cast into  multiple little boxes, a common technique that is nearly always hideous on posters but that never stops designers from trying. To make matters worse they've selected color palette so bland that it seems to be advertising air-conditioned nap time, oatmeal breakfast at a theater near you, and A Film By Nancy Meyers all at the same time; Quartet represents the Indecisive Nonsensical brand of bad poster since its retro 80s color blocking suggests period comedy romp (No, sort of, and no) and then it's like oh "every diva deserves an encore" but the movie actually fights against this (I shan't spoil it if you're inclined to suffer through); The Avengers is appropriately colorful but belongs to the most populated subspecies of bad poster, the No One on This Poster Was Ever in The Same Room Together disconnect. Photoshop has become such a crutch for everyone that marketing departments seem to believe that no one values authentic connection in imagery anymore and I absolutely don't believe that's the case. You're paying stars millions of dollars to appear in a movie but you can't require in their contract that they pose together for promotional materials? 

Worst Miscellania and 5 Worst Movies of the Year after the jump

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Posterpalooza Pt. 2: Stoker, Quartet, Oz & Les Miz

(see pt. 1 if you missed it)

So many new posters. So little wall space. Let's look at seven new posters for four movies. Starting with this inky and intricate gothic family tree tease for Park Chan-Wook's Stoker, which works best if it's wall sized since the details will be lost in any other setting including the web...

STOKER (2013)

If you want to try and tease out plot details for yourself, Empire lets you hover over pieces of the poster. I've selected just a couple to focus on after the jump (plus six more posters)

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LFF: "Quartet" and Other Misguided Lovers

David here reporting on a diverse selection of films showing at the 56th BFI London Film Festival starting with the Best Actress hopeful Quartet...

Tom Courtenay and Maggie Smith in 'Quartet'

“Like being hugged by your favourite grandparent,” I wryly tweeted just after exciting the press screening of Quartet. Imagine that. It’s an undeniably pleasant experience, even as it might come with a slightly musty smell and a worry that if you let go they’ll lose their balance. (Said grandparent must obviously have reached a certain age, and I’m sure your grandmother smells lovely really.) Quartet is, in the nicest way possible, an elderly person’s movie – gentle, undemanding, exceedingly pleasant and just a little bit bland. Every piece of the easy narrative jigsaw puzzle is placed before you within fifteen minutes – Cissy (Pauline Collins) winsomely forgets where she’s going several times, Reggie (Tom Courtenay) withdraws bitterly at Jean’s (Maggie Smith) arrival, and Dr. Cogan (Sheridan Smith) happens to mention that the nursing home is in danger of closing down. Not to mention that this collective of aging musical greats are already rehearsing for their gala concert in honour of Verdi’s birthday. Continue...

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