Review: Pride and Prejudice and Zombies

This review originally appeared in Nathaniel's column at Towleroad...

Lily James, from Cinderella to Zombie Slayer

“Pride and Prejudice,” Jane Austen’s classic novel about the Bennet sisters and their suitors, has one of the most famous opening lines in all of literature.

It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.

Pride and Prejudice and Zombies, an adaptation Jane never could have seen coming despite her gifts, twists the opening line so that we’re no longer talking courtship but hunger; zombies in want of brains. So let’s twist the line again. ‘It is a truth universally acknowledged that pop culture, possessed by the love of fanfic, must be in want of works in the Public Domain!’

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FOX's "Grease! Live" = The Best Live TV Musical Yet

My name is Dancin' Dan and I LOVED Grease! Live.

When Fox announced they were getting into the live musical game, with "America's Favorite Musical", Grease, there was reason to be skeptical. True, the home of American Idol seemed like a more natural fit for a live musical than NBC, but Grease is perhaps an even more iconic show than The Sound of Music, and we all know how that one turned out for NBC.

But then casting announcements kept rolling in, and they felt shockingly on point: Broadway heartthrob Aaron Tveit as bad-boy-with-a-heart-of-gold Danny Zuko. Dancing With the Stars alum Julianne Hough as eternal good girl Sandy Young. High School Musical star Vanessa Hudgens as bad girl Rizzo, pop star and Broadway Cinderella Carly Rae Jepsen as air-headed beauty school dropout Frenchie, former child star Keke Palmer as sex-obsessed Marty.... could this actually work?

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Watching the Documentary Finalists: Part 1 - Other People's Lives

Glenn here looking at each of the 15 films on the Academy’s documentary finalists which, five of which will be shortlisted for nominations on January 14th

The documentary finalist list announced last month does us a small bit of good.  While it was sad to see such excellent feats of non-fiction filmmaking as The Pearl Button, In Jackson Heights, Sherpa and Stray Dog (to name just a few) removed from contention, reducing the astronomically long submission list of 124 down to a more manageable 15 titles does help us out dramatically in being able to not only get a grasp on the category for 2015, but also to give us a sample of what the Academy’s doc branch thought of the documentaries of any given year beyond the five eventual nominees. This year’s finalist list has its regular faces, but wasn't entirely devoid of surprises and many of the year’s best films found a spot despite some egregious choices thrown in. Each of the three posts in this series are divided into vague groups – (Pt 1) movies dedicated to other peoples’ lives, (Pt 2) movies about the world on the political edge, and (Pt 3) movies about confrontations.

Activists, actors and musicians after the jump...

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Review: Anomalisa

Tim here. The biggest strength of Anomalisa is that it's the most prominent, prestigious animated feature made in the U.S. for an exclusively adult audience in ages and ages. Since Fritz the Cat, probably; maybe even of all time. The film is the brainchild of Charlie Kaufman, who initially wrote it as an audio-driven stageplay performed by the same cast as the movie; he turned it into a stop-motion feature with the help of co-director Duke Johnson, a veteran of the dark Adult Swim satire Moral Orel. Oddly, it's perhaps the least outré film of Kaufman's career, despite being animated. Or maybe it's exactly the dirty trick of the movie that Kaufman's most ruthlessly realistic story ever would also be the one that is the least objectively "real" of all of them.

That story centers on Michael Stone (David Thewlis), a melancholy author traveling to Cincinnati to give the keynote speech at a conference for customer service representatives. Michael is not a happy man, a fact omnipresent in every facet of the film, from Thewlis's perfectly drained line deliveries, those of a man who could do with a good cry and is too tired even for that, to the painfully bland color palette of the film. [More...]

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Review: "Star Wars Episode VII: The Force Awakens"

This article originally appeared yesterday in Nathaniel's column on Towleroad. It is reprinted here in a slightly longer version

[Please read with the John Williams Star Wars theme blaring in your head…]

 

In the first trailer for The Force Awakens (aka Star Wars Episode VII: The Force Awakens but we’ll go with the shorter title). Han Solo famously announced…

Chewie we’re home.

You’ll be happy to learn that it wasn’t just a well placed trailer byte but a promise to audiences that the film actually delivers on. I can state unequivocably that the The Force Awakens is the best Star Wars film in 32 years. That might sound like a backhanded compliment — for what could be worse than the 1999-2005 prequels? —  but it’s meant with great affection just like the film in question...

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