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Entries in Robert Greene (6)

Thursday
Jan202022

Doc Corner: The 25 Best Documentaries of 2021 (and where to see them)

By Glenn Dunks

Dear readers, I watch a lot of movies. Then again, what else was I supposed to do throughout yet another pandemic year with city-wide lockdowns and curfews? Which is why it was no real struggle at all to think of enough titles to make this list of the 25 best documentaries of 2021. Nor why I do not consider it the least bit excessive. Movies are great, so let's celebrate them! Each of the films listed are deserving of your eyes, although often for very different reasons—I hope my pseudo-weekly reviews and below captions help explain why.

It was a strong year for films about artists and art more broadly. Nearly half the films on the list below are related to film, music, painting, dance and/or the people to make them. Queer themed docs were also prevalent. The longest film here is 194 minutes. The shortest is 61. There is almost a 50/50 between male and female directors across 25 films that travel the globe from sex doll factories in China to political campaigns in Zimbabwe, a jail cell in Guantanamo Bay and the streets of Harlem...

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Thursday
Dec232021

Doc Corner: Fun facts about the Best Documentary finalists

By Glenn Dunks

Elizabeth Chai Vasarheyi & Jimmy Chin won just 4 years ago with "Free Solo". They're back again with "The Rescue"

Cutting a list down from 138 to 15 is always going to be a daunting and even cruel task, but the shortlist is here for Best Documentary Feature so it is the end of the line for 123 of this year’s non-fiction works. I have been churning through a very long list of titles before even contemplating doing my Top 25 Documentaries list, but I can say that my personal list is looking very different.

AMPAS has selected the following titles to battle it out for a nomination and then the Oscar statue...

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Thursday
Nov252021

Doc Corner: Robert Greene's 'Procession'

By Glenn Dunks

 

It’s become somewhat predictable that a new Robert Greene will challenge an audience as much as it enthrals. He doesn’t exactly pick the most digestible of subject matter, but the way he comes at them is always so interesting and refreshingly unique that it becomes more than just a dour excursion into humanity’s darkest corners. While some may question his tactics, often interpolating traditional non-fiction form with performance and scripted drama, there is nonetheless a quality to his works that poke and prod at the most sensitive parts of a viewer’s brain.

His latest, the Netflix-distributed Catholic Church abuse drama Procession is no different. More so, it’s the best documentary of the year.

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Wednesday
Mar182020

Doc Corner: The Top 100 Documentaries of the Decade

By Glenn Dunks

For those paying attention—and no offence if you haven’t—I have been counting down my top 100 documentaries of the decade. Okay, so it’s technically 110. Shut up, I couldn’t help myself. Check out the list with snap comments for each title on Twitter, or the list is also on Letterboxd. But if you don’t want to make a single click then after the jump you'll get the whole list with chosen highlights and links to full reviews. And just in case you were wondering... number 101? Exit Through the Gift Shop.

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Tuesday
Sep042018

Doc Corner: Robert Greene's 'Bisbee '17'

by Glenn Dunks

Staged realities are at the heart of Robert Greene’s films. Whether it be the wrestlers of Fake It So Real, the performative comeback of Actress or the uncanny fiction of Kate Plays Christine, his films have always blurred lines between what is real and what is… less real. Maybe.

Bisbee ’17, opening tomorrow in NYC, marks multi-hyphenate Greene’s most accessible feature to date, perhaps not coincidentally because the divide between the two realities he builds are at their most clearly defined. But even if the structure allows an audience more familiar comfort, it’s still a haven for the sort of hazy distortion that Greene does so well and which can make viewers feel off-balance, unsure about whether what they’re watching is completely real or some version of it.

The setting for Bisbee ’17 is the town of Bisbee, Arizona. A town in the shadow of the copper mining boom in the early stretches of last century; once one of the most prosperous towns in America, it now stands as a remnant of a long-since gone American ideal. It's a minor tourist destination, and the keeper of a tragic secret past that is about to get to get torn open like a scab from a 100 year-old wound that never healed...

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