A Year With Kate: Mary Of Scotland (1936)

Episode 10 of 52 wherein Anne Marie screens all of Katharine Hepburn's films in chronological order.

In which Kate dons some regal duds.

Stick with me, folks. The next three weeks are going to be rough, but if we can get through it together, the last week in March will be Stage Door, and from there on it’s nothing but Kate classics. In the meantime, however, we’ll have to slog through three films which, if I’m totally honest, rightly earned Kate her “box office poison” moniker. But we’re jumping ahead of ourselves.

First we have to get through Mary of Scotland, a misbegotten, misdirected, miscast movie. “Misbegotten” because it dumbs down the political intrigue of Queen Mary of Scotland’s reign into a bad romance novel plot. “Misdirected” because John Ford clearly would rather have been out in Monument Valley with John Wayne and a wide angle lens. "Miscast" because how in the name of all that is holy did we miss the chance to cast Katharine Hepburn as Queen Elizabeth I??

Elizabeth is a great role for actresses, especially redheads with good cheekbones. You know where I’m going with this. Since everybody loves pitting Cate vs Kate Elizabeth I vs Mary Stewart, I decided to rank four stand-out Lizzies and Marys (some good, some bad, all unique).

VS

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Linkomaniac

Pajiba Frozen/Star Wars poster mashup
Total Film now that the Weinsteins have access to their Miramax back-catalogue expect sequels. Shakespeare in Love 2 is coming at you (no, this is not a satirical Onion style post)
Variety Disney is planning a Jesse Owens biopic centered around the 1936 Olympics in Berlin. Rich subject though it will obviously be easy to slide into pandering "inspirational"
/Film at press conference James Cameron compares his Avatar sequels to The Godfather trilogy. Oh Jimmy. I love you more than just about anyone but less talking (you're no good at it!) and more filmmaking (you're great at it!)
Cinema Blend first teaser for Gregg Araki's White Bird in a Blizzard with Eva Green and Shailene Woodley
In Contention Kris Tapley's top ten list featuring Mud, All is Lost, The Place Beyond the Pines and more

small screen and miscellania
Towleroad first images from Ryan Murphy's adaptation of The Normal Heart
Slate on the big problem with Masters of Sex. I absolutely agree with this but for me the show is great enough to overcome it... which is saying a lot since Bill Masters (Michael Sheen) is the lead
BuzzFeed 24 reasons why Cher is the Queen of Twitter 

Today's Best Movie Anything!
God bless Screen Daily for uncovering this gem...

In a week when American film critics organization have been tripping over each other to bestow awardage which, even when thoughtful can feel totally boring, a Danish Film Critics group have shown the world how it's done. They've mocked themselves up in character posters a la Lars von Trier's Nymphomaniac to promote their awards (on February 1st) - note their outlet instead of character name on the posters. Nymphomaniac will be eligible for their prizes since it opens for Christmas in Denmark. This makes me want to read every single damn one of these critics weekly so a job well done!

Monologue: Judi Dench in “Shakespeare in Love” (and at the Oscars )

Andrew here. Jose was just talking about Romeo & Juliet so there's our blogging segueway to Shakespeare in Love! I love this movie, despite the less than stellar reputation it's built up since its release 15 years ago. I’d argue that it’s the most successfully executed romantic comedy in the past 20 years. Those that claime that Shakespeare in Love is little more than a bauble often forget that it was penned by one of the finest English language dramatists of the 20th century, Tom Stoppard. Films written by playwrights work well for this column because playwrights are innately aware that monologues are like great set-pieces to show off the acting craft. Shakespeare in Love is filled with monologues and sotto voce asides and it’s not just because of Stoppard’s playwright sensibilities. The very best trick Stoppard plays in Shakespeare in Love is delightfully imping Shakespeare’s technique in the film.

But the monologue. Today we focus on that slight, but effective Supporting turn which won the Oscar.

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