Sidney Lumet: 43 Feature Films, 5 Oscar Nominations, 1 Fine Career.

A goodbye with gratitude to prolific director and Honary Oscar winner Sidney Lumet who died this morning at the age of 86 from lymphoma. He was small in stature (5'5") but his legacy looms large as one of Hollywood's most prolific and beloved directors. 

He was a stage actor and a television director before moving into feature films. Actors always loved him and he returned that love guiding several of them through signature roles. He worked with some stars multiple times including, notably: Sean Connery, Timothy Hutton, James Mason, and Al Pacino. The stage-to-screen movie, the courtroom drama, the social conscience narrative, and the true crime story would never have been the same without him. He is survived by his wife of 31 years Mary Gimbel, and children and grandchildren (you'll remember that his daughter Jenny Lumet wrote the blissful Rachel Getting Married screenplay. Our thoughts go out to the family today.

After the jump, the posters for all 43 of his theatrical features with thanks to google, the IMDb and IMP!

How many have you seen?

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Tennessee 100: "The Fugitive Kind"

Michael C. here from Serious Film to join in the Tennessee Williams festivities. When I picked a film to write about I jumped at The Fugitive Kind because

A) I'm a big Sidney Lumet fan and
B) I was curious how a second Brando/Williams collaboration could fly so far below my radar. I got my answer and then some.

The Fugitive Kind (1960) directed by Sidney Lumet based on Tennessee Williams’ play Orpheus Descending is one of the most fascinating messes I’ve ever seen. There is no getting around the fact that it just doesn’t work, yet I think I’d recommend it more readily than a lot of successful movies I’ve seen. Of all its flaws being dull is not one of them.

Williams writing was as inescapable in the fifties as Jane Austen’s was in the nineties. After burning through his major works Hollywood decided to take one of his rare unsuccessful productions and give it the full feature length treatment. Thus Opheus Descending, the story of a musician named Snakeskin with a questionable past who strikes up a relationship with a trapped middle-aged woman while lying low in a tiny southern town, hit the big screen under the title The Fugitive Kind.

This film represents Brando’s return to Tennessee Williams for the first and only time following his iconic work as Stanley Kowalski, and Anna Magnani’s second Williams project after winning the Best Actress Oscar for the movie of his play The Rose Tattoo. This was Sidney Lumet’s first encounter with Tennessee but his success with the adaptation of Broadway’s 12 Angry Men made him a natural choice. With such a collection of talent it can leave one wondering why so few still talk about The Fugitive Kind.

Brando and Magnani: Tennessee Williams Sophomore Slump

Until one actually watches the movie that is.

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