The People's Joker: Legally Available In Homes Everywhere

by Nick Taylor

The People’s Joker, a.k.a. the best comic book movie of the year and one of 2024's best films hands down, is now available to rent, buy, stream, and cherish on digital media. Wait til August 13th and you’ll be able to buy a Blu-Ray, DVD, and/or VHS tape to add to your collection. I’ve been cheerleading this film relentlessly since I first saw it in theaters four months ago. It pales in comparison to how long the folks who saw it two years ago at TIFF and have been waiting for it to receive any kind of release, while writer/director/editor/lead actress Vera Drew has battled against an ungodly amount of legal troubles and copyright litigation...

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Hail Satan and Holy Blasphemy: An Olympian Watchlist

by Cláudio Alves

Christian conservatives worldwide seem to have had their outrage activated by the Paris Olympics Opening Ceremony. The French Revolution pageantry has been decried as satanic, but even more religious nuts are losing their mind over a tableau starring drag queens in a pose that could remind one of Da Vinci's Last Supper. According to the ceremony's artistic director, Thomas Jolly, the image was in reference to and reverence of a painting. But it was no piece of Catholic iconography, rather The Feast of the Gods by Jan van Bijlert, a depiction of the Olympians with Bacchus in the front.

Still, even if Jolly had re-imagined the Last Supper with queer performers, why would that be an insult instead of a celebration? Appeals to religious decorum are mere smokescreens, hiding hatred and trying to give it a justification. In response to such culture war odiousness, I can think of no better response than a provocation in the form of a list – here at TFE, we are known list-o-maniacs, after all. If you yearn to be offended by blasphemous media, satanic sensations, and some glorious filth, here are thirteen flicks to scratch that itch…

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Meet the Vampire Lestat

by Cláudio Alves

The best show currently on TV is coming for a third season. Though its renewal was only announced at the end of last month, shooting for the next chapter in Anne Rice's Interview with the Vampire seems well underway. At least, that's what one can surmise from the just-released teaser, where Sam Reid dons the Vampire Lestat's rock persona and sits down for a filmed interview. Moving from the literary-minded recordings of the first two seasons, the show is moving into the realm of concert tour mockumentary. One hopes that the updated format maintains the queer Gothic romance sensibilities that have earned it a small army of devoted fans. But of course, judging from the online reaction, the showrunners have nothing to worry about. The fandom is over the moon...

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Almost There: Julianne Moore in "A Single Man"

by Cláudio Alves

As part of its efforts to spotlight American independent cinema, the Criterion Channel is now streaming A Single Man, that 2009 Christopher Isherwood adaptation that saw Tom Ford step away from the fashion atelier and into the film set. Terminally stylish, the picture proposes a study on grief that appears deadened itself. Stretch your senses and you'll feel the cold of cadaver skin buried under powders meant to give back the blush of life. And as much as your nose might search for rot, that stench has been suppressed. Instead, one inhales the aroma of mortuary makeup, the nostril-burning cleanness of embalming fluid, the floral notes from perfumed tissue paper stuffed inside the cheeks to fill them out, gift-like. It's all fake, yet its splendor can't be denied. 

Within this extended perfume commercial, a couple of performances shine bright. There's Colin Firth's Oscar-nominated turn as a suicidal gay man in the early 60s, while Julianne Moore plays his devoted friend, Charlotte – Charley for short…

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Review: "Fancy Dance" is a showcase for Lily Gladstone

by Cláudio Alves

Four years ago, Erica Tremblay's Little Chief provided a fascinating sketch in little more than ten minutes. Through smart writing and direction, not to mention Lily Gladstone's performance in the lead, the short conveys a complex sociopolitical milieu while also insinuating a whole lot about its characters' situation. Their lives stretch beyond the narrative frame, and we can grasp them even if their particularities elude the viewer. As a cineaste's calling card, Little Chief is a tremendous little thing, far from innovative yet promising great features in its maker's future. And so it is, and so has happened, with Fancy Dance fulfilling that pledge.

Not that this feature debut is exclusively a proof of Tremblay's potential. It's much more, including one hell of a showcase for Lily Gladstone...

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