TIFF Launches $3m Campaign for Female Filmmakers

by Seán McGovern

Connie Nielsen on set with "Wonder Woman" director Patty Jenkins.

Instead of just lamenting the lack of female filmmakers helming projects today, TIFF is spearheading a $3m campaign to put more female talent behind the camera. Female directors accounted for just 7% of the highest grossing films worldwide in 2016. And that figure is down on the equally dismal 9% in 2015.

Dubbed "Share Her Journey", the campaign will include a three-month residency for female filmmakers, educational resources and gender diversity panels that aim to guide new and talented filmmakers into the industry...

Click to read more ...

Doc Corner: 'The Reagan Show'

Ronald Reagan was the most videoed President by the time he left office in 1989. As told to us in The Reagan Show, there was more video taken of Reagan than the five Presidents before him combined. Sierra Pettengill and Pacho Velez’s documentary is a compilation of this footage, taken by personal videographers as he filmed televised addresses, walked the grounds of the White House and attended events, as well as news footage from the era. Whether one agrees with the controversial President or not – and, fair admission, I do not – there’s something interesting in the cinematic trawling through this video content and through this film’s early passages, I was pleasantly enthralled by the backstage pass to an old Presidency.

However, the title “The Reagan Show” suggests something that the film ultimately does not deliver. Across its brief 75-minute runtime, The Reagan Show veers away from a broad path of general observation, and instead focuses almost exclusively on one subject...

Click to read more ...

Bogdanovich on Filmstruck

by Eric Blume

This month, Filmstruck offers up the one-two-three early 1970s punch of director Peter Bogdanovich.  Can you think of any other filmmaker who made three such incredible pictures within a three-year period, only to fade into a disastrous career afterwards?

1971’s The Last Picture Show holds up incredibly well, and ranks as one of the decade’s finest pictures. This film about various lonely souls who have no clue how to connect still resonates powerfully, partially because Bodganovich is unapologetically “adult” in his handling of these story strands. Nothing feels watered-down or soft, and all the characters have edges that make them specific and interesting. Ben Johnson and Cloris Leachman deservedly won supporting Oscars that year for their fine performances, but everyone in the cast delivers beautiful work. There’s a simplicity to the acting, in the best sense: everybody just “is”. Bodganovich has confidence with the material, and he’s passionate about the storytelling. There’s a lingering sadness about the picture that feels distinct in tone, matched perfectly to Larry McMurtry’s original prose and to the characters.

Click to read more ...

Barry Jenkins to Adapt James Baldwin

Chris here. Barry Jenkins is staying quite busy post-Moonlight: he directed the best episode of Netflix's already spectacular first season of Dear White People, has started developing a limited series adaptation of Colson Whitehead's The Underground Railroad for Amazon, and now has another film in the pipeline. Jenkins will begin filming an adaptation of James Baldwin's If Beale Street Could Talk this fall with Annapurna producing. The novel takes place in 70s Harlem as young Tish works to prove the innocence of her falsely accused fiance Fonny.

This obviously makes for an thrilling pairing, but no one is more excited than Jenkins, stating:

James Baldwin is a man of and ahead of his time; his interrogations of the American consciousness have remained relevant to this day... To translate the power of Tish and Fonny’s love to the screen in Baldwin’s image is a dream I’ve long held dear. Working alongside the Baldwin Estate, I’m excited to finally make that dream come true.

This news is exciting on many fronts, not least of which is that it will be the first major screen adaptation of Baldwin's fictional work. With Jenkins working with Baldwin's estate, their stamp of approval is further affirmation that Beale Street is in good hands. The writer/director wrote the screenplay at the same time he worked on his Oscar-winning screenplay for Moonlight, so the overlap has to guarantee as much emotionally intuitive care for his characters, right?

And if you haven't yet seen last year's Oscar-nominated documentary on Baldwin and his work, I Am Not Your Negro, it is streaming now on Amazon Prime!

Watching Holly Hunter Like: