Interview: Claes Bang on 'The Square,' the Monarchy and Being Starstruck at the Governors Awards

By Jose Solís.

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Like Christian, his character in The Square, Claes Bang speaks with impressive assertiveness. Even when he’s poking fun at himself, he sounds like a man who’s never had any doubts or gotten himself into something he couldn’t get out of. Perhaps it’s this quality that makes his performance in Ruben Östlund’s award winning film so magnetic, and has also raised comparisons to Jon Hamm and James Bond. At age 50, the Danish actor who has mostly worked on stage and television, finds himself in the unlikely position of movie star. Position which he’s filled extraordinarily, having become the sensation of the Cannes Film Festival, as well as a dark horse for the European Film Awards where he’s competing against Colin Farrell and Jean-Louis Trintignant for Best Actor.

Watching Bang (even his name’s cool!) in The Square one gets the sense of both knowing Christian, but also feeling like he could deceive you at any moment. He’s the kind of man who seems so secure of his position in the world, that he could drag you with him without you realizing it. When I spoke to director Östlund he explained that he saw Christian as a man who, despite appearances, isn’t as free as we’d think. Earlier this fall, Bang took a break from his publicity tour to do a play in Denmark, and he also makes New Wave-like electronica - think darker Depeche Mode - under the moniker This Is Not America, making him the ultimate renaissance man. If awards season wasn’t so partial to English speaking roles, Bang would be a serious contender for Best Actor, since he delivers the kind of performance that combines unique thespian talents, with pure star power. I spoke to him about taking on a character as complex as Christian, his thoughts on the monarchy, and his favorite part of awards season so far. Read the interview after the jump...

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NBR Goes Cuckoo for "The Post"

by Nathaniel R

The National Board of Review, which regularly has a recency bias in their awardage has gone full tilt boogie into stanning for The Post, with a couple of honors for Phantom Thread, too, which were both most definitely among the very last things to screen. Neither opens until the tail end of the year. They gave The Post their top prize and both lead acting awards for the film's iconic stars Tom Hanks and Meryl Streep. That's unusual for NBR. The complete list of winners and commentary after the jump...

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Doc Corner: 'Bombshell: The Hedy Lamarr Story'

More often than not, biographic documentaries can feel staid in the way they so relentlessly follow a basic Point A to Point B narrative. It is understandable, really. After all, one must suppose that if somebody is interesting enough to have a documentary made about them, then they must be interesting enough to sustain 90 minutes without the need for their story to be gussied up with stylistic bells and tricky whistles.

Still, watching as many of these sort of films as I do, it can grow tiresome and can take me out of whatever spell the filmmaker hopes to cast.

And then there is a movie like Bombshell: The Hedy Lamarr Story. This is a film that it would be easy to pigeonhole before the opening scene has even begun - and it’s true that Alexandra Dean’s film adheres to a very traditional birth-to-death narrative. But what makes the film so interesting beyond its subject is the way it turns what could be perceived as just standard bio-doc delivery into a unique advantage.

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"Get Out" and "Call Me By Your Name" Divvy Up the Gotham Awards

by Nathaniel R

the oldest and youngest nominee flanking the big winner: Lois Smith, Jordan Peele, and Brooklynn Prince

Get Out (with 3 wins) and Call Me By Your Name (with 2 including Best Feature) dominated the Gotham Awards last night taking the bulk of the prizes. That didn't leave much for other contenders though A24 movies The Disaster Artist and Lady Bird scored both leading acting awards. Entirely shut out despite multiple nominations: The Florida Project, Good Time, and I Tonya. More after the jump...

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56 Days 'til Oscar Nominations. Let's talk 1956

by Nathaniel R

1956 is not, from our vantage point, a particularly lauded year in cinema but it's an Oscar field we tend to think of regularly for various reasons including but not limited to:

-Camp value (Ten Commandments, Bad Seed)
-Musicals (The King and I, High Society)
-Strange snubs (The Searchers received zero nominations despite Oscar's obsession with John Ford)
-Delayed foreign grandeur (La Strada and Seven Samurai, 1954 films both, were up for Oscars)
-not one but two kaiju movies (Godzilla and Rhodan)...and more.

What's your favorite movie of 1956? I don't think I've seen enough to feel comfortable with a full top ten but here are the five I like best currently (with much more to see) after the jump...

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