Mia Wasikowska is "Piercing"

Murtada here. With her duties as Alice over, Mia Wasikowska is turning to smaller indies. Announced this week is Piercing, a psychological thriller from director Nicolas Pesce (The Eyes of My Mother). Wasikowska plays a prostitute who tassles with a family man client intent on murder. That part is played by Girls and James White star, Christopher Abbott. This film is so indie it flew under the radar while it was in production. The announcement mentions that it is already completed. Also complete is her other indie Damsel in which she reunites with her Maps to the Stars co-star Robert Pattinson. Directed by David Zellner (Kumiko the Treasure Hunter), little is known about the plot except that it’s a period western.

When Wasikowska appeared on the cover of the Vanity Fair Hollywood issue 4 years ago, alongside Rooney Mara, Jennifer Lawrence and Jessica Chastain, we thought she’d be the one to nab the most Oscar nominations from the quartet. Yet here we are and she has yet to get her first. It’s funny how these things work. We are glad to see her working with up and coming promising directors and in what sounds on paper to be challenging work.

To these eyes, her best performance remains Jane Eyre (2011). We return time and time again to this clip. Watch Jane’s spirit shine as she asserts her strength and her right to love. Mia mesmerizes.

It's Oscar month, so for which performance do you think Wasikowska should've been nominated?

Say What! Aaron Taylor-Johnson for NY Mag

Chris here with a little Aaron Taylor-Johnson. Remember him, the one whose potential nomination for Nocturnal Animals many of us were dreading a few short weeks ago? Well, he's just posed for New York Magazine sans shirt. Depending on your vantage, this means he is either doing just fine or is so forlorn he can't remember his clothing. In the comments below, tell us what you think is on ATJ's mind.

Valentine's - Weekend

Team Experience is celebrating Valentines Day with favorite love scenes. Here's Jose...

Early on in my life I decided that all my favorite romances had to end with the lovers apart. And I mean, seriously, can you name a perfect romance that ends with happily ever after? From Casablanca to Dr. Zhivago and Roman Holiday, it's as if the movies have always told us that a brief, but powerful romance, the kind which makes us swoon in our 80s like Gloria Stuart in Titanic, is the kind of romance we all should crave. But it wasn't until I watched Andrew Haigh's Nottingham-set Weekend in 2011 that I realized as a gay man there was finally one of these romances for someone like me (I won't go into details of how this movie seems to me my biopic...) in which no one ended dead, as most gay romances do in fiction.

In the last scene we see Russell (Tom Cullen) and Glen (Chris New) together, they share a brief kiss as they say goodbye before Glen heads to America. Even though there is nothing really "tragic" about their farewell, it's this idea of the person existing in the same planet, as you have to find the will to move on, that's most devastating. I can see the lovers running into each other years in the future (I doubt they remained Facebook friends, I wouldn't have, would you?) and either of them going into full "of all the gin joints..." Bogie mode as they wonder "what if".

What are some of your favorite non-tragic gay romances? What romantic movie do you feel could be your biopic? 

Laura Dern Week: INLAND EMPIRE.

We're celebrating the great Laura Dern all week in honour of her 50th birthday. Here's David on the film that sent her down a rabbit hole...

It would be easy for an actor to be a puppet in a David Lynch film, lost as they are in a labyrinthine maze of the mind. The chronology is distorted and the characters’ consciousness is constantly splitting and merging in a kaleidoscope fashion. Laura Dern, though, knows the director better than most, and their most recent collaboration, 2006’s INLAND EMPIRE., places at her at the centre of an intricate puzzle of which she is all of the pieces...

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Elizabeth Debicki Joins Viola Davis in Steve McQueen's Heist Thriller

Thus far in her career, actress Elizabeth Debicki has stolen so many scenes – spectacularly – from such a small handful of projects that we should go ahead and award her the Crown Jewels before she sneaks in and takes them herself. Either way, her electric turns in The Great Gatsby, The Man From U.N.C.L.E., and especially her surreptitiously sharp performance at the heart of The Night Manager have already earned Elizabeth the status of a young queen on the silver and small screens - and the announcement of her most recent project promises she'll keep on stealing. Per Variety, she’s to lend her elemental femme fatale flair to Steve McQueen’s newest film Widows and join a verifiable dream team behind and in front of the camera. Before reading onward I must implore you to beware at your own pleasure.

Four years have passed since his formalist masterpiece 12 Years a Slave won the Academy Award for Best Picture, marking Widows as McQueen’s eagerly awaited return to motion pictures; HBO pulled the plug on his would-be television series Codes of Conduct in the interim before making it to air. Debicki will star in the heist thriller alongside the incomparable Viola Davis as two of four eponymous widows who set out to finish the job that their deceased husbands began in vain. As if the thought of these two icons cracking safes or donning disguises wasn’t enough to take your breath away, two of 2016’s most revelatory, swoon-inducing actors round out the cast list thus far: Moonlight’s Andre Holland and Tony Award winner Cynthia Erivo of The Color Purple. McQueen and Gone Girl maestro Gillian Flynn will co-pen the film’s screenplay, to add onto the glut of top tier talent.

Widows won’t hit theaters until 2018 so this tease can’t help but feel a bit excruciating. How do you plan to best appreciate Elizabeth Debicki in the meantime?