The New Classics: Moonlight

By Michael Cusumano 

Scene: Kevin and Black at the Diner
We consider Trevante Rhodes’s Black carefully throughout the last act of Barry Jenkins’ Moonlight, searching for traces of the younger versions of his character. That we don’t find many is not surprising considering how we’ve seen this child get battered and abused by life. Chiron doesn’t grow from segment to segment so much as he transforms as survival demands. Moonlight’s second movement ends on such a violent act of self-annihilation, we should be surprised to spot any remnant of the adolescent in Black when he walks into Kevin’s diner a decade later. 

And yet despite the intimidating presence Black developed as a barrier against the world, the aspect that unmistakably connects him with his teenage self, and to Little before that, is his fragility. All his outward defenses - the bulked up physique, the sullen manner - hang on him like an ill-fitting suit of armor. When he is in the presence of Andre Holland’s Kevin it looks a stiff breeze would blow him over...

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Emmy Watch: Best Lead Actor in a Limited Series/Movie

by Abe Fried-Tanzer

Let's move on to the acting races for limited series and TV movies. Last year, this category didn’t have a single nominee from a TV movie. The two leading contenders in this race are sure to reverse that trend – Hugh Jackman (Bad Education), a past Emmy winner for hosting the Tony Awards, and Aaron Paul (El Camino), who took home three Emmys for playing the same part on Breaking Bad. After that, it’s back to the limited series to find most of the other probable nominees…

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Blueprints: "Moonlight"

To celebrate Pride Month, every week of June Jorge has been highlighting the script of a movie that focuses on a different letter of the LGBT acronym. For “G”, he looks at the poetry in Moonlight. 

When La La Land took the Best Picture statue at the 2016 Oscars for about five minutes, it wasn’t an Earth shattering surprise. It was the kind of movie that wins Oscars. The twist, from a mixed up envelope, was the fact that a small independent film about queer people of color had actually managed to go above all the other nominees for the big trophy was what had made the Earth shatter.

Moonlight is not a traditional Best Picture winner, in everything from themes to distribution model to narrative structure to protagonist. It won three Oscars in total, including Best Adapted Screenplay. It is also not a traditional screenplay. Let’s see how the script transmitted emotion through descriptive lines...

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Elizabeth Debicki Joins Viola Davis in Steve McQueen's Heist Thriller

Thus far in her career, actress Elizabeth Debicki has stolen so many scenes – spectacularly – from such a small handful of projects that we should go ahead and award her the Crown Jewels before she sneaks in and takes them herself. Either way, her electric turns in The Great Gatsby, The Man From U.N.C.L.E., and especially her surreptitiously sharp performance at the heart of The Night Manager have already earned Elizabeth the status of a young queen on the silver and small screens - and the announcement of her most recent project promises she'll keep on stealing. Per Variety, she’s to lend her elemental femme fatale flair to Steve McQueen’s newest film Widows and join a verifiable dream team behind and in front of the camera. Before reading onward I must implore you to beware at your own pleasure.

Four years have passed since his formalist masterpiece 12 Years a Slave won the Academy Award for Best Picture, marking Widows as McQueen’s eagerly awaited return to motion pictures; HBO pulled the plug on his would-be television series Codes of Conduct in the interim before making it to air. Debicki will star in the heist thriller alongside the incomparable Viola Davis as two of four eponymous widows who set out to finish the job that their deceased husbands began in vain. As if the thought of these two icons cracking safes or donning disguises wasn’t enough to take your breath away, two of 2016’s most revelatory, swoon-inducing actors round out the cast list thus far: Moonlight’s Andre Holland and Tony Award winner Cynthia Erivo of The Color Purple. McQueen and Gone Girl maestro Gillian Flynn will co-pen the film’s screenplay, to add onto the glut of top tier talent.

Widows won’t hit theaters until 2018 so this tease can’t help but feel a bit excruciating. How do you plan to best appreciate Elizabeth Debicki in the meantime? 

Chris Gives Thanks !

Greetings from Chris, lovely readers! This Thanksgiving, I'm grateful for our faithful readers, our feisty team, and our relentlessly kind and passionate leader Nathaniel. In my estimation, this has been a great enough year to just be thankful for such a bevy of riches - but here's a few of the things earning my gratitude:

... the many unsung ensembles hosting their own feasts but especially Don't Think Twice, Little Men, and Love and Friendship.

... André Holland smoking in Moonlight. It's the hottest sex scene of the year and it's between camera and actor. May we all find someone that looks at us the way that the camera looks at Holland...

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