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The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.


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Review: Ready or Not

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Yes Not Maybe So: Bombshell

" I am not liking this trend of portraits of terrible women, like Meghan and Phyliss Schafly, unless it's camp." - Jane

"Miss Charlize is like, "Do I need to remind you guys again who is the baddest bitch around here?." I just can'ttttt! She looks like Megan Kelly's twin -- that makeup work is insanity!!!" - Jono

"if Nicole doesn't wear a bad wig in a it really a must see event?" -Chris

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Directors of For Sama

Lulu Wang (The Farewell)
Ritesh Batra (Photograph)
Schmidt & Abrantes (Diamantino)
Wanuri Kahiu (Rafiki)
Jia Zhang-ke (Ash is Purest White)

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Entries in Transparent (21)


Link on, Pete

Vanity Fair Johnny Depp still having legal/financial woes. Being sued again
IndieWire very thorough wide ranging interview with Vincent Maraval of the French movie production company Wild Bunch and how the arthouse market and Cannes have changed
IndieWire from the sounds of this article on the visual FX work in Infinity War, the Oscar campaign is already in effect!
MUBI Notebook a reprint of a 1972 essay about Douglas Sirk's All That Heaven Allows when it was being reevaluated
Film School Rejects Black Panther blu-ray review

Gr8er Days awww, i missed this news about Carol Burnett's would be new sitcom, she backed out when the suits wanted a less unique show
THR Jeffrey Tambor's first interview since being fired from Transparent
/Film In unneccessary sequels with bad titles news: The Hitman's Wife's Bodyguard is coming
Dread Central Ana Lily Armirpour (A Girl Walks Home Alone at Night, Bad Batch) has annnounced her next film: Blood Moon set in New Orleans
• NYT Ermanno Olmi, director of Cannes-winner Tree of Wooden Clogs dies
The Guardian an interview with Chloe Sevigny about her 'Queen of the Scene' past, being in her 40s now, why she didn't name names with the Me Too movement, and her new role in Lean on Pete
• IndieWire CinemaScore gets super touchy about Martin Scorsese saying that their polling devalues cinema
• The Hollywood Reporter on CW's renewed and cancelled shows

The Atlantic "I'm not Black, I'm Kanye" a devastating piece by Ta Nehisi Coates on all sorts of things including: Michael Jackson, Kanye West, the 1980s, and American history.
Deadline Olivia de Havilland trying to keep her Feud lawsuit alives. Has appealed the ruling against her
• Playbill Meet the cast of Broadway's Moulin Rouge!


Transparent S4 E7-10: Everything's Alright?

by Chris Feil

E7 - "Babar the Borible"
I haven’t been quite sure what to make of this season of Transparent. Whereas the two previous seasons were fairly bold in creating seismic arcs for all of the Pfeffermans, this season felt like a chamber piece full of half-steps towards global politics and religion. The journey to Israel was an intriguing way to continue expanding the family history and contextualizing the show’s themes. But by the end of the season, the religious elements of the seasons feel more tangential and underdeveloped. Odd that as Transparent’s literal world got bigger, the show got unsatisfyingly smaller...

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Transparent S4 E4-6: A Widening Family Circle

by Chris Feil

E4 - "Cool Guy"

Maura wasted no time in discovering her father still alive in Israel to actually meet him, even if Allie led most of the confrontation. Upon meeting Moshe, it’s doubly infuriating that Maura has to do the labored explanation of her gender before Moshe even begins to explain himself for abandoning her. It’s two kinds of very personal injustice intertwining for something almost unspeakably painful - the kind of moment that Jeffrey Tambor has aced from the very beginning of Transparent.

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Transparent S4 E1-3: Off to Israel

by Chris Feil

The opening theme music to Transparent by Dustin O’Halloran always chokes me up. Something about its evolving images and sound carry the weight of the shared histories - LGBTQ, Judaism, and family - speaks to both the known and still secreted past that makes the Pfefferman clan all too relatable. Like the rest of us, they’ve been somewhere and it hasn’t been easy. But from the opening emotive thrum, the theme now incorporating pilgrimage images and a traditional Jewish instrumentation, this season announces that it’s going somewhere too.

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Emmy FYC: Judith Light, "Transparent"

by Chris Feil

Most of the awards talk over Transparent’s three seasons has orbited around Jeffrey Tambor’s genius work at its center. This past season was its best acted among the entire ensemble, with emotionally raw complexity from Jay Duplass and Amy Landecker that also deserves Emmy’s attention. But the most rewarding powerhouse performance this time was Judith Light as fraught matriarch Shelly. Many months ago, she became my favorite performance of the TV year and remained so ever since.

The third season brought Shelly closer to the forefront, detailing further the abuse she suffered as a child and her quickly developing romance with the increasingly suspect Buzzy (Richard Masur). When Buzzy’s manipulations come to light and her family continually shrugs off her abrasive attempts at connection, we see not only her mounting disappointments but a growing ability to stand on her own two feet. It’s how Light makes her knees wobble as she does so that makes the season arc so moving. She's a brand!

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Chris Gives Thanks !

Greetings from Chris, lovely readers! This Thanksgiving, I'm grateful for our faithful readers, our feisty team, and our relentlessly kind and passionate leader Nathaniel. In my estimation, this has been a great enough year to just be thankful for such a bevy of riches - but here's a few of the things earning my gratitude:

... the many unsung ensembles hosting their own feasts but especially Don't Think Twice, Little Men, and Love and Friendship.

... André Holland smoking in Moonlight. It's the hottest sex scene of the year and it's between camera and actor. May we all find someone that looks at us the way that the camera looks at Holland...

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