Doc Corner: Werner Herzog's 'Lo and Behold'

Glenn here. Each Tuesday bringing you reviews of documentaries from theatres, festivals and on demand.

The indefatigable German director Werner Herzog is an unlikely superstar of the modern age – a man responsible for some of the most singular cinematic visions of our time who has remodelled himself over the last two decades primarily as a documentarian. A filmmaker with a unique verbosity who can devour a metaphor and roll it across his tongue like he was twisting a cherry stem. His accent frequently inciting giggles when paired with subject matter that many feel is outside of the wheelhouse of a 73-year-old man like albino crocodiles, Kanye West, Pokemon, or as in the case of his latest film, Lo and Behold, Reveries of the Connected World, the internet at large.

I confess that sometimes I struggle with Herzog’s need to narrate all of his documentaries himself. No doubt spurred on by producers and financiers who see the inherent value if having Herzog, a walking meme among content producers. I was not a fan of Cave of Forgotten Dreams, for instance, for many of the same reasons people adored it. His often long-winded and meandering habits don’t always connect with me as a viewer the way they no doubt do for so many others. And while I was thankful to see Herzog return to the world of non-fiction after the flat and dusty Queen of the Desert (still unreleased in America, unsurprisingly), his latest felt like it was more the product of an over-excited team rather than something organically Herzog. [more...]

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Q&A: "Who is that?" Actors, Streep Classics, and Gendered Oscars

Last week there were too many questions we wanted to answer to fit it all into one post so here's a second round up of eight reader questions and brief answers. Ahem. (One answer is most definitely not brief.)

MATT ST CLAIR:  When I saw Laura Linney in the trailer for Sully, my heart sank because it saddened me to see another great actress stuck in those stock "wife worrying over the phone" roles. When do you think Hollywood will ever get tired of seeing older women portrayed as supportive wifes or mothers and let more of them be in charge of their own stories?

How I wish I had a good answer to this. The answer might be a more diverse body of people telling stories because then chances are slightly better that it won't always be straight white 30-50something men as protagonists. Now, it's worth noting that it's been largely straight white men directing movies for about 100 years now and there were periods, long before our modern one, when men in charge of storytelling were interested in women and knew how to showcase them. I don't know what happened to make the alpha directors so disinterested in women's stories but whatever it was, I hate it. I guess it changed around the time Scorsese, Coppola, and Spielberg all exploded into fame together (not that we're blaming them) and none of them happened to have much interest in the ladies beyond a key atypical project each. As time wore on into the 80s and 90s less and less female projects were made. Give us more descendants of William Wyler, Douglas Sirk, and Alfred Hitchcock, Hollywood! We've got enough Spielberg & Scorsese acolytes to last another 50 years.

JAMES FROM AMES:  What character actor's performance was so good it made you go from "hey, it's that guy" to "who is THAT?" and start following their work? For me: Mary Kay Place just floored me in Being John Malkovich. I was so pleased when she popped up in Lady Dynamite this year.

Mary Kay Place on the 7½ floor in "Being John Malkovich"

Mary Kay Place is a wonder, isn't she?...

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Beauty vs Beast: Who's Those Girls

Jason from MNPP here, letting you know for this week's "Beauty vs Beast" that sometimes, at night times, I close and lock the door so no one else can see and... I dance! I dance all by myself! And tomorrow we will all dance (for inspiration) because tomorrow Madonna, the one and only, is turning 58. So now is not the time to haggle over her acting skills - let's just accept the fact that the world would be a less fun place if the she-lady of white lace gloves had never stomped into it, and look at what is probably her best (fictional) turn on-screen, in 1985's Desperately Seeking Susan.

I had never seen this movie until earlier this year when our estimable host Nathaniel dragged me to it at a screening at the Metrograph here in NYC, can you believe that? Speaking of, Metrograph is doing an entire retrospective of the Material Girl's movies later this month, including showing Susan once again, and I highly recommend catching it on a big screen - it's like being dropped into the fanciful 80s East Village of magicians and thrift shops of your dreams. The entire cast is stuffed with about-to-be-somebodies like Aidan Quinn (humina humina) and Laurie Metcalf, and the leading goofball two-some of Rosanna Arquette & Madonna are a true pop delight.

PREVIOUSLY Even though it was his birthday, and even though he's a certifiable acting legend, poor Dustin Hoffman didn't stand a chance -- we'd all long ago been seduced away by Anne Bancroft's smoky eyes and smokier delivery as the iconic older woman in The Graduate; Mrs. Robinson took just under 80% of your vote. Said Tom:

"As soon as Mrs Robinson wondered into his bedroom "mistakenly" looking for the bathroom, I knew this was a performance for the ages."

Link Up

REMINDER: tomorrow night we're doing the first episode of "The Get Down" (now streaming on Netflix) for Hit Me With Your Best Shot

The Best Picture Project advice for taking your toddler to the movie theater
Los Angeles Times report on a South Korean thriller called Train to Busan that's striking a deep chord with moviegoers there
In Contention Kris Tapley has a new podcast called "Playback" - interviews and the Oscar race
Comics Alliance Flash Season 3 News. I cooled a bit on The Flash with the interminable and convoluted plot of Season 2 but season 3 is sounding like great fun: a musical episode (which we were hoping for since so many of the cast members have musical theater backgrounds) and more Gorilla Grodd for starters

MTV Teo Bugbee celebrates the 10th anniversary of Step Up, the sexiest family-friendly dance movie of the decade
Tracking Board we get the movies we deserve (on the success of Suicide Squad despite everyone agreeing that it's not good)
Coming Soon Guillermo del Toro's The Shape of Water has assembled quite a stellar cast (including Oscar nominees Richard Jenkins & Sally Hawkins) and production has begun. It's  "an other-worldly story, set against the backdrop of Cold War era America circa 1963."
Theater Mania Remember Lesley Headland's Bachelorette? It started as a play before it was a movie and now it's coming back to the stage in September (sadly it's the exact dates I'm in TIFF so I won't get to see this production).
/Film Some of the titular characters from Fantastic Beasts and Where To Find Them
Variety Birth of a Nation star Nate Parker responds to new reporting about a rape trial 17 years ago.
Variety Cirque du Soleil is making several changes to its Broadway show "Paramour" after opening night and reviews, which is quite rare. 
This is Not Porn Harrison Ford working out for Indiana Jones and the Temple of Doom (1984)
Coming Soon Patty Jenkins respondes to rumors that Wonder Woman, like other DC superhero productions before it is a mess in post. Calls them "entirely false" with a "transparent agenda"
Theater Mania Fyvush Finkel of Picket Fences and Fiddler on the Roof fame has died at 93 years of age 
Tracking Board more discussion of "genderless" acting awards. I maintain that this would be a disaster for actresses because sexist society (and Holllywood) values men so much more and that would only exarcebate the problem of women not getting their deserved kudos in film and television. This particular article seems to think the male acting categories have more range in roles which I think is flat-out crazy. The male acting categories are so much duller and generally only have a few types of genres honored. You get a wider spread with the actresses from all the same genres as men (bios, dramas, dramedies, epics) plus romances, comedies, musicals, etcetera. 

Olympic Fever
E!Online best reaction faces from the Olympics 
Slate on Kohei Uchimura, "the greatest gymnast of all time"
Slate on why Puerto Rico gets its own Olympic team
Towleroad The IOC has deemed the Daily Beast's awful homophobic article about gay Olympians using apps to hookup "unacceptable" (the article has since been removed from the Daily Beast's website but honestly people should be fired not just 'oh we're sorry') and the straight journalist behind it Nico Hines has been recalled from Rio. Still one has to wonder what damage he's already done given that he basically outed athletes from notoriously anti-gay countries whose lives could not be at stake 
Towleroad The Daily Mail has also been on the homophobic attack, labelling hugging between Olympic divers 'unmanly' 

The Furniture: The Lobster's Phony Flowers

"The Furniture" is our weekly series on Production Design. Here's Daniel Walber... 

In a 2014 interview, production designer Jacqueline Abrahams described her job as “creating an environment that is credible but sometimes incredible...always aiming to be authentic in spite of being made up.” As this was two years ago, she may not have had her work on The Lobster in mind. Yet the sentiment couldn’t be a more perfect fit for the weird universe of Yorgos Lanthimos.

The dystopia of The Lobster, after all, is not particularly flashy. It’s a world just like our own, only a little grayer. If every frame held immediate physical evidence of a dramatically different future, the carefully calibrated mood would collapse. Instead, the dystopia emerges subtly, through little gestures of performance and design.

Abrahams, a BAFTA-winner for her work on BBC’s Wallander, is an integral part of this achievement. Her presence is felt from the first shot, in which she makes her acting debut as the woman who shoots a donkey on the side of the road. Her design contributions are even more memorable.

The hotel for singles is a triumph of carefully planned ennui. If you look closely, you can pick up the tone from the very first scene within this last resort...

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