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Thursday
Oct142021

Gay Best Friend: Peter Steinberg (Oliver Platt) in "Three To Tango" (1999)

A series by Christopher James looking at the 'Gay Best Friend' trope

Oliver Platt's boredom-induced hairstyle is far from the worst part of "Three to Tango."

Why did every member of Friends want to do a gay themed movie as their attempted jump to film stardom? Lisa Kudrow earned awards attention in the sublimely tart The Opposite of Sex, while Jennifer Aniston’s charm and chemistry with Paul Rudd nearly made The Object of My Affection work (okay, maybe not). Matthew Perry’s dreadful vehicle Three To Tango feels like the nadir of the Friends theatrical launching pads, gay-themed or otherwise. With a script forged in gay panic, the instantly dated comedy is short on charm and laughs. However, it has casts a bizarre spell as a hate-watch. It’s an insensitive film that is a strange reflection of 1998 attitudes towards the LGBTQ community and what types of vehicles could launch a film career.

For the purposes of this column, our entryway into this movie is through Oliver Platt’s Peter Steinberg. He’s the openly gay architect partner of Oscar Novak (Perry). Through a series of bizarre miscommunications that would’ve been vetoed by the Friends writer’s room, everyone starts to think Oscar is the gay partner and Peter is the straight one...

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Thursday
Oct142021

Would you rather?

Would you rather?


• Befriend lizards with Thandiwe Newton?
• Play "Clue" with Margo Martindale?
• Flip for Simu Liu?
• Adjust Jake's wardrobe with Costume Designer Daniel Orlandi?
• Visit Paris with Gemma Chan?
• Play "Who Am I?" with Madonna?
• Apply Daniel K Isaac's nipple guards before the marathon?
• Sail the open ocean with Jake Gyllenhaal?
• Pick pumpkins with Meg Ryan?
• Spot Dax Shepard while he's changing a tire?
• or Enjoy a care package with Teyonnah Parris?

Pictures are after the jump to help you decide.

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Thursday
Oct142021

"Oh, a moving painting. But with sound."

I was painting a painting about four foot square. It was mostly black but it had some green plant and leaves coming out of the black. And I was sitting back, probably taking a smoke, looking at it and from the painting, I heard a wind and the green started moving. And I thought, 'Oh, a moving painting. But with sound.' And that idea stuck in my head, a moving painting.

David Lynch on discovering his calling at art school in Philadelphia in David Lynch - The Art Life (2016) currently streaming on HBOMax

Wednesday
Oct132021

International Feature: "Titane" and other new Oscar submissions

by Nathaniel R

If you've missed Oscar submission announcements we've covered all of them from Croatia, Bulgaria, Czech Republic, Israel, Greece, Hungary, The Netherlands, Somalia, South KoreaEcuador, Serbia, Switzerland, though Albania, Ireland, Kyrgzstan, Slovenia, UkraineArmenia, Canada, Peru, and on to Spain. We've reviewed nine other entries including films from Cambodia (White Building), Colombia (Memoria), Finland (Compartment No 6), Germany (I'm Your Man), Japan (Drive My Car), Morocco (Casablanca Beats), Poland (Leave No Traces), and Taiwan (The Falls). Now we have five more announcements to "consider" the highest profile new contender being France's Titane, which won the Palme d'Or at Cannes. But let's take the five new options alphabetically by country after the jump...

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Wednesday
Oct132021

Doc Corner: Todd Haynes and 'The Velvet Underground'

By Glenn Dunks

It feels like something of a miracle that The Velvet Underground is as good as it is. Music bio-docs are hardly the most invigorating brand of documentary these days, and the story of this band and their Factory adjacent avant-garde artworld has been told many, many times before. So much so that Andy Warhol, the emperor of this New York underground art scene, would have probably been impressed by the assembly line of documentaries that emerged about him and his assorted acolytes, hangers-on, and affiliated artists whose fame (and/or infamy) are directly tied to him.

That Todd Haynes has made a great movie out of this all is hardly a surprise, though. After all, he is the man behind the 1998 glam rock opera Velvet Goldmine. Having said that, the recent milieu within which he has been working in Dark Waters and Wonderstruck hardly signposted that he had something so frenetically electric in him. If we never get another documentary about The Velvet Underground then it probably wouldn’t matter because we have this.

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