NOW PLAYING

in theaters



new on DVD/BluRay


review index

HOT TOPICS



Welcome

The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

Powered by Squarespace
Beauty vs. Beast

 

If you don't vote for Jack, he'll come after you with an axe
 
VOTE! 

 

Comment Fun

COMMENT DU JOUR
The BIG EYES Poster

"I didn't even notice the stars at first but that's why I like it. Tag line is clever. I hope Burton gone substance over style (while being stylish) with this one." - Jija

"The art is ugly creepy kitsch... that is, slightly above dogs playing pool and black-velvet Elvis. I have a hard time grasping why we should care who created it..." - Owen

Keep TFE Strong

Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

For those who can't commit to a dime a day, consider a one time donation for an article or a series you are glad you didn't have to live without.

What'cha Looking For?
Subscribe
« 6 Days Til Oscar. Cuarón and His Gifts | Main | Podcast: Should Win / Will Win »
Monday
Feb242014

A Well Preserved Beauty

This week's New Yorker cover by Barry Blitt

"Ready for His Closeup"

Who cares if Oscar has had work done? He's still a beauty.

I love the cover but Blitt's take, not so much (no surprise but I loathe the smugness people who don't watch the Oscars sometimes have about it... as if watching sports is some kind of civil disobedience. Ha! Sports... very inconoclastic, that. You've really shown society!) but I like Anthony Lane's column. He gets dinged by critics for valuing his wit above the cinema but he's still  a good read.

Oscar night is anxiety central: TV needs the stars to light up the ratings, and the stars, for their part, use TV to stage what is, in essence, a communal bath of self-love. “Just a small group getting together for a pat on the back,” in the words of Janet Gaynor, who won the first Oscar for Best Actress, in 1929. Since then, the pat has become a caress, and the caress has grown into the kind of activity that in “The Wolf of Wall Street” is reserved for yachts and jets.

Are you excited for the big night? I suddenly am after a week of the blahs. After the jump my two favorite New Yorker Oscar covers ever and they're both by the same artist.

"The Moment of Truth"

This was Carter Goodrich's cover for the '95 Oscars (March 96). If you need a memory jog that's when Susan Sarandon won Best Actress. I love this cover so much, especially how the sunglasses are just basically eyes.

You can see a gallery of all the Oscar covers at the New York but this is my favorite ever, all time, also by Carter Goodrich.

"The Natives Are Getting Restless"

Hee! This cover for the 2001 Oscar Ceremony and it envisions our favorite statue just as we see him: A Golden Idol. Moses would be pissed, and not just because The Ten Commandments lost Best Picture in 1956. 

PrintView Printer Friendly Version

EmailEmail Article to Friend

Reader Comments (2)

Nathan, thank you for posting that glorious last cover! I neeeeed that on my wall now!

February 25, 2014 | Unregistered Commenterbrookesboy

brookeboys -- you mean the "natives are"... ME TOO. i wish i could have it wall sized to decorate my entire living room.

February 25, 2014 | Registered CommenterNATHANIEL R

PostPost a New Comment

Enter your information below to add a new comment.

My response is on my own website »
Author Email (optional):
Author URL (optional):
Post:
 
Some HTML allowed: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <code> <em> <i> <strike> <strong>