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« Beauty vs Beast: In Carol's Orbit | Main | Baz's The Get Down Gets A Trailer »
Monday
Jan112016

David Bowie (1947-2016) and a little Velvet Goldmine (1998)

Pt 1 Goodbye to Bowie

One of the most influential artists of the 20th century lost a long battle with cancer in the wee hours of the night as Golden Globe parties were still going, a sobering end to a frivolous evening.

Though it's perhaps inappropriate given Bowie's towering iconicity in pop culture, I couldn't help thinking of Todd Haynes when I heard the news. More...

It was not just that he'd been spotted repeatedly last night at one of the key tables televised from the Beverly Hilton but that I often think of Haynes when Bowie's name comes up. Velvet Goldmine (1998) was the first Todd Haynes film that I actively awaited and obsessed over with immediacy. I had been blown away by 1995's [safe] in college -- who is this Todd Haynes person? He's fabulous! -- and backtracked to see his earlier work. Hayne's paean to 1970s glam rock was fictional but it was  enormously caught up in love/fascination for David Bowie who served as a partial model for the central Brian Slade / Maxwell Daemon character (Jonathan Rhys-Meyers) and also gifted the film with its title and its instructions "to be played at maximum volume".

Though you can hear Bowie's "bum bum bummmm" on one of the movie's key songs "Satellite of Love" he wasn't a fan of the project. At least he wasn't originally but there's reason to hope that that changed with time; Velvet Goldmine is far more well-loved now that when it first premiered which is par for the course for many off-mainstream auteurs.

Crowd Source Request: we're always on the lookout for great behind the scenes imagery from Velvet Goldmine. Because of the time period in which the movie premiered most of whats online is very low-res thumbnailish imagery. If you have good pics, share!

The world's ongoing David Bowie obsession peaked in the early 70s to mid 80s which was a little early for me to join in. By the time I was aware of everything and fully engaged with it, Madonna was redecorating the throne room of Key Cultural Chameleon of Our Time -- but my early memories of David Bowie do include a brief obsession with "Jazzin' for Blue Jean" on MTV in the mid 80s, and late 80s interested in The Hunger (1983) on VHS. In an off-brand moment -- considering I was surely part of the target audience being young and loving puppets & fantasy & musical numbers in movies --  I was never into Labyrinth (1986). But David Bowie transcended space and time and he kept popping up in different decades to reignite cultural respect for his longevity, influence and restless creativity.

This performance with Annie Lennox in 1992 is my personal touchstone David Bowie event and this video from February 2013 is the most exciting recent David Bowie event

because I lived through that  (and obsessed on it thereafter for months) and because it's a neat encapsulation of Bowie's genderfuckery. He isn't doing anything genderqueer here, no, but his work was often ablaze with dissolved gender lines at least in its psyche, which is perhaps why Bowie felt even more vital and explosively charismatic when paired with iconic female stars: Annie Lennox, Iman (his wife, the Somalian supermodel), Tilda Swinton, Catherine Deneuve.

A genuine legend. A space oddity. A restless font of creativity.

Bowie had a hand and an eye (the blue one or the black one, you choose?) in everything: art cinema, mainstream films, music videos, fashion, iconic records. Dozens and dozens of hugely famous musicians have referenced his work but it goes far beyond sampling. You can see his DNA in so many artists including pop stars like Lady Gaga and Madonna, alien beings like Tilda Swinton, and filmmakers like Todd Haynes, Baz Luhrmann, and, more literally (since he's his actual son), Duncan Jones of Moon and Source Code fame. This is reach and immortality. Bowie the man is gone but Bowie the artist will forever remain a part of the world. 

 

P.S. If you need more time to process (and who won't) another David Bowie post a bit later on his films.

P.P.S. While I was typing this Vanity Fair posted a piece on Todd Haynes talking about David Bowie - it is so challenging to keep up with corporate sites!  -- so I shall now click over to read that.

 

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Reader Comments (11)

I hated almost everyone at the Globes last night and now THIS.

January 11, 2016 | Unregistered CommenterPeggy Sue

Bowie was way ahead of his time. RIP.

January 11, 2016 | Unregistered Commenterbrandz

Thank you for this post, no article could fully encapsulate the breadth of Bowie's work and influence. However your choice of "Under Pressure", the duet with Annie Lennox at the Freddie Mercury tribute concert is particularly apropos.

For some reason I keep thinking of various movies where his music would pop up. That scene in "Perks of a Wallflower" where they play "Heroes" as the limo goes through the tunnel.
Or the small indie film, "Hunky Dory" where high school teacher Minnie Driver puts on a musical of "The Tempest" using David Bowie's music. (sounds weird but it was quite good)

And I haven't even mentioned his influence on Fashion, or Tilda Swinton.
What a legend, RIP.

January 11, 2016 | Unregistered CommenterLadyEdith

Peggy Sue: me too.

January 11, 2016 | Unregistered CommenterRob

Devastated. A major influence on my life and work.

January 11, 2016 | Unregistered CommenterPaul Outlaw

Bowie was always extremely dramatic/cinematic as an artist. Even in the late-80's after he'd seen great commercial heights: https://www.youtube.com/watch?v=gMhMaNAmT-U

January 11, 2016 | Unregistered CommenterBruno

What a man, right? WHAT A MAN.

January 11, 2016 | Unregistered CommenterGlenn Dunks

The news of his death hit me like a ton of bricks last night. I couldn't sleep. I cried a lot instead.

January 11, 2016 | Unregistered CommenterEz

Really sad about this. Famous people die all the time, but occasionally one death proves extra-touching. Bowie was a genius. I think I'm a similar age to Nathaniel, which means that I too was a bit young for his (first) heyday, but he was one of a small number of people whose work always seems to be in the air, in the water, in the world. He was an ongoing cultural touchstone in so many ways, and with his recent albums, it was great to see him newly active. Alas, it was his dying moment. But his work and his influence will last. I mean, he must have made countless lives better through his music and his shape-shifting identities. A pioneer for all of us. RIP.

January 11, 2016 | Unregistered CommenterEdward L.

A true original is every sense of the word

January 11, 2016 | Unregistered CommenterJaragon

So sad.

And I was watching the video for "Space Oddity" and it really struck me how much he looked like Tilda Swinton - or I guess how much Tilda modeled her own look, to some extent, after him.

January 12, 2016 | Unregistered Commenterlylee
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