Film Bitch History
Oscar History

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.


Powered by Squarespace
Comment Fun

10th Anniversary: A SERIOUS MAN

"I have never seen a film that mixes laugh-out-loud comedy so intimately with dead serious philosophical questioning. It packs so much into its short runtime. " - Dr strange

"This movie is one of my favorites - Michael Stuhlbarg the biggest reason, he's so heartbreakingly fantastically good in everything." -Rebecca

Keep TFE Strong

We're looking for 500... no 461 Patron SaintsIf you read us daily, please be one.  Your suscription dimes make an enormous difference. Consider...

I ♥ The Film Experience




Directors (For Sama)
Lulu Wang (The Farewell)
Ritesh Batra (Photograph)
Schmidt & Abrantes (Diamantino)
Jia Zhang-ke (Ash is Purest White)

What'cha Looking For?
« How had I never seen... "Cabaret"? | Main | Horror Actressing: Maribel Verdú in "Pan's Labyrinth" »

Oscar's International Race - Pt 2: Random Stats and Key Trivia

Now that we have the whole list of 93 films vying for the Oscar for Best International Feature Film, it's time for a collection of trivia regarding this particular vintage...

The Painted Bird (Czech Republic) is just 11 minutes shy of three hours. Lots of films are that long but given that this movie has been referred to as 'the child rape Holocaust movie' three hours sounds utterly punishing. Naturally then, it's split audiences between 'masterpiece' and 'unwatchable' campsRunners up: Domain (Portugal) and Truth or Justice (Estonia) are just a little bit shorter, both about two hours and 45 minutes long.

Poisonous Roses (Egypt) is just 70 minutes long. It's reportedly a mood piece about life in lower-class Cairo that primarily focuses on the relationship of a sister and brother. Runners up: The light documentary When Tomatoes Met Wagner (Greece) is just two minutes longer than that one. Belgium's Our Mothers, Belarus's Debut, Lithuania's Bridges of Time, Albania's The Delegation, and Montenegro's Neverending Past are the other really short titles, all clocking in at 80 minutes or less.

Movie stars, languages, and gayness are after the jump...

Spanish leads the list with about 16 of the films in that language. Arabic is runner up in about 9 films. Russian and French follow, spoken in a half dozen movies each.


Monos (Colombia) has a group of teenage guerilla fighters holding Julianne Nicholson (August Osage County, Masters of Sex) hostage. It's currently in US theaters.

A Translator (Cuba) - Rodrigo Santoro (300, Westworld) headlines as the titular character helping victims of Chernobyl who were sent for treatment in Cuba.

Instinct (The Netherlands) - in this provocative extremely well-acted drama a social worker (Carice van Houten of Game of Thrones, Valkyrie, and Black Book fame) is tasked with evaluating the rehabilitation of a rapist (Marwan Kenzari who just played Jafar for Disney's Aladdin). Reviewed here.

Out Stealing Horses (Norway) stars the ever ubiquitous Stellan Skarsgård who somehow finds time for lots of Scandinavian movies inbetween all the American franchises he co-stars in (Thor, Mamma Mia, Pirates of the Caribbean, etcetera) and also fathering a vast clan (he has eight children, half of whom are actors, including Alexander (True Blood, Tarzan, etc), Bill (It, Castle Rock, etc), and Gustaf (Vikings, The Way Back, Westworld). FUN FACT: Paul Bettany and Jennifer Connelly named their son after him.

Pain and Glory (Spain) is mostly the Antonio Banderas show but Penelope Cruz has a beautiful role as his mother in flashbacks to the leading man's childhood. They're easily two of the most famous Spanish actors of all time, and both regular muses to their director Pedro Almodóvar. Reviewed here & Podcasted about, too. 

The UK is serving about The Boy Who Harnessed the Wind, streaming on Netflix, which is the directorial debut of the well loved Oscar nominated actor Chiwetel Ejiofor. Ejiofor plays the father of the lead character who builds a windmill to save his village from famine. 

An incredible 30% of the submission list is made up of films directed or co-directed by women this year. That's quite a number considering the vast gender disparity within Hollywood's own directing chairs. The most high profile of the female-helmed entries (at least at this point) is surely Atlantics (reviewed here) from Senegal's Mati Diop due to the film's success at Cannes and it subsequent purchase by Netflix. 

There are eight or nine queer films in the submission list this year, depending on how you define them, accounting for 9% of the submission list. Spain's Pain and Glory is the highest profile of those, naturally, since it's a fictionalized autobiography of one of the world's most famous auteurs. Among the other eight films most of them are about gay men including Sweden's very worthy Georgian language drama And Then We Danced (pictured). The three exceptions are Panama's Everybody Changes, a family drama in which the patriarch plans to undergo gender surgery to confirm her identity, Russia's Beanpole which can easily be read as a queer drama though it's not explicitly a "lesbian" film, and Venezuela's Being Impossible which is a non-binary film about a young woman who discovers she was born intersex and subject to multiple surgeries as a baby. (Sadly France skipped the lesbian costume drama Portrait of a Lady on Fire this year which would have made it an even ten queer films.)

Most of the submissions are dramas or dramedies, of course, and as per usual there's a solid dose of World War II/Holocaust pictures. Two different topics working their way into multiple submissions this year include pregnancy/motherhood, and the radicalization of young men. There are smattering of exceptions to the "only serious narrative dramas!" habit of Oscar submissions. Seven of the submissions are documentaries (including arthouse hit Honeyland from North Macedonia, reviewed here), one entry is a horror film (Thailand's Inhuman Kiss), two are animated films (China's Ne Zha and Japan's Weathering With You, pictured), one a rapping musical of sorts (India's Gully Boy) and a couple of action thrillers (Pakistan's Laal Kabotarr, Vietnam's Furie). Sadly no traditional musicals, sci-fi pictures, or romantic comedies this time around to mix things up. That need for variety will have to be satisfied by South Korea's Parasite, which you can safely argue is multiple genres at once including but not limited to thriller, black comedy, satire, and family drama.

Though Uganda tried to submit for the first time, their film was disqualified for reasons unbeknownst to us. But we do have two other first time submitting countries from within Africa: Ghana (Azali) and Nigeria (Lionheart, pictured). Nigeria is of course home to Nollywood which is a huge film industry but they haven't ever submitted before. That's partly because most Nollywood movies are in the English language making them ineligible for consideration. That all adds up to the most submissions ever from Africa, with 10 countries contending since Algeria, Egypt, Ethiopia, Tunisia, Kenya, Morocco, and South Africa also submitted. 

Uzbekistan was also a first time submitting country. 

Are you eager to see a batch of these films? Which of the 93 titles do you think will make the ten-wide finalist list?

PrintView Printer Friendly Version

EmailEmail Article to Friend

Reader Comments (13)

Uzbekistan also submitted for the first time this year.

October 7, 2019 | Unregistered CommenterSomeone

South Korea

October 7, 2019 | Unregistered CommenterPete

The research you've done for these posts is amazing. Thank you!

October 7, 2019 | Unregistered CommenterSteve G

Pete -- some interesting choices there. I do think the final 10 will be surprising

October 7, 2019 | Registered CommenterNATHANIEL R

I think South Korea, Spain and Senegal are locks for the final five.i

October 7, 2019 | Unregistered CommenterPete

I’m surprised Japan actually submitted Weathering with You. Even with the popularity of anime they haven’t submitted an animated film since Princess Mononoke back in 1997. I am a still upset they submitted Go over Spirited Away.

October 7, 2019 | Unregistered Commenterajnrules

ajnrules -- and how did PRINCESS MONONOKE not make it. Stupid Oscars!

October 7, 2019 | Registered CommenterNATHANIEL R

My predictions for the shortlist, in order of likelihood:

South Korea

Romania, Poland, Ukraine, Netherlands, Israel, Luxembourg, and Belgium are others I'm keeping an eye out for. I love North Macedonia, but I suspect it fares better in Documentary than in this category.

I think Czech Republic is just too grueling. It's painful to watch-- even the most traditional Academy voter with an interest in WWII films may want to be done with this one midway through its runtime-- and it's not formally interesting enough to offset the horribly upsetting plot. If it weren't absolutely unforgiving in its depiction of atrocities, it would have an infinitely better chance.

With regards to Pete's list, the Chilean entry has some really weird politics, as it's about a love triangle between three extreme right-wingers in Chile in the 70s. I'm not sure Americans in 2019 want to see that.

October 8, 2019 | Unregistered

Nathaniel, when you love what you do and those around you, you always find time. Thank you for your appreciation.

October 8, 2019 | Unregistered CommenterStellan Skarsgård

I've watched 15 so far and by the end of the week I'll be around 22 or so ... :)

The three standouts for me are:
Parasite (South Korea)
And Then We Danced (Sweden)
The Painted Bird (Czech)

Followed by
Les Miserables (France)
The Chambermaid (Mexico)
A White, White Day (Iceland)
Adam (Morocco)
Dear Ex (Taiwan)

Still need to watch Invisible Life, Pain and Glory, Beanpole, Monos ...

October 8, 2019 | Unregistered CommenterRod

Parasite should sweep the Oscars in every single category. It's the best movie I've seen since Wong Kar Wai's In The Mood For Love.

October 8, 2019 | Unregistered Commentercal roth

I wouldn't need a translator with Rodrigo Santoro. We would speak the universal language of love.

October 8, 2019 | Unregistered CommenterPeggy Sue

Thank you for your extensive coverage of the International Film race !

October 11, 2019 | Unregistered CommenterCharlie

PostPost a New Comment

Enter your information below to add a new comment.

My response is on my own website »
Author Email (optional):
Author URL (optional):
Some HTML allowed: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <code> <em> <i> <strike> <strong>