Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
COMMENTS

 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe
« Review: "Cats" | Main | Review: "Star Wars: Episode IX – The Rise of Skywalker" »
Thursday
Dec192019

Star Wars and the Oscars, a History.

Get away from Natalie Wood, Darth Vader, we're warning you!

Over at Vulture this weekend, yours truly has a piece up about the history of Oscar's affection (and lack thereof) for the Star Wars saga. I'm glad they liked my Diane Keaton / Annie Hall intro (though they added the Woody Allen bits -- I left him out as I didn't want to distract people) because I couldn't get the image of Diane callously "la-di-da"ing while wielding the Death Star out of my head. Anyway, it was great fun to write so I hope you enjoy. It was also a trip to source the FYC ads -- if only more of them were available online. I couldn't find a single FYC ad for The Empire Strikes Back or The Phantom Menace (among other films).

One thing I didn't have space for  that I could have written much more on was the individual categories over the years -- isn't it strange that Star Wars (1977) is the only time the series has ever been up for Costume Design?!? -- and the individual presentations. Look how excited Farrah Fawcett was to find out who won Best Editing!

And why did Oscar producers pair her with Marcello Mastroianni for a prize that was clearly going to Star Wars? The mysteries that emerge from history... even history as well documented as pop culture.  

PrintView Printer Friendly Version

EmailEmail Article to Friend

Reader Comments (6)

According to Inside Oscars, Farrah Fawcett's agent (she was a huge "get" at the time) would only let her appear if she was paired with someone big enough. His demand? Laurence Olivier. When that turned out to be impossible, he "settled" for Marcello Mastoianni - who was a Best Actor nominee that year for A Special Day.

December 19, 2019 | Unregistered Commenterken s.

I don't think it's fair that they made you write about straight people things.

December 19, 2019 | Unregistered CommenterPeggy Sue

Fawcett and Mastroianni are such an odd but totally ‘70s pair. I actually like those random pairings at the Oscars.

December 19, 2019 | Unregistered CommenterMareko

Star Wars also lost best drama to the turning point and Annie hall lost best comedy to the goodbye girl at the globes. I had to look up what the turning point was. I’m surprised they didn’t put Star Wars in comedy.

December 19, 2019 | Unregistered CommenterMike Troutman

Fun article, and beautifully written. Congratulations, Nathaniel.

December 20, 2019 | Unregistered Commenteradri

I will always be disappointed The Phantom Menace didn't get a costume design nod. I always think of Amadala's Queen Elizabeth gowns.

December 20, 2019 | Unregistered CommenterChris K
Member Account Required
You must have a member account to comment. It's free so register here.. IF YOU ARE ALREADY REGISTERED, JUST LOGIN.