Carey Mulligan's Quest For Oscar Nomination #2
Wednesday, December 23, 2020 at 1:46PM by Christopher James
Carey Mulligan patiently waits for her second Oscar nomination for Promising Young Woman.Carey Mulligan has repeatedly proved that she is one of the most talented actors in Hollywood. Yet, she has still not received an Oscar nomination since her breakout performance in 2009’s An Education. With great reviews and a Best Actress win from the Los Angeles Film Critics Association, Mulligan’s performance in Promising Young Woman could (finally) be the ticket to a second nomination...
Lone Scherfig 2009 film cast Mulligan, then best known as a supporting player in Pride and Prejudice, as Jenny, a sixteen year old wunderkind who must decide between marrying a rich older man or pursuing college. She didn’t just earn rave reviews, she also rode precursor success all the way to a Best Actress nomination. Before The Blind Side opened and became a smash hit, the prevailing narrative was the Best Actress race would come down to Meryl Streep (Julie & Julia) versus the ingenues (Mulligan and Gabourey Sidibe for Precious: Based on the Novel Push by Sapphire).
Regardless of the outcome, many expected us to see Carey Mulligan back on the Oscar stage soon. In some ways, Jennifer Lawrence got the career people expected from Mulligan. Lawrence starred in a well received indie film and cashed in her Oscar nomination for a franchise, three more Oscar nominations and a win. However, Mulligan’s post-nomination path was quite a lot different.
While an Oscar nomination gets an actor in the door of the Academy, their choices immediately following that nomination dictate when and if they’ll find their way back. In An Education, Mulligan won audiences over with her effervescence and wise-beyond-her-years charm. She felt most akin to a modern day Audrey Hepburn, exhibiting a star persona that blended authentic excitement and polish. Her projects immediately following both felt engineered for two types of Oscar narratives. The adaptation of Never Let Me Go, had Oscar written all over it. Yet, the chilly reception to the film and her performance gave her the perception of a “prestige actress,” something her co-star Keira Knightley always struggled with (how often did you hear “does she pick any projects that don’t put her in a corset?”). Her role as “the girlfriend” in the Wall Street: Money Never Sleeps was supposed to introduce Mulligan to a wider audience, but instead put everyone to sleep.
Carey Mulligan delivers an incredible and character specific rendition of "New York, New York" in "Shame."
Likely most of her 2010 projects were filmed before her breakout Oscar nomination. Her 2011 projects, which were likely her first choices after the nomination, were a better approximation of her shrewd gifts. Her role as the emotionally volatile lounge singer, Sissy, in Shame upped the ante of the talent she showcased in An Education. Her rendition of “New York, New York” proved she could make the camera hang on her every word as she weaved a tale of a tortured soul nursing feelings and wounds left by her family, her brother Brandon (Michael Fassbender) in particular. Throughout the movie, she attempts to pull herself closer to Brandon, only to pick fights that push each of them to their breaking points. Fassbender and Mulligan both use sexuality as weapons they later regret. Together they create a messed up sibling portrait that is impossible to forget.
In the same year, she co-starred in Drive as Irene, a single mother who becomes the object of desire and attraction to Ryan Gosling’s mysterious driver. On the page, the role feels like an underwritten stock character not unlike her “girlfriend” role in Wall Street: Money Never Sleeps. However, her unspoken chemistry with Gosling breathes new life into the archetype. Since the film is light on dialogue, it forces both actors to rely on their faces to communicate the plot turns. Gosling underplays it, while Mulligan masters a “deer in the headlights” look, especially during a particularly grueling elevator battle.
The Critics Choice Awards went for Mulligan in Supporting Actress for Shame. Meanwhile, the BAFTA Awards nominated her in the same category for Drive. With an NC-17 rating, Shame proved to have too much sex for Oscars, while Drive had too much violence. This year was likely the closest she came to that second Oscar nomination.
It would be a few years before she started receiving awards accolades again. Her roles all fell into the category of “self serious dramas” that people knocked her for when she did Never Let Me Go. While Inside Llewyn Davis won critical raves, her role as Jean only allowed her to play a few sour notes. Far From the Madding Crowd was a beautiful romance where she had terrific chemistry with co-star Matthias Schoenaerts. Unfortunately, despite arthouse success too few awards voters remembered the film. People did see her in 2013’s The Great Gatsby, where she played the dissatisfied socialite Daisy Buchanan. As Mia Farrow found out when she played the part in 1974, it’s a hard role to pull off and works better in novel form.
Every great actress deserves a chance to rise above Oscar-bait material.
Suffragette ranks as one of her most underrated roles. The movie may be very on the nose and a bit overcooked. Yet, Mulligan elevates the film thanks to her steely, central performance as Maud Watts, a young laundress who finds her way to the suffragette movement. She expertly dramatizes what Maud has to give up to fight for her rights. There’s an incredibly emotional scene where, after being denied custody of her kids, she performs a silent show out in front of their window. There’s so much pain in her eyes as she tries to get her kids to laugh and enjoy themselves. Mulligan knows how to effortlessly add texture to a scene without any words. She possesses a movie star’s power to command and direct attention. The movie initially had Oscar buzz, but soon faded from the conversation once reviews proved middling.
Awards attention came in the form of ensemble awards a few years later in 2017 for Dee Rees’ Mudbound. The film examined the fractured relationship between two farming families - one white and one black - in post-WW2 Mississippi. Mulligan plays Laura, a housewife who lusts after her brother-in-law. She expertly conveys Laura’s weariness. However, Mudbound succeeds because each actor works in harmony with each other, creating a richly realized portrait of two families whose conflict comes from shared interest. Mary J. Blige became the sole nominee of the bunch, though many also had buzz, including Mulligan in lead and Jason Mitchell and Garrett Hedlund in supporting.
More people should discover Carey Mulligan's terrific performance in Paul Dano's "Wildlife."The best was yet to come, as Mulligan delivered a stunning portrayal of suburban depression in 2018’s Wildlife, directed by Paul Dano. Mulligan stars as Jeanette, a Montana housewife whose marital dissatisfaction grows when her husband abandons her and her son for a job as a firefighter. Jeanette convinces herself that there’s no path forward for her if she stays loyal to her husband. She embarks on an affair with one of the richer members of the town, swallowing her pride to get ahead. So much of the movie is carried on Mulligan’s frozen gaze. Jeanette at one point asks her son, “If you’ve got a better plan for me, tell me. I don’t have one.” She’s run out of options to survive, so she’s not going to apologize for her indiscretions. Mulligan only saw an Indie Spirit nomination for her performance. However, those who have seen the film have championed her layered and committed performance (including here at this site).
When Carey Mulligan earns her second Oscar nomination for Promising Young Woman (we're choosing to be optimistic), it will be richly deserved. This is not just because her work as Cassie, the vengeful crusader against date rapists, is the best of her career. The second nomination will also reward the past decade of interesting performances that were ignored or written off. Carey Mulligan is a much more interesting actress than she is given credit for. Thus, the accolades this year are even more richly deserved.
Reader Comments (29)
It's looking good for her, for at least a nomination if not a win.
Shame, shame, Shame...
I say she should be on her 4th,An Education,Shame and Wildfire show her great range plus lots of other films,really glad she having her moment,could she win against Viola.
One of the most overrated and boring actresses of her generation.
She clearly has some natural talent—she was quite good in Skylight on Broadway, if not entirely memorable—and I admire the conviction she places in her characters, but I find her to be such a nullity in front of the camera. And when pushed beyond her range, as in Inside Llewyn Davis or Wildlife, she is downright embarrassing. Intrigued by the prospect of Promising Young Woman, but have yet to see any performance by her that makes me think she could pull off this particular assignment.
1. An Education (If they weren't going to give Meryl her damn 3rd Oscar already, then she should have won)
2. Wildfire
3. Inside Llewyn Davis (I respectfully (cough, cough) dissent from the general bad-mouthing this performance is getting so far - I thought she was sensational)
I think she is a very gifted and too often underrated actress. She should have won supporting for Shame and should have collected a third nomination with Wildlife. I hope she gets in this year.
Always find her amazing. And on stage she was SO good in Skylight. She's the real deal.
Um, she is ecstasy embodied in Promising Young Woman. Top to bottom. Everything I love about acting, especially as captured by women (the greatest actors around), she captures and rejuvenates from her first frame until well beyond her last.
The film has a tricky structure and tone, too. Not sure it pulls it off, but Mulligan knows what she's doing, and that's really all I needed to know.
She gets the vote in my ballot, that's for fucking sure. Holy shit, she's so good in this, and I've never been enthused by her one way or the other.
SHAME really does seem to me her best performance so far, and I agree she was quite strong in INSIDE LLEWYN DAVIS.
I'm excited for her. She's had a decade of excellent work since her last nomination, so it's easy to see this as a reward (of sorts) for that as well as this specific performance.
I think it's a shame that critics didn't rally behind her two performances in 2011. If they'd given her double awards for Shame/Drive, it's very easy to see how she could have been a nominee that year.
How has everyone seen Promising Young Woman? Given that it will be out in theaters, I won't be seeing it for a while, but I can't. It's curious that she could be a nominee/winner for a film that was originally slated to be released in April.
I'm a big fan and it's hard for me to pick a favorite - but if pressed, I guess for me her work in Shame edges her work in Never Let Me Go. I know some weren't thrilled with her in Drive, but I think she's surprisingly effective, given the script. And Gatsby is kind of the same thing, albeit it in a very different way (I think her performance works much better than one would expect given how that adaptation kind of explodes all over the place - although I don't disagree with those who saw that as the Debicki show).
I'm a big fan and think she should have been nominated for Shame. I do also think she was very good in The Greatest, which was released shortly after An Education. It didn't land with much fanfare but I thought it was very worthwhile. I think she's absolutely deserving of another nod for Promising Young Woman and I hope she gets it.
AMPAS just said Promising Young Woman can't compete in the Comedy/Musical category. Really AMPAS? After The Martian and Get out? Damn!
J -- i think you mean the HFPA... but yeah. weird ruling. especially since PROMISING YOUNG WOMAN is a comedy.
She should have won for Shame in a landslide. That performance is so raw and honest and is the single best showcase of acting that year. Brilliance. Her lack of an Oscar resume is gross.
Really enjoyed her in Llewyn Davis. Such a great film overall.
Never Let Me Go is my favorite movie from Carey’s filmography and Shame her best performance. On a side note: why everybody seems to despise Keira Knightley now?
I've liked her since And Education (what a breakthrough!), but what she did in Wildlife was outstanding. While I don't necessarily love the film, she owns it. It may be my favorite performance by an actress that year.
I really hope she wins this year. People respect her and she's been collecting awards so far. Is is that unlikely?
When Sandra Bullock won her Oscar (which I wasn't wholly against) I never would have thought she would have been invited back before Mulligan.
Mulligan has made some really great movies and had wonderful performances. Yet I think she got lost in the "serious" side of the industry. People know how talented she is...but they never knew she was fun. "FUN" is what helps. See - Jennifer Lawrence, Emma Stone.
Regardless, I hope to see Mulligan take on some roles that Lawrence, Stone, or Margot Robbie would do.
I am starting to think she can win this year. But she has to get nominated first. She is not a lock yet but seems to be getting closer everyday.
We'll see what Zendaya and Andra Day have up their sleeves. As of now my predicted nominees are Davis, Day, Kirby, McDormand, and Mulligan.
She should've won for Shame. The fact that she wasn't even nominated (along with Fassbender) shows Academy members unsurprisingly didn't watch it.
FAR FROM THE MADDING CROWD, WILDLIFE and MUDBOUND were her best perfomances post-AN EDUCATION for me. It felt criminal to me when Mary J. Blidge got so much buzz (and awards) for MUDBOUND, but so few love for Mulligan who was brilliant.
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A NOTE ABOUT "THE GREAT GATSBY": I really believe she was miscast as Daisy... Mulligan is a damn fine actress, but she doesn't have that spellbinding magnetism of ScarJo, for example (who was close of getting the role according to some reports).
Love her in Never Let Me Go and Far From The Madding Crowd but then again also love those films with her anchoring them. I belong to that small minority opinion where I thought she was not as good in Wildlife but respect her creative decisions.
Love her in An Education which I saw recently and forgot that Sally Hawkins and Rosamund Pike were also in it. That year I thought it was Sally Hawkins in Happy-Go-Lucky who won major precursor awards to sail through, but as many of us found out on Oscar nomination morning, she was not even nominated. At that time, I was thinking: AMPAS really wanted Sandra Bullock to win they had to remove her fiercest competition.
Had PYW stayed in the Comedy/Musical category, she wld've won Best Actress in Comedy/Musical easily!
Now tt HPPA throws a curveball to PYW, IF Mulligan wins Best Actress in Drama against Davis, then she will have a super good chance in SAG, BAFTA & Oscars!!! Fingers X!
Sheridan:
Happy Go Lucky was 2008 and An Education/The Blind Side were 2009.
I wonder if Gabourey Sidibe will ever get a role as meaty as the ones Carey's been receiving since her nomination.
Saw Promising Young Woman on Christmas Day. Loved it. Mulligan can absolutely win Best Actress. What a performance!