Would you rather?

It's time to play our favourite time wasting Instagram game (an elaborate excuse to share 10-12 fav celebrity social media posts of the week). So, WOULD YOU RATHER...

• do the can-can in Paris with Jessica Chastain and Sophie Turner?
• do research on Elvis with Baz Luhrmann?
• take a hot ride with Zoe Saldana?
• test perfume mixes with Michelle Pfeiffer? (It's called "layering")
• sip on Shah Rukh Khan in Dubai?
• kiss a llama with Daryl Hannah?
• go plant shopping with Jake Choi?
• have lunch with Marvel's superwomen? 
• count it down with Madonna & Meluma? 
• get beautiful with Judy Greer? 
• eat skittles with Carrie Preston? 
• shower with Channing Tatum? 

Pictures are after the jump to help you decide.

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John Singleton (1968-2019)

by guest contributor Alfred Soto 

Few young filmmakers get their scripts approved and direct a film in which most things go right, and John Singleton did with Boyz n the Hood. The 1991 depiction of life in blighted South Central L.A. starring a mesmerizing Ice Cube became the kind of phenomenon that absorbs cultural currents and creates new ones; for a few years pop music and MTV took their cues from Boyz n the Hood. It made $60 million and, in one of the Motion Picture Academy’s occasional gob-smacking beau gestes, earned Singleton a Best Director nomination, the youngest in history and, more crucially, the first nomination for a black director. 

Please consider the times...

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Tribeca: Hong Chau in "Driveways" and "American Woman"

Murtada Elfadl reporting from the Tribeca Film Festival

Almost 18 months after the release, we are starting to see the results of Hong Chau’s breakout role in Downsizing. At the Tribeca Film Festival this year, Chau is top-billed in two movies Semi Chellas’ American Woman and Andrew Ahn’s Driveways. The two give this adept performer a chance to showcase her talent and prove she’s ready for leading lady status.

Despite the top billing Chau is not the lead in Driveways. She plays Kathy, mother to shy 8 year old Cody (newcomer Lucas Jaye) whose unlikely friendship with the curmudgeonly widower next door Del (Brian Dennehy) is the primary narrative of the film. Del becomes their neighbor when they travel to a new town to clean and sell Kathy’s late sister’s house. Their stay is longer than they planned and Del becomes an integral part of their lives...

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Streaming Roulette May: Burning, Mermaids, Hairspray, and more...

As is our practice we've selected several random titles and frozen the films at utterly random moments without cheating (whatever comes up comes up!) for this quick preview. At the bottom of the page, check out full listings for Netflix, Hulu, Amazon Prime, and HBO for the first half of May 2019. Please do let us know if you're dying to discuss any of the films.  Okay, let's go...

Was there a well here a long time ago? A well deep enough to fall into?

Burning (2018) on Netflix
So good.  Still bummed it didn't make it to the Oscar nomination in best foreign language fi-- excuse me "best international film"

Please God, don't make me fall in love and want to do disgusting things.

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Soundtracking: The Life Aquatic

Chris Feil wishing Wes Anderson a happy 50th birthday!

The Life Aquatic with Steve Zissou feels like a transitional film for Wes Anderson, one caught between our perceptions of his “arrival” and the artist himself firming up his trademark approach. At the time of its release, dismissals of Anderson as all affect without substance were starting to take hold. The key traits used against the film were its dollhouse set design, its rudimentary and chintzy sea creatures, and a song score that relied heavily on revamping and repurposing the David Bowie songbook.

But now the (sure, flawed) film defies that perception on rewatch as a something that’s explicitly about living and creating with authenticity...

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