"The Savages", Also Revisited

Chris Feil continues his look at the films of Tamara Jenkins...

The Savages came nearly a decade after Tamara Jenkins arrived in 1998 with Slums of Beverly Hills, and the wait found the writer/director’s onscreen family dynamics develop to something tougher. Turns out time brings a whole host of concerns both harder to reconcile and compromise with, both in fiction and real life. Though it deals with timeless issues like family and aging, The Savages is also quite of its time, though in subtle ways it has maybe taken over another decade to see. What’s always been clear is that the film is miraculous.

Laura Linney and Philip Seymour Hoffman star as adult siblings and unfulfilled creatives Wendy and Jon Savage, forced to care for their estranged and formerly abusive father as he succumbs to dementia. Jenkins again is fascinated with our unfortunate bodies and social pretenses, this time with the film’s humor taking a more refined, unflinching swing at our very human shortcomings.

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Links

• IndieWire a brief interview with Steven Yeun about life after The Walking Dead -- strangely there are no questions about his new Korean movie Burning despite the fact that he's amazing in it
• THR Bradley Cooper getting an award from PETA for casting his own dog Charlie in A Star is Born. I mean.... the dog is perfection, so why not?
• Vanity Fair Fan Bingbing has broken her silence after disappearing. She is said to owe more than $100 million in backtaxes to the Chinese government

• /Film Trailer for The Conners series, essentially Roseanne without Roseanne
• The Guardian a wonderful interview with Samantha Morton about choices she made in her career, her new part on The Walking Dead, and why she was dubbed "difficult" in her early years of stardom.
• Playbill Emmy & Oscar winner Christine Lahti now starring in a play Off-Broadway about Gloria Steinem called Gloria: A Life. Steinem is quite the hot topic at the moment since there's also a biopic in the works
• Pajiba on the Bullseye rumors around Daredevil season 3
• Decider a Jeopardy moment that will go viral involving drag superstar Alyssa Edwards
• /Film Netflix will be releasing Paul Greengrass 22 July in 100 theaters (they're also rumored to be trying to buy movie theaters, which is odd considering how much they've worked to diminish the moviegoing habit)
• MNPP Luke Benward nine times
• Daily Beast and director Catherine Hardwicke reflect back on Twilight's success and the sexist aftermath

This Week's Must Read (s)
Wesley Morris has an amazing challenging essay about the new ways we discuss art and how they've come to center more on the artist and that person's perceived moral or representational correctness then the quality of the art.  I loved reading this because so much of what he's saying I've seen happening and whenever I tried to put my finger on why it was frustrating me, I couldn't quite locate the target. 

The essay also prompted this interesting discussion at Vulture among a panel of mostly female critics. I love the point raised that there's a way to discuss art in this new way while also balancing aesthetic discussion but a lot of younger critics haven't been trained in that way or encouraged to learn that skill in the charged political time we're living in.

Months of Meryl: Doubt (2008)

John and Matthew are watching every single live-action film starring Meryl Streep. 

 

#40 —Sister Aloysius Beauvier, a nun and Catholic school principal who wages battles with a suspicious new priest.

JOHN: Arriving at John Patrick Shanley’s 2008 film adaptation of his Pulitzer Prize-winning play Doubt felt like stumbling upon a waterfall in the desert. After a fallow period marked by smallish, adequate performances in dull-to-dreadful films, Meryl Streep finally inherited a meaty, challenging role in a tony adaptation well worth her time and talent, and alongside fellow acting titans at that.

In Doubt, it is 1964, and Sister Aloysius Beauvier (Streep) is the harsh and unforgiving principal of a Catholic school in the Bronx. Feared by most students and routinely respected by her fellow nuns, especially the younger, guileless Sister James (Amy Adams), Sister Aloysius comes to believe that a heinous crime has been perpetrated under her roof...

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"Slums of Beverly Hills" Revisited

Chris Feil is looking back at the films of Tamara Jenkins...

Tamara Jenkins doesn’t get nearly the love she deserves as one of the most rich voices in contemporary American comedy. Though maybe we could blame that on her short filmography that nevertheless remains pristinely unimpeachable. Or maybe it’s because she leaves us wanting for painful lengths of time between films, and makes it worth the wait. Her newest, Private Life, arrives Friday on Netflix after more than a decade since she gave us The Savages. And before that there was another decade gap following her 1998 debut Slums of Beverly Hills.

The film is most notorious for being the breakthrough role for Natasha Lyonne as the film’s hilarious teenage heroine Vivian. She belongs to another of Jenkins’ dysfunctional but affectionate family units, carted around 1970s California with her shifty father Murray and two dumbass brothers. Hers is a summer of firsts - her first bra, her first period, her first lay and first orgasm (separate, of course) - but Jenkins and Lyonne make it not-so-typical compared to less sharp coming-of-age tales. Opposite Alan Arkin as the father and Marisa Tomei as her fuckup aunt, Lyonne is a natural, exhaling comic brilliance by simply existing in Vivian’s restless malaise.

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Netflix in October: Big Mouth, The Shining, The Chilling Adventures of Sabrina

Time to play Streaming Roulette. Each month, to survey new streaming titles we freeze frame the films at random places with the scroll bar and whatever comes up first, that's what we share! 

What does Netflix offer us for free viewing this month? Let's survey...

Well, personally I think teaming up with a Chinese-American was good for the department's image.

The Dead Pool (1988)
Not to be confused with Deadpool. It's Clint Eastwood in his fifth and final Dirty Harry movie, this time paired with Evan C Kim. This line reading is really weird though out of context. I've never seen this but there are lots of stars before they were big: Jim Carrey six years before superstardom, Patricia Clarkson ten years before her critical breakthrough, and Liam Neeson just as he was breaking out. Weirdly even though this movie was a hit it didn't budge the needle on Eastwood's screen partner Evan C Kim's career. He did lots of TV guest spots before it and lots of TV guest spots after it. 

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