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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Thursday
Aug092018

Blueprints: "GLOW"

As we steamroll towards Emmy season, Jorge will be diving into the pilot episodes for some of the Best Series nominees from now until the ceremony on September 17. This week, he steps into the ring for some gorgeous lady wrestling…

If a TV show has the Jenji Kohan seal (either as a creator or as an executive producer), there are several things you can expect from it: biting satire that effortlessly moves from dark comedy to emotional drama, a focus on female stories, and large ensembles.

GLOW, Netflix’s second big collaboration with Kohan after Orange Is the New Black (though here only in a producer capacity) is a perfect embodiment of these traits. Let’s take a look at how writer-creator’s for the hit comedy, Liz Flahive and Carly Mensch, introduce and establish the main characters that we will be following in this journey of self-empowerment and risky physical maneuvers...

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Thursday
Aug092018

Oscar Myth-Busting: The Academy Doesn't Like Popular Films

by Nathaniel R

The 10 biggest hits of all time when adjusted for inflation. All but one of them was nominated for Best Picture and three of them won.

We hear it every year: "The Oscars only nominate films that no one has heard of!" Every year this untruth is spread by people who a) don't pay attention to movies and are thus not the target audience of the Oscars anyway and b) don't think things through before proclaiming them and c) haven't worked out that in our increasingly niche world MANY people haven't heard of tv shows, albums, movies, or plays that are of utmost importance to a whole other group of people.

Somehow this myth of "obscure taste" has sunk deep into the Academy's own mindset and they've bought in to it. This week's catastrophic announcement suggests that they've bought into this myth that they don't like popular things to the point of self-loathing. So, here's a quick bit of factual history to bust this myth once again. Our work is never done!

Box office history is harder to suss out prior to 1980 when box office reporting became a more regular occurrence. But most historical indications suggest that the nominees for Best Picture before then were often sizeable hits. Part of the divide that's happened in the past 38 years, which people are never honest about when they complain about Oscar's "relevancy," is that audiences became progressively less interested in human drama (Oscar's bread and butter from 1928 onward), which they mostly sought out on TV, and more interested in visual effects spectacle, cartoons, and mega-sequels. The former is an Oscar interest, the second one has its own category so they mostly ignore it, and the third is not an Oscar interest for which we are grateful because if you want the same things to win prizes every year, look to the Emmys!

So is there any kind of truth to the notion that Oscar doesn't like popular films and only embraces obscure ones? Let's look at the evidence from 1980 onwards...

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Thursday
Aug092018

Months of Meryl: Prime (2005)

John and Matthew are watching every single live-action film starring Meryl Streep. 

Meryl Streep as therapist with Uma Thurman as her client in Prime (2005)

#32 — Lisa Metzger, an Upper West Side therapist whose client begins dating her much younger son.

JOHN: The most depressing thing about Prime is that director Ben Younger reportedly spent eight years writing it. Equally depressing is the sight of Meryl Streep, Actress of Her Generation, wasting her time on this insipid project, and the subsequent dearth of roles for actresses over fifty that her involvement signifies. Here’s a fun kernel for a comedy skit: a kooky, Upper West Side therapist learns that the 37-year-old woman she is treating has begun dating her 23-year-old son, ensuing comic hijinks, oversharing, and ethical quandaries between therapist, son, and client. Now, imagine that idea stretched out for nearly two hours, sans comedy or romance, and you’d have Prime, easily one of the worst movies in Streep’s filmography...

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Thursday
Aug092018

Queer Roundup at GAZE International Film Festival

by Seán McGovern.

Last weekend I had the absolute pleasure of being invited to Dublin, Ireland to be on a jury of my queers at the 26th GAZE: International LGBT Film Festival. While it was fun to be back in MY HOME COUNTRY, it was even better to see such a diverse and compelling programme. After the jump a special spotlight on LGBT docs and the short film winners (and one spectacular narrative feature) which will be hopefully making it to a film festival near you soon. Don't forget to support queer cinema AND your local dive bar...

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Thursday
Aug092018

Showbiz History: Betty Boop, Bob Aldrich, and the Muscles from Brussels

We're still so terribly depressed about the Academy's foolhardy new decisions, that we're looking for ANYTHING else to think about today as distraction. Herewith...

12 random things that happened on this very day (Aug 9th) in history...

1918 HAPPY ROBERT ALDRICH CENTENNIAL! The director was born 100 years ago today in Rhode Island. Among his best known films: The Big Knife, The Dirty Dozen, Whatever Happened to Baby Jane?, Autumn Leaves, Hush Hush Sweet Charlotte, and The Longest Yard. Alfred Molina was recently Emmy-nominated for playing him in the TV series Feud: Bette and Joan...

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